Search Results for brenda

... to the special issue by such Akerman scholars as Janet Bergstrom, Kelley Conway, Sandy Flitterman-Lewis, Ute Holl, Eva Kuhn, Brenda Longfellow, Ivone Margulies, and Maureen Turim; interviews with Akerman’s collaborators, editor Claire Atherton, cinematographer Babette Mangolte, and cellist and composer Sonia...

.... She is currently working on a book-length manuscript on the Black Panther Party and the Black Arts Movement. 05-Mennel&Onigiri 150-175=26pgs 1/25/01 1:47 PM Page 150 C. C. H. Pounder as Brenda in Bagdad Cafe (dir. Percy Aldon, West Germany, 1988). Courtesy...

...Lynne Joyrich; Misha Kavka; Brenda R. Weber This introduction to the special issue “Project Reality TV” interrogates, while also playing with, some of TV's forms and conventions, particularly those of the “preshow special” and the interview format. Borrowing from this format, it explores key issues...

...Jennifer Lynn Jones; Brenda R. Weber This article examines the fame‐hungry reality celebrity mother as a template for a new form of the female grotesque emerging within the postmillennial mediascape. Using a model of transmediation, the article argues that understanding this figure requires...

...Brenda Longfellow Chantal Akerman’s last film, No Home Movie (Belgium/ France, 2015), a film that is now impossibly freighted with the news of her suicide, provides a poignant reflection on many of the themes and formal strategies that Akerman has employed throughout her storied career. Shot...

... Iyer Stardom Ke Peeche Kya Hai?/What Is behind the Stardom? Madhuri Dixit, the Production Number, and the Construction of the Female Star Text in 1990s Hindi Cinema. No. 90: pp. 129 – 59 Jennifer Lynn Jones and Brenda R. Weber Reality Moms, Real Monsters: Transmediated...

... , and Richard Lippe. “Obsessions in the Melodrama: Amy Jones' Love Letters.” cineACTION! 2 (Fall 1985 ): 15 –21. Jacobowitz , Florence , and Lori Spring. “Unspoken and Unsolved: Tell Me A Riddle,” cineACTION! 1 (Spring 1985 ): 15 –20. Longfellow , Brenda . “Postmodernism and the Body...

... is blind, and I was too blind to see.  — Brenda Lee, “I’m Sorry” That is all I have to say on the subject. May I be allowed never to mention it again.  — Jean-Jacques Rousseau The persistent appeal of performative speech acts — “I plead,” “I declare,” “You’re fired!” — may lie within...

... and an expert-­educated “after” subject. In her comprehensive study on the subgenre, Brenda R. Weber describes three “common themes” that characterize make- over television: a narrative of progress through personal trans- formation, the use of shame to interpellate an imperfect subject...

... as a program teaser, and proclaiming, in its own way, Next season, on the Real Housewives . . . Notes I am grateful to the Project Reality TV coeditors Brenda R. Weber, Misha Kavka, and especially my shepherding editor, Lynne Joyrich for their generous and careful readings and suggestions. Thanks also...

...://www.ralentirtravaux.com/lettres/cours/recit_histoire.php (accessed 13 January 2023). 8. Janet Bergstrom, “Chantal Akerman and the Seventies,” Sight and Sound , 1 November 1999, http://old.bfi.org.uk/sightandsound/feature/196 . 7. Marso, Feminist Thinkers , 2. 6. Brenda Longfellow, “The Matrixial...

... with software that was both nonthreatening and pleasur- able and also, in turn, as the best way to increase their interest in gaming, an activity associated primarily with boys at that time. As Brenda Laurel, founder of Purple Moon, recalls, “I agreed that whatever solution the research suggested, I’d go...

... of engagement and affec- tive pleasures are on offer and to take seriously the place of plastic surgery in intimate, domestic space. In Makeover TV, Brenda R. Weber gives a slightly more measured account of plastic surgery television and affect. Weber describes a process of “affective...

...- brutes- er- zombies.html. 16. McFarland, Philosophy of the Living Dead, 26 27. 158 Camera Obscura 17. Brenda Cromb, Gorno: Violence, Shock, and Comedy, Cinephile 4 (2008), cinephile.ca/archives/volume- 4- post- genre/gorno - violence- shock- and- comedy/. 18. Slavoj i ek, The Parallax View...

... 1. See Amanda Ann Klein, “Abject Femininity and Compulsory Masculinity on Jersey Shore,” in Reality Gendervision: Sexuality and Gender on Transatlantic Reality Television, ed. Brenda R. Weber (Durham, NC: Duke University Press, 2014), 149 – 69. 2. “Barbara Walters Presents...

..., Reality TV and the Gendered Politics of Flaunting, in Reality Gendervision: Sexuality and Gender on Transatlantic Reality Television, ed. Brenda R. Weber (Durham, NC: Duke 150 Camera Obscura University Press, 2014), 54 75. See also José Esteban Muñoz, Disidentifications: Queers of Color...

..., “Computer Love”; Jonathan Cohn, The Burden of Choice: Recommendations, Subversion, and Algorithmic Culture (New Brunswick, NJ: Rutgers University Press, 2019), 129. 41. Brenda Salinas, “In Sync: Is Sharing Your Online Calendar a Relationship Milestone?,” NPR , 19 March 2016, sec. Society, https...

... and does not go into cars because his mother used to live in a car and make him sleep in the front seat. Together they live with another young boy, Miguel (Jonathan Proby), 116 in a foster home run by an older woman named Maggie Nelson (Brenda Fricker), who is obviously beyond child...

... of Life , with contributions by Marvin Heiferman, Gary Indiana, Lisa Phillips, Brenda Richardson, and Todd Solondz (New York: Harry N. Abrams, 2004). 51. Oxford English Dictionary Online , s.v. “junk,” https://www.oed.com/view/Entry/102090 (accessed July 7, 2023). 52. John Waters...

... of representative figures (as white, heroic, heterosexual males), see Carolyn G. Heilbrun, Writing a Woman’s Life (New York: Ballantine, 1988); Linda Wagner-Martin, Telling Women’s Lives: The New Biography (New Brunswick, NJ: Rutgers University Press, 1994); and Brenda Silver, Virginia Woolf...