Search Results for buffy

...) and is the author of Saturday Morning Censors: Television Regulation before the V-Chip (1998) and Shaking the World for Jesus: Media and Conservative Evangelical Culture (2004). She is currently writing a book on right-wing broadcasting during the Cold War. Buffy and Cordelia, in tattered homecoming gowns...

... gender pronouns, sweetheart. Not that I’m judging.”7 While Joss Whedon’s Buffy (1997 – 2003) universe is known for its gender fluidity, with its female slayers and nerdy male aca- demics in supporting roles, the world of his spin-off, Angel, is even more queer — a place of darker...

... Characters like Battlestar Galactica’s Kara (Starbuck) Thrace and Farscape’s Aeryn Sun have 126  •  Camera Obscura their devotees, and both Xena: Warrior Princess  a nd Buffy the Vam- pire Slayer  are popular vidding fandoms (and both are, not acci- dentally, about female warriors). But in general...

.../20031224130007/httpwww .morgandawn.com/VidEntry.html. 4. There are some interesting exceptions; some Xena and Buffy vidders founded centralized public vid listings. 5. “Who We Are,” Machinima Arts and Sciences, “Academy Info,” machinima.org/whoweare.html (accessed 13 February 2011...

... Bunch, Mission Impossible, South Park), televi- sion shows remake popular films (M*A*S*H, The Odd Couple, Buffy the Vampire Slayer), and both films and television shows remake or adapt comic book stories (Superman, Batman, and the like). These various relations are complicated by the fact that many...

... by their cultural and economic capital.9 There is a degree of intentionality behind the dedicated following generated by programs like Twin Peaks (ABC, 1990 – 91; Showtime, 2017), The X Files (Fox, 1993 – 2002; 2016 – ), Buffy the Vampire Slayer (WB, 1997 – 2001; UPN, 2001 – 3), and Lost (ABC, 2004...

... of aggressively male-centric groups like the Freemasons has more of a resonance than for a younger online generation.37 After all, today’s participatory culture often embraces expansive mythical worlds of gender and sexual possibilities in such postmodern texts as Buffy, the Vampire Slayer  or Harry...

...,” in Action Chicks: New Images of Tough Women in Popular Culture (New York: Palgrave, 2004), 1 – 15; Eric Freeman, “Television, Horror, and Everyday Life in Buffy the Vampire Slayer,” in Hammond and Mazdon, The Contemporary Television Series, 158 – 80. 55. dramaqueen25, 1 June 2004...

..., for example, the Spice Girls hosted a “Girl Power” video event on MTV, and the success of girls’ culture is now visible in a range of cultural products from Buffy the Vampire Slayer to Sanrio’s “Hello Kitty” line. The commercialization of girl power, like that of lesbian chic...

... and Buffy the Vampire Slayer—there is no other space on television that acknowledges the existence of gay and lesbian children. COH-TV services open with Positive Voices, the choir for HIV-positive men. Then the show dissolves to Piazza’s sermon...