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bigelow

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Journal Article
Camera Obscura (2011) 26 (3 (78)): 146–153.
Published: 01 December 2011
...Martha M. Lauzen From the release of The Hurt Locker in October 2008 through the Academy Awards ceremony in March 2010, Kathryn Bigelow and her film garnered substantial press attention. An analysis of articles appearing on Bigelow in major English-language newspapers worldwide during this period...
Journal Article
Camera Obscura (2014) 29 (1 (85)): 1–3.
Published: 01 May 2014
... directors like Kathryn Bigelow, Sofia Coppola, Lucrecia Martel, and others. Building on these shifts, and attending to examples beyond these much-­discussed auteurs, each contributor in this issue examines a director and the manner in which her practice is uniquely contemporary as it moves between...
Journal Article
Camera Obscura (2002) 17 (2 (50)): 155–189.
Published: 01 September 2002
... expertise. Camera Obscura 2002 Angela Bassett and Ralph Fiennes in Strange Days (dir. Kathryn Bigelow, US, 1995) Can “We All” Get Along? Social Difference, the Future, and Strange Days Mark Berrettini Several of the disparate character-driven narrative threads in Kathryn...
Journal Article
Camera Obscura (2009) 24 (3 (72)): 153–162.
Published: 01 December 2009
... circuit of audience and tourism-oriented festivals, these competitive showcases are indus- try players that receive intense media coverage. Thus their visible programming commitments to women filmmakers — Agnès Varda, Kathryn Bigelow, Gina Prince-Bythewood, and Samira Makhalbaf were among...
Journal Article
Camera Obscura (1992) 10 (2 (29)): 91–129.
Published: 01 May 1992
Journal Article
Camera Obscura (2017) 32 (1 (94)): 179–186.
Published: 01 May 2017
.... After I stopped making films I had hoped that maybe I could get some work in television, but that door was firmly shut to me too. Occasionally women today get to direct a feature film, but I don’t think it’s a very good situation overall. I mean, people point to Kathryn Bigelow, but, beyond that...
Journal Article
Camera Obscura (2002) 17 (2 (50)): 191–217.
Published: 01 September 2002
... under US slavery. Camera Obscura 2002 Ralph Fiennes in Strange Days (dir. Kathryn Bigelow, US, 1995) Strange Days and the Subject of Mobility Brian Carr This is not like TV, only better. This is life. It’s a piece of somebody’s life. It’s pure and uncut—straight...
Journal Article
Camera Obscura (2009) 24 (3 (72)): 111–151.
Published: 01 December 2009
...- ryn Bigelow, Antonia Bird,  Jane Campion, Gurinder Chadha, Mar- tha Coolidge, Busi Cortés,  Julie Dash, Claire Denis, Doris Dörrie, Su Friedrich, Bette Gordon, Marleen Gorris, Leslie Harris, Mona Hartoum, Amy Heckerling, Agnieszka Holland, Ann Hui, Barbara Kopple, Diane Kurys, Clara Law, Deepa...
Journal Article
Camera Obscura (1997) 14 (1-2 (40-41)): 180–198.
Published: 01 May 1997
... this time been seen in the vampires’ cove, it is clear who are responsible for these disappearances. The lure of the vampire gang, and its concomitant threat, is that it presents another family, afflicting “true” family loyalties, like the gang in Bigelow’s film Near...
Journal Article
Camera Obscura (2014) 29 (1 (85)): 5–31.
Published: 01 May 2014
Journal Article
Camera Obscura (2020) 35 (1 (103)): 109–137.
Published: 01 May 2020
... Bigelow, US, 2013), which depicts the CIA s hunt for Osama Bin Laden and his eventual assassination just outside Islamabad, is a perfect example. Using the familiar tropes of the quintessential (white) American liberal feminist woman now determined to find and kill danger- ous brown men, Zero Dark Thirty...
Journal Article
Camera Obscura (2011) 26 (3 (78)): 1–33.
Published: 01 December 2011
Journal Article
Camera Obscura (2002) 17 (2 (50)): 109–153.
Published: 01 September 2002
... Reynolds), Tank Girl (dir. Rachel Talalay), Out- break (dir. Wolfgang Petersen), 12 Monkeys (dir. Terry Gilliam), Apollo 13 (dir. Ron Howard), Species (dir. Roger Donaldson), and Strange Days (dir. Kathryn Bigelow), to name a few, were released; in 1996 Twister (dir. Jan de Bont), Independence Day...
Journal Article
Camera Obscura (2012) 27 (1 (79)): 31–67.
Published: 01 May 2012