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Journal Article
Camera Obscura (2013) 28 (2 (83)): 77–107.
Published: 01 September 2013
... depictions of motherhood, especially as they pertain to the question of race, is juxtaposed with the form of the oppositional gaze represented in two adoption documentary films: Nicole Opper's Off and Running (US, 2009) and Camille Billops and James Hatch's groundbreaking Finding Christa (US, 1991...
Journal Article
Camera Obscura (2013) 28 (1 (82)): 157–165.
Published: 01 May 2013
... of feminist cinema but, alas, discovered that WMM’s workshops had deteriorated into a platform for its members’ own productions. Meanwhile, NYSCA had initiated its own funding for film­makers and would eventually fund Barbara Kopple, Camille Billops, Jill Godmilow, Yvonne Rainer, Lizzie Borden, Jennie...
Journal Article
Camera Obscura (2020) 35 (2 (104)): 37–61.
Published: 01 September 2020
... Billops (as Girl #1, Girl #2, Girl #3, and Girl #4) in Selma (dir. Ava DuVernay, 2014) How can visual culture represent African American subject- hood when the systems of governance themselves fail and refuse to represent African American interests? I suggest here that the reception and criticism of black...
Journal Article
Camera Obscura (2008) 23 (2 (68)): 41–66.
Published: 01 September 2008
... feature. Valerie Smith has considered Dunye’s earlier short films (her self- described “Dunyementaries”) in relation to Marlon Riggs’s Tongues Untied (US, 1990), Camille Billops and James V. Hatch’s Finding Christa (US, 1991), and Marco Williams’s In Search of Our Fathers (US...