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black women

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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2015) 30 (1 (88)): 129–153.
Published: 01 May 2015
...Kristen J. Warner This article explores the interstitial spaces between positive and negative representations of black womanhood on reality television. It argues that regardless of the presence of supposedly positive images in media, if audiences choose to see black women as “loud,” the symbolic...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1995) 12 (3 (36)): 12–31.
Published: 01 September 1995
...Deborah R. Grayson Copyright © 1995 by Indiana University Press 1995 My head. Photo by Charles Moore. Is it Fake?: Black Women’s Hair as Spectacle and Spec(tac)ular Deborah R. Grayson But if a woman have long hair, it is a glory to her...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2008) 23 (1 (67)): 11–45.
Published: 01 May 2008
... produced by performances across the color line, I argue that Horne's withholding exploited the conventions of the cabaret to resist the circumscribed roles available to black women performers on the Jim Crow stage. In autobiographical accounts of her early nightclub performances, she embraces what I term...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2013) 28 (2 (83)): 77–107.
Published: 01 September 2013
... trope often goes, the black mother is incapable and unloving, embodying two stereotypes that Patricia Hill Collins sums up as the dominant cultural images of black women — welfare mother and black matriarch2 — albeit in Precious  both are pushed to extremes of perverse monstrosity. Bullock’s...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2016) 31 (2 (92)): 27–59.
Published: 01 September 2016
...Rebecca Wanzo Issa Rae's web series The Misadventures of Awkward Black Girl (2011–13), initially posted on YouTube, and Lena Dunham's Girls (HBO, 2012–) are examples of the precarious-girl comedy in the new millennium. These sitcoms depict women experiencing a prolonged girlhood produced not only...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2013) 28 (2 (83)): 1–43.
Published: 01 September 2013
...Alessandra Raengo This essay pursues an understanding of the blackness of black cinema that is unhinged from the body of the maker or the content of the image. It does so by reading blackness through the visual paradigm of the shadow — that is, as a blackness that cannot, other than ideologically...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2008) 23 (2 (68)): 41–66.
Published: 01 September 2008
...Catherine Zimmer This essay explores Cheryl Dunye's The Watermelon Woman (1997) in the context of reflexive practice in film. The film has been variously approached as queer cinema, women's autobiographical and documentary cinema, and black cinema; this essay emphasizes how one might add to all of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1995) 12 (3 (36)): 32–48.
Published: 01 September 1995
... success story Often in media and film, violence in black women’s lives is treated as an inherent liability of their color and sex. For “subtle’’ and graphic visceral examples consider respectively the “near” rape scene in Spike Lee’s She’s Got to Have It and the brutal gang rape of the black...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1990) 8 (1 (22)): 159–166.
Published: 01 January 1990
... central struc- turing principles. The film opens with a serious female voice-over ruminating on issues of black female identity and history. As the camera pans photos of black African and British women and girls, the voice asks, “why do you hide from me, my lovely...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1995) 12 (3 (36)): 84–117.
Published: 01 September 1995
... are extremely slim that you will see any depictions at all of African women. As Nigerian literary critic Molara Ogundipe-Leslie notes, the black woman’s absence is “taken for granted The few instances in which African women are represented on the commercial or even the art house screen...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1993) 11 (2 (32)): 102–123.
Published: 01 September 1993
...,” allowing the series to resist a too-easy portrait of rich(er) white women patronizingly “loving” black “help.” This particular episode ends ambiguously, with the suggestion of a “wild night” between Anthony and Suzanne. The show also self-reflexively plays off of the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2011) 26 (1 (76)): 65–93.
Published: 01 May 2011
... Research Center postdoctoral fellow and a research associate in the Department of Women's Studies at Pennsylvania State University. © 2011 by Camera Obscura Jimi Hendrix: The Sex Tape (2007) DVD menu The Black Visual Experience: Hendrix, Porn, and Authenticity Ariane Cruz Since 29 April 2008...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1992) 10 (2 (29)): 18–54.
Published: 01 May 1992
..., medical historian Edward H. Beardsley suggests that public health officials had statistics from 1940 showing that black women contracted TB at four to five times the rate of white women.18 This situation was widely attributed not to economic and public health policies, but to African- American...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2014) 29 (3 (87)): 33–63.
Published: 01 December 2014
... ABC. 1971 focus This “Miserable Women on Television”: Irene McCabe, Television News, and Antibusing Politics Matt Delmont The slender mother of three alternatively goaded, rallied, calmed and steadied her followers through a long morning of active protest against pupil busing...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2017) 32 (1 (94)): 179–186.
Published: 01 May 2017
... black men or women in my films, for one reason. With the rise of black films, I didn’t feel that I should poach on their territory. Their chance to make any kind of film was so limited — as limited as mine — why should I interfere with their opportunity to make films about their own experiences...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2003) 18 (2 (53)): 27–55.
Published: 01 September 2003
... forms of public work that once served as the foundation of modern mas- culinity. In dramatizing the efforts of a mystical black man to help a depressed and alienated white man find his place in the world, however, the film ultimately creates a narrative about the relation of both white women and...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2001) 15 (3 (45)): 227–265.
Published: 01 December 2001
...-265=40pg 4/18/01 4:05 PM Page 226 Mercedes de Acosta (1934). Courtesy of the Rosenbach Museum & Library. 07-White.sh 226-265=40pg 4/18/01 4:05 PM Page 227 Black and White: Mercedes de Acosta’s Glorious...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1994) 11-12 (3-1 (33-34)): 212–241.
Published: 01 May 1994
...Carolyn Bronstein Copyright © 1994 by Indiana University Press 1994 A Healthy Challenge: The National Nutrition Test (Lifetime Television, 1993) Mission Accomplished? Profits and Programming at the Network for Women Carolyn Bronstein In the latest round of proposed funding cuts for...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2013) 28 (3 (84)): 67–101.
Published: 01 December 2013
... Alexanderplatz. Ultimately these figures make up one vast composite character, a combinatory form that echoes the superimposed photographs from the Weimar era that appear in the miniseries's credit sequence. Both the credit sequence and the serial women offer ways of representing Germany's past as a variegated...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1990) 8 (2 (23)): 8–41.
Published: 01 May 1990
... enjoyed a certain autonomy in constructing a cultural “black world,” relatively free from overt white intervention.” The urban black class structure in this era has been described as a markedly truncated pyramid, with the majority of black men and women laboring in low-paying industrial...