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/10.1215_02705346-9052928/3/s_cob9052928figure5.png?Expires=2147483647&Signature=w3ckZcRodNv3W1hEskzP2zYzfrpk3ItNtvz5WzYNSfzMcBINYz4Fr7fKoozMAy6B5ydOV5CC5jNc3vQqe4BQP9tipbLoqjrgMuvZnup72i6gi4cGanKtCuuE3lhiZ8xxdMfif2zwtI9S2LRxOX0yx5GOOMxrfM0taagp~6nJnzVkBD1WdybB~YuAbC7pTzMywyhufzhFB9rkAnC18UA-HnTenDnTwH2dS8wyfOZX060dkkvWOXrieafx1wyxKVYh2X8rQhle5pw7XekM~O~0rW0QLsFfPEXaCVg0ylU3Z5kthTQgJi3id4dgaST8yj4ZHsqVLsOgUSU66I0-tBb3kg__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 September 2021
Figure 5. Carolee Schneemann working on Parts of a Body House Book at Beau Geste Press, Cullompton, UK, 1972. From left to right: Allen Fisher, Elaine Fisher (obscured), Matthias Ehrenberg, Carolee Schneemann, and Felipe Ehrenberg. Photograph by Anthony McCall
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/10.1215_02705346-9052928/3/s_cob9052928figure6.png?Expires=2147483647&Signature=nj5F3UVolt5m3Ci43F2Jg1QTXYAiBnuUAVhK58bY6Mgim0yxaA0-5pZH4K8aQE78IJK05PmOKbIE8nrS-xxVf86DXnV3lNiTFGqNJP2q~dLrsNghWDQp8-mpX3VNowtnquTNdSBuoHN8epaf9N1Dndq2rCrA-wypWCMrqDEggk6YhE5u5Kz-SkgHajb1KGNw1C680GYd9D~xpJ~Ys8f7tolQahFz8zjknEUZQP4JmbzvNf5VopYmjgb2YCHUtgL-P-8hvgXv5pdxyDy9nSlFFKPiIjQQ0d2AiVKyAy4WX8OtF17xfRtw-dRWg2xlILRz7DgzLqbvvh5bSYFl149D1g__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 September 2021
Figure 6. Carolee Schneemann, Parts of a Body House Book (Cullompton, UK: Beau Geste Press, 1972). Front cover. Courtesy of the Carolee Schneemann Foundation; P•P•O•W, New York; Galerie Lelong, New York; and Hales Gallery, London. © 2021 Carolee Schneemann Foundation / Artists Rights Society
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Journal Article
Camera Obscura (2018) 33 (1 (97)): 29–55.
Published: 01 May 2018
...Anne M. Royston Reading Avital Ronell’s unconventionally designed The Telephone Book implies reading material form as well as semantic content. Such a reading emphasizes the book’s typographical illegibilities, which become the figure for the space between person and thing. These illegibilities...
Journal Article
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 240–241.
Published: 01 December 1982
... Copyright © 1982 by Camera Obscura 1982 240 Books Received
Fassbinder by Peter Iden, Yaak Karsunke, Ruth McCormick, Hans-
Helmut Prinzler, Wilhelm Roth, Wolfram Schutte, Wilfried Wiegand.
Tanam Press. New York, 1981.
Apparatus (Cinematic Apparatus...
Journal Article
Camera Obscura (2000) 15 (1 (43)): 192–193.
Published: 01 May 2000
... 2000 CO 43-6, 192-193 6/6/00 2:52 PM Page 192
Books Received
Allen, Richard, and Ishii Gonzales, eds. Alfred Hitchcock: Centenary
Essays. London: British Film Institute, 1999.
Bergstrom, Janet, ed. Endless Night: Cinema...
Journal Article
Camera Obscura (2000) 15 (2 (44)): 202–204.
Published: 01 September 2000
... 2000 07-Books 202-204=3pgs 1/25/01 1:49 PM Page 202
Books Received
Allan, Robin. Walt Disney and Europe: European Influences on the
Animated Feature Films of Walt Disney. Bloomington: Indiana
University Press, 1999...
Journal Article
Camera Obscura (2001) 16 (1 (46)): 180–181.
Published: 01 May 2001
... 2001 06-Books Received.sh 5/29/01 12:41 PM Page 180
Books Received
Andrew, Dudley, and Carole Cavanaugh. Sanshô Dayû. London: British
Film Institute, 2000.
Barlow, Melinda, ed. Mary Lucier. Baltimore, MD: Johns Hopkins...
Journal Article
Camera Obscura (2001) 15 (3 (45)): 266–268.
Published: 01 December 2001
... 2001 08-Books.sh 266-268=3pgs 4/18/01 4:06 PM Page 266
Books Received
Allen, Michael. Family Secrets: The Feature Films of D. W. Griffith.
London: British Film Institute, 1999.
Altman, Rick. Film/Genre. London: British Film...
Journal Article
Camera Obscura (2001) 16 (2 (47)): 230–231.
Published: 01 September 2001
... 2001 Books Received
Dale, Alan. Comedy Is a Man in Trouble: Slapstick in American Movies.
Minneapolis: University of Minnesota Press, 2000.
Darley, Andrew. Visual Digital Culture: Surface Play and Spectacle in New
Media Genres. New York: Routledge, 2000.
Elsaesser...
Journal Article
Camera Obscura (2002) 17 (1 (49)): 216–218.
Published: 01 May 2002
... 2002 Books Received
Alister, Ian, and Christopher Hauke, eds. Jung and Film: Post-Jungian
Takes on the Moving Image. Hove, UK: Brunner-Routledge, 2001.
Azhgikhina, Nadezhda, and Meredith Tax. The Power of the Word II:
Women’s Voices and the New European Order. New York...
Journal Article
Camera Obscura (2002) 17 (2 (50)): 218–219.
Published: 01 September 2002
... 2002 Books Received
Abel, Richard, and Rick Altman, eds. The Sounds of Early Cinema.
Bloomington: Indiana University Press, 2001.
Abrams, Nathan, Ian Bell, and Jan Udris. Studying Film. New York:
Oxford University Press, 2001.
Bernardi, Daniel, ed. Classic Hollywood...
Journal Article
Camera Obscura (2002) 17 (3 (51)): 180–182.
Published: 01 December 2002
... 2002 Books Received
Adams, Rachel. Sideshow U.S.A.: Freaks and the American Cultural
Imagination. Chicago: University of Chicago Press, 2001.
Aitken, Ian. European Film Theory and Cinema: A Critical Introduction.
Bloomington: Indiana University Press, 2001.
Cheng...
Journal Article
Camera Obscura (2003) 18 (1 (52)): 188–190.
Published: 01 May 2003
... 2003 Books Received
Alter, Nora M. Projecting History: German Nonfiction Cinema,
1967–2000. Ann Arbor: University of Michigan Press, 2002.
Bachman, Gregg, and Thomas J. Slater, eds. American Silent Film:
Discovering Marginalized Voices. Carbondale: Southern Illinois...
Journal Article
Camera Obscura (2003) 18 (2 (53)): 152–153.
Published: 01 September 2003
... 2003 Books Received
Barnes, Peter. To Be or Not to Be. London: British Film Institute, 2002.
Barrios, Richard. Screened Out: Playing Gay in Hollywood from Edison to
Stonewall. New York: Routledge, 2003.
Chion, Michel. Eyes Wide Shut. London: British Film Institute, 2002.
Dixon...
Journal Article
Camera Obscura (2003) 18 (3 (54)): 212–214.
Published: 01 December 2003
... 2003 Books Received
Ascheid, Antje. Hitler’s Heroines: Stardom and Womanhood in Nazi
Cinema. Philadelphia: Temple University Press, 2003.
Bailey, David A., and Gilane Tawadros, eds. Veil: Veiling, Representation,
and Contemporary Art. Cambridge: MIT Press, 2003.
Baker...
Journal Article
Camera Obscura (2004) 19 (2 (56)): 170–171.
Published: 01 September 2004
... 2004 Books Received
Acevedo-Muñoz, Ernesto. Buñuel and Mexico: The Crisis of National
Cinema. Berkeley and Los Angeles: University of California
Press, 2003.
Desai, Jigna. Beyond Bollywood: The Cultural Politics of South Asian
Diasporic Film. New York: Routledge, 2004...
Journal Article
Camera Obscura (1993) 11 (2 (32)): 162.
Published: 01 September 1993
... Copyright © 1993 by Indiana University Press 1993 lii2 Books Received
Unthinking Eurocentrism: Multiculturalism and the Media by Ella Shohat and
Robert Stam. Routledge, 1994. $18.95.
Valie Export: Fragments of the Imagination by Roswitha Mueller. Indiana...
Journal Article
Camera Obscura (1994) 11-12 (3-1 (33-34)): 264.
Published: 01 May 1994
... Copyright © 1994 by Indiana University Press 1994 264 Books Received
Male Masochism: Modern Revisions of the Story of Love by Carol Siegel.
Indiana University Press, 1995. $29.95.
Picturing Modernism: Moholy Nagy and Photography in Weimar Germany...
Journal Article
Camera Obscura (2001) 16 (3 (48)): 264–265.
Published: 01 December 2001
... 2001 Books Received
Ashby, Justine, and Andrew Higson, eds. British Cinema: Past and
Present. New York: Routledge, 2000.
Bernardi, Joanne. Writing in Light: The Silent Scenario and the Japanese
Pure Film Movement. Detroit, MI: Wayne State University, 2001.
Buhle, Paul...
Journal Article
Camera Obscura (1992) 10 (2 (29)): 247–248.
Published: 01 May 1992
... Books Received
Theorizing Documentary edited by Michael Renov. Routledge, 1993.
Screening the Male: Exploring masculinities in Hollywood cinema edited by
Steven Cohan and Ina Rae Hark. Routledge, 1993. $15.95.
Raiding the Icebox: Reflections on Twentieth-Century Culture by Peter...
