1-20 of 28 Search Results for

camouflage

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
×Close Modal
Sort by
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2016) 31 (2 (92)): 149–153.
Published: 01 September 2016
... and a material condition to address issues of surveillance, the nonhuman, and contemporary art. Jennifer Rhee considers clothing that evades drone detection, while Zach Blas and Jacob Gaboury discuss biometric facial recognition and masked protest. Jasmina Tumbas and Jemima Wyman claim camouflage as a...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2016) 31 (2 (92)): 195–203.
Published: 01 September 2016
... collaborative interventions as well as the feminist and activist legacies that inform her video, performance, and installation works. For Wyman, opacity and camouflage enable collective emancipatory action in a time of contemporary neoliberal forms of surveillance, as seen in the practices of Pussy Riot members...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2016) 31 (2 (92)): 155–165.
Published: 01 September 2016
...” camouflage makeup.1 Likewise, Hito Steyerl’s recent How Not to Be Seen: A Fucking Didactic Educational .MOV File (2013) offers a series of half-­serious methods to avoid visual detection as part of a larger film essay on the value of invisibility.2 Alongside these art- ists, scholars such as Giorgio...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2016) 31 (2 (92)): 175–185.
Published: 01 September 2016
... 2016). 3. For more on Harvey’s response to total surveillance, see Tim Maly, “Anti-­Drone Camouflage: What to Wear in Total Surveillance,” Wired, 17 January 2013, www.wired.com/design /2013/01/anti-­drone-­camouflage-­apparel/. 4. For example, see Harvey’s other project CV...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2016) 31 (2 (92)): 167–173.
Published: 01 September 2016
.... Undetectable things practice evasion, stealth, and camouflage; they go underground; they hide and misdirect. They are kin to, but distinct from, things that are absent or invisible — different from the absent because ineluctably there, unlike the invisible in their relation to time. Invisibility is an...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1993) 11 (2 (32)): 124–160.
Published: 01 September 1993
... display of technology, the shiny surface of the shield, is so replete in itself that it produces the individual soldiers as so many unpolished components, unable to camouflage their human frailty, made vulnerable, ambivalent in relation to their role of mastery.” To represent the gleaming...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2011) 26 (2 (77)): 131–138.
Published: 01 September 2011
... offered their vids on individual passwordprotected sites.4 They adopted pseudonyms, gathered on mailing lists rather than in public forums, and named their annual convention VividCon, camouflaging even the word vid from the casual observer. However, in the first years of the twentyfirst...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2003) 18 (2 (53)): 57–91.
Published: 01 September 2003
..., the line of the houses not following the landscape but cutting across and into the landscape. It was the principle of the camouflage of the guns and ships in the war. The first year of the war, Picasso and Eve . . . Gertrude Stein and myself, were walking down the boulevard Raspail a cold winter...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1981) 3 (1 (7)): 88–109.
Published: 01 May 1981
... refuses the position of being looked at and of being desired. In hiding her eyes and her gaze she shrouds her own desires in mystery. The first sentence Charlotte speaks in Now Voyager (“Introverted, doctor names her illness, an illness which can function as a form of camouflage. In Boston she...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2002) 17 (1 (49)): 1–29.
Published: 01 May 2002
... role in acting as a support for the traffic in women: the traffickers’ absorption into urban pedestrian traffic and their engagement in the act of “just looking” through the display window act as a camouflage that allows them to pose as a perfectly respectable couple moving along with the flow of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1991) 9 (3 (27)): 54–75.
Published: 01 September 1991
... of black military per- sonnel in the Gulf. The lack of heroism of this war, and the hypocrisy with which Bush exploits patriotic and moral feelings to camouflage his realpolitik war, also show between the cracks. “I just can’t see it.” Significantly, this was the first military-wife...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1995) 12 (2 (35)): 106–128.
Published: 01 May 1995
... and in Germany. This is camouflaged reasoning given her outspoken admiration for the German leader. Yet without any sense of irony, the director claims she considered Goebbels a "Mephisto" figure and "[ein] gefarlicber Mann" (a dangerous man) 116 because he would have served Stalin if the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1995) 12 (2 (35)): 86–105.
Published: 01 May 1995
... Bergler, a conservative psychiatrist from the same period, whose homo- phobia rivals even Caprio's. Bergler writes: "in accepting the superficial camouflage, the naive observer plays into the hands of the unconscious 'alibi' of homosexuals [both female and male]. He is in the situation of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1985) 5 (1-2 (13-14)): 86–103.
Published: 01 September 1985
... his many innovations, the voice in his films is always the voice of an unacknowledged dominant. A voice that makes everything else in the film appear as if it were there only as camouflage for this unavowed dominance. Of equal importance is the promotion of the concept of the cineaste as...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1993) 11 (1 (31)): 48–70.
Published: 01 May 1993
... vulnerable flesh covered by a protecting shell. The cara- pace doubles as a mask behind which the ruling elite camouflages itself, adopting the clothes, language, and behavior of its former colonial masters. The carapace also evokes the social structure of neocolonial- ism. The...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2003) 18 (2 (53)): 1–25.
Published: 01 September 2003
... own labyrinth, the nature of which is ideological. Build- ing on these statements and on the film, one might assert that some systems of montage and dubbed sound constitute not only a colonizing audiovisual system but also a meticulous camouflage, covering over the implicit violence and erasure...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2011) 26 (2 (77)): 65–89.
Published: 01 September 2011
... consideration.14 The social outcomes of such disciplinary tactics are camouflaged by the focus on family. As the Blair and Brown governments in the UK supported and invested in a variety of social and educational endeavors intended to “strengthen” families for the public good, Supernanny...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1992) 10 (2 (29)): 91–129.
Published: 01 May 1992
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1985) 5 (1-2 (13-14)): 50–83.
Published: 01 September 1985
... chain of signifiers, this endless chain which acts as an escape route, or as a camouflage for that struggle “with a specter” which was how he viewed the act of writing. Perhaps this accounts for his rigid, and even literally compulsive, side. Restless His writing, then, is a series of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1986) 5 (3 (15)): 137–164.
Published: 01 December 1986