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Journal Article
Camera Obscura (2000) 15 (2 (44)): 105–149.
Published: 01 September 2000
... articles that explore the Turkish-German cultural exchange in European film productions. 04-Fenner 104-149=46pgs 1/25/01 1:46 PM Page 104 German print ad (detail) for Berlin in Berlin (dir. Sinan Çetin, Germany, 1993). 04-Fenner 104-149=46pgs 1/25/01 1:46 PM...
Image
Published: 01 September 2022
Figure 3. Esty striding through Berlin in Unorthodox (dir. Maria Schrader, Netflix, 2020) More
Journal Article
Camera Obscura (2013) 28 (3 (84)): 67–101.
Published: 01 December 2013
...Jill Richards Critics of Berlin Alexanderplatz (WDR, West Germany, 1980) most often focus on the extended love plot between Franz (Günther Lamprecht) and Reinhold (Gottfried John). This focus is not surprising, given that the vexed relationship between Rainer Werner Fassbinder's leading men...
Journal Article
Camera Obscura (2018) 33 (3 (99)): 49–73.
Published: 01 December 2018
...Mary Hennessy This article retraces a genealogy from the contemporary Berlin School back to German feminist film culture of the 1970s. It focuses on two films with female protagonists: Helke Sander’s watershed feminist film of the New German Cinema, Die allseitig reduzierte Persönlichkeit—Redupers...
Journal Article
Camera Obscura (2022) 37 (2 (110)): 119–147.
Published: 01 September 2022
...Figure 3. Esty striding through Berlin in Unorthodox (dir. Maria Schrader, Netflix, 2020) ...
FIGURES
Journal Article
Camera Obscura (2018) 33 (3 (99)): 75–101.
Published: 01 December 2018
...Priscilla Layne Between 1990 and 1997, Auma Obama, half-sister of Barack Obama, studied at the Berlin Film and Television Academy (DFFB). For her final project, Obama wrote and directed All That Glitters (1993), a short film about Wendo, a Kenyan woman living in Bayreuth, married to a white German...
Journal Article
Camera Obscura (2018) 33 (3 (99)): 1–19.
Published: 01 December 2018
... of women’s cinema at present, visible in the rise of the Berlin School, the development of women-oriented production collectives, and the resurgence of feminist organizing on behalf of gender parity in the contemporary German film industry. feminist film theory German women’s movement neo-liberalism...
Journal Article
Camera Obscura (2018) 33 (3 (99)): 21–47.
Published: 01 December 2018
...Faye Stewart This study traces shared national narratives about women, work, and precarity in films made by East German women directors in the state-run DEFA studios before and after the fall of the Berlin Wall. A comparative analysis of Evelyn Schmidt’s Das Fahrrad ( The Bicycle , 1982) and Helke...
Journal Article
Camera Obscura (2018) 33 (3 (99)): 129–145.
Published: 01 December 2018
...Hester Baer; Angelica Fenner In this conversation, which took place in Berlin, Ger­many, in August 2017, filmmaker Tatjana Turankskyj discusses recent developments in Pro Quote Film, the feminist initiative she cofounded with several other women filmmakers to promote gender parity in German film...
Journal Article
Camera Obscura (1979) 1-2 (3-1 (3-4)): 224–227.
Published: 01 May 1979
.... albertina, Vienna. museum des 20. jahrhunderts, Vienna. neue galerie, graz. distribution: freunde der deutschen kinemathek, berlin. P.A.P., munich. reprinted from Berlin International Film festival, 1977 (Youth Forum). Translated by Marc Silberman. See also On Film...
Journal Article
Camera Obscura (1980) 2 (3 (6)): 122–152.
Published: 01 December 1980
..., and festivals. Most recently, West Berlin has emerged as a particularly favorable city for feminist cinema. There, in 1973, Helke Sander and Claudia Alemann organized the “First International Women’s Film Workshop.” One result was the founding of the first and only Euro- pean feminist...
Journal Article
Camera Obscura (1991) 9 (3 (27)): 76–87.
Published: 01 September 1991
... was, but whatever it now was didn’t seem to be there. It was near Alexanderplatz. I had been told, by someone I had never seen, to go to 1.5-16 Grosse Ham- burger Street, East Berlin-an address that didn’t exist, in a city that no longer exists. Now, Grosse Hamburger Street is just part of Berlin...
Journal Article
Camera Obscura (1988) 6 (3 (18)): 42–51.
Published: 01 September 1988
...Janet Bergstrom The Theater of Everyday Life: Ulrike Ottinger's China: The Arrs, Everyday Life Janet Bergstrom West Berlin has had a strong documentary filmmaking movement throughout the history of the New German Cinema, and women have played an important part in it by making...
Journal Article
Camera Obscura (2001) 16 (1 (46)): 99–141.
Published: 01 May 2001
... and conquered Berlin in 1945, and it contextualizes these events with information about rapes by the German army as well as the armies of the other Allies against Hitler. Sander’s film premiered at the Berlin Film Festival in Feb- ruary 1992; it won...
Journal Article
Camera Obscura (1983) 4 (2 (11)): 132–145.
Published: 01 September 1983
... a financial crisis so that women directors and producers find it increasingly difficult to attract and / or reach their audiences. Two casualties of these developments can already be registered: Chaos Film-a distributor offeminist films-went bankrupt, and the women's cinema in Berlin no longer...
Journal Article
Camera Obscura (1979) 1-2 (3-1 (3-4)): 219–224.
Published: 01 May 1979
..., berlin. P.A.P., munich. reprinted from Berlin International Film festival, 1977 (Youth Forum). Translated by Marc Silberman. See also On Film no. 9 (Winter 1978-79) for a dossier on Valie Export, including a short interview and filmography. All Around Reduced...
Journal Article
Camera Obscura (1986) 5 (3 (15)): 165–173.
Published: 01 December 1986
..., although it concerns a limited aspect of the original version of Metropolis. This is the censorship card of the Film Censor- ship Office in Berlin which passed the film for release on November 13, 1926 at a length of 4,189 meters. These censorship cards were actually little...
Journal Article
Camera Obscura (2001) 16 (1 (46)): 47–75.
Published: 01 May 2001
... to exceed these influences, becoming distinct and timely interventions of their own. Farocki entered the newly established German Film and Television Acad- emy Berlin in 1966, an institution whose very existence resulted from the agitation of the young German...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 209–212.
Published: 01 December 1989
... of ideology. Yet the critic’s practice cannot be separated from the problem of spectatorship. The Berlin editors of Frauen und Film approached me early because I was at that time one of the few women writing for one of the established newspapers (Frankfurter Rundschau) who had...
Journal Article
Camera Obscura (1980) 2 (3 (6)): 3–5.
Published: 01 December 1980
... of a program of cultural exchange between the cities of Los Angeles and West Berlin, a number of filmmakers from West Berlin wrll be in Los Angeles in Novem- ber: Jutta Brueckner, Petra Haffner, Angelika Kittelhack, Elfie Mikisch, Ulrike Ottinger, Cristina Perincioli, Helge Reidemeister...