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bigelow

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Journal Article
Camera Obscura (2011) 26 (3 (78)): 146–153.
Published: 01 December 2011
...Martha M. Lauzen From the release of The Hurt Locker in October 2008 through the Academy Awards ceremony in March 2010, Kathryn Bigelow and her film garnered substantial press attention. An analysis of articles appearing on Bigelow in major English-language newspapers worldwide during this period...
Journal Article
Camera Obscura (2002) 17 (2 (50)): 155–189.
Published: 01 September 2002
... the representation of animals, knowledge, and expertise. Angela Bassett and Ralph Fiennes in Strange Days (dir. Kathryn Bigelow, US, 1995) Can “We All” Get Along? Social Difference, the Future, and Strange Days Mark Berrettini Several of the disparate character-driven narrative threads...
Journal Article
Camera Obscura (2014) 29 (1 (85)): 1–3.
Published: 01 May 2014
... Kathryn Bigelow, Sofia Coppola, Lucrecia Martel, and others. Building on these shifts, and attending to examples beyond these much-­discussed auteurs, each contributor in this issue examines a director and the manner in which her practice is uniquely contemporary as it moves between different...
Journal Article
Camera Obscura (1992) 10 (2 (29)): 91–129.
Published: 01 May 1992
... audience. The first study, conducted during the summer of 1919 by Professor Maurice A. Bigelow using Columbia University summer students, supported the film unequivocally. Bigelow reported that an “overwhelming majority of these students were of the opinion that The End of The Road should...
Journal Article
Camera Obscura (2017) 32 (1 (94)): 179–186.
Published: 01 May 2017
... making films I had hoped that maybe I could get some work in television, but that door was firmly shut to me too. Occasionally women today get to direct a feature film, but I don’t think it’s a very good situation overall. I mean, people point to Kathryn Bigelow, but, beyond that, who can...
Journal Article
Camera Obscura (2009) 24 (3 (72)): 111–151.
Published: 01 December 2009
...- ryn Bigelow, Antonia Bird,  Jane Campion, Gurinder Chadha, Mar- tha Coolidge, Busi Cortés,  Julie Dash, Claire Denis, Doris Dörrie, Su Friedrich, Bette Gordon, Marleen Gorris, Leslie Harris, Mona Hartoum, Amy Heckerling, Agnieszka Holland, Ann Hui, Barbara Kopple, Diane Kurys, Clara Law, Deepa...
Journal Article
Camera Obscura (2009) 24 (3 (72)): 153–162.
Published: 01 December 2009
... and tourism-oriented festivals, these competitive showcases are indus- try players that receive intense media coverage. Thus their visible programming commitments to women filmmakers — Agnès Varda, Kathryn Bigelow, Gina Prince-Bythewood, and Samira Makhalbaf were among the many prominent women...
Journal Article
Camera Obscura (2002) 17 (2 (50)): 191–217.
Published: 01 September 2002
... of racialization, kinship, and sexuality under US slavery. Ralph Fiennes in Strange Days (dir. Kathryn Bigelow, US, 1995) Strange Days and the Subject of Mobility Brian Carr This is not like TV, only better. This is life. It’s a piece of somebody’s life. It’s pure and uncut—straight...
Journal Article
Camera Obscura (1997) 14 (1-2 (40-41)): 180–198.
Published: 01 May 1997
... concomitant threat, is that it presents another family, afflicting “true” family loyalties, like the gang in Bigelow’s film Near Dark (1987).Its counterpart in contemporary society may be the cults which are springing into being in our fin-de- millennium; they too are said...
Journal Article
Camera Obscura (2014) 29 (1 (85)): 5–31.
Published: 01 May 2014
... University Press, 2005), 498. 5. The most conspicuous example is Kathryn Bigelow. While her work has been examined in relation to questions of gender, her public statements shy away from feminism. 6. It is significant that in many national industries, women are overrepresented...
Journal Article
Camera Obscura (2020) 35 (1 (103)): 109–137.
Published: 01 May 2020
... TV and film.7 The Academy- Award- winning film Zero Dark Thirty (dir. Kathryn Bigelow, US, 2013), which depicts the CIA s hunt for Osama Bin Laden and his eventual assassination just outside Islamabad, is a perfect example. Using the familiar tropes of the quintessential (white) American liberal...
Journal Article
Camera Obscura (2012) 27 (1 (79)): 31–67.
Published: 01 May 2012
... be further illuminated by other productions by Sum- mit Entertainment. For example, another lm starring Pattinson, Remember Me, is less a story about New York itself than a global imagining of America under with the key parts played by non- American actors; The Hurt Locker (dir. Kathryn Bigelow...
Journal Article
Camera Obscura (2011) 26 (3 (78)): 1–33.
Published: 01 December 2011
.... 58. In 2010, veteran filmmaker Kathryn Bigelow became the first woman to win the Academy Award for Achievement in Directing and the producer’s award for Best Motion Picture for the film Let Them Wear Manolos  •  33 The Hurt Locker  (US...
Journal Article
Camera Obscura (2002) 17 (2 (50)): 109–153.
Published: 01 September 2002
.... Wolfgang Petersen), 12 Monkeys (dir. Terry Gilliam), Apollo 13 (dir. Ron Howard), Species (dir. Roger Donaldson), and Strange Days (dir. Kathryn Bigelow), to name a few, were released; in 1996 Twister (dir. Jan de Bont), Independence Day, Mars Attacks! (dir. Tim Burton), and Mimic (dir. Guillermo del...