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Journal Article
Camera Obscura (2011) 26 (3 (78)): 137–145.
Published: 01 December 2011
...Elena Gorfinkel Anna Biller, Los Angeles independent filmmaker, director, writer, producer, and star of the retro-sexploitation film Viva (2007) discusses her creative influences and production practice. Discussing the value of discarded generic modes such as 1960s sexploitation film and the use...
Journal Article
Camera Obscura (2011) 26 (3 (78)): 95–135.
Published: 01 December 2011
... to transcend it — as if “time capsules” without a destination. An exemplar of the penchant for “dated sexuality,” filmmaker Anna Biller restages the profilmic universe of the sexploitation oeuvre in her film Viva (2007). Viva 's narrative of two women's entrance into the sexual revolution and its meticulous...
Journal Article
Camera Obscura (2012) 27 (1 (79)): 192.
Published: 01 May 2012
... on women and vidding, essays on activist documentary, and interviews with filmmakers Anna Biller and acclaimedbenshi Midori Sawato. We encourage authors to use the short format to experiment with form in a critical context. The section includes solicited contri- butions and open submissions...
Journal Article
Camera Obscura (2011) 26 (3 (78)): 166.
Published: 01 December 2011
... on women and vidding, essays on activist documentary, and interviews with filmmakers Anna Biller and acclaimed benshi Midori Sawato. We encourage authors to use the short format to experiment with form in a critical context. The section includes solicited contri- butions and open submissions...
Journal Article
Camera Obscura (2012) 27 (2 (80)): 176.
Published: 01 September 2012
... on women and vidding, essays on activist documentary, and interviews with filmmakers Anna Biller and acclaimedbenshi Midori Sawato. We encourage authors to use the short format to experiment with form in a critical context. The section includes solicited contri- butions and open submissions...
Journal Article
Camera Obscura (2017) 32 (2 (95)): 29–61.
Published: 01 September 2017
...-­sexploitation filmViva (US, 2007), Elena Gorfinkel describes filmmaker Anna Biller as “a woman working through a set of dramatic and generic devices authored primarily by men and organized around male desire.”60 The same designation could easily be applied to Kane, whose work often features...
Journal Article
Camera Obscura (2013) 28 (2 (83)): 45–75.
Published: 01 September 2013
... relation to history has also been informed by Dipesh Chakrabarty, Provincializing Europe: Postcolonial Thought and Historical Difference (Princeton, NJ: Princeton University Press, 2000); and Lim, Translating Time. 49. Elena Gorfinkel, “ ‘Dated Sexuality’: Anna Biller’s Viva...