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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2000) 15 (2 (44)): 105–149.
Published: 01 September 2000
... articles that explore the Turkish-German cultural exchange in European film productions. 04-Fenner 104-149=46pgs 1/25/01 1:46 PM Page 104 German print ad (detail) for Berlin in Berlin (dir. Sinan Çetin, Germany, 1993). 04-Fenner 104-149=46pgs 1/25/01 1:46 PM...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2013) 28 (3 (84)): 67–101.
Published: 01 December 2013
...Jill Richards Critics of Berlin Alexanderplatz (WDR, West Germany, 1980) most often focus on the extended love plot between Franz (Günther Lamprecht) and Reinhold (Gottfried John). This focus is not surprising, given that the vexed relationship between Rainer Werner Fassbinder's leading men is the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2018) 33 (3 (99)): 49–73.
Published: 01 December 2018
...Mary Hennessy This article retraces a genealogy from the contemporary Berlin School back to German feminist film culture of the 1970s. It focuses on two films with female protagonists: Helke Sander’s watershed feminist film of the New German Cinema, Die allseitig reduzierte Persönlichkeit—Redupers...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2018) 33 (3 (99)): 1–19.
Published: 01 December 2018
... women’s cinema at present, visible in the rise of the Berlin School, the development of women-oriented production collectives, and the resurgence of feminist organizing on behalf of gender parity in the contemporary German film industry. Copyright © 2018 Camera Obscura 2018 This content is made...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2018) 33 (3 (99)): 21–47.
Published: 01 December 2018
...Faye Stewart This study traces shared national narratives about women, work, and precarity in films made by East German women directors in the state-run DEFA studios before and after the fall of the Berlin Wall. A comparative analysis of Evelyn Schmidt’s Das Fahrrad ( The Bicycle , 1982) and Helke...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2018) 33 (3 (99)): 129–145.
Published: 01 December 2018
...Hester Baer; Angelica Fenner In this conversation, which took place in Berlin, Ger­many, in August 2017, filmmaker Tatjana Turankskyj discusses recent developments in Pro Quote Film, the feminist initiative she cofounded with several other women filmmakers to promote gender parity in German film...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2018) 33 (3 (99)): 75–101.
Published: 01 December 2018
...Priscilla Layne Between 1990 and 1997, Auma Obama, half-sister of Barack Obama, studied at the Berlin Film and Television Academy (DFFB). For her final project, Obama wrote and directed All That Glitters (1993), a short film about Wendo, a Kenyan woman living in Bayreuth, married to a white German...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1979) 1-2 (3-1 (3-4)): 224–227.
Published: 01 May 1979
...-material-interactions),photography, drawings. purchases: centre georges pompidou, paris. albertina, Vienna. museum des 20. jahrhunderts, Vienna. neue galerie, graz. distribution: freunde der deutschen kinemathek, berlin. P.A.P., munich. reprinted from Berlin...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1980) 2 (3 (6)): 3–5.
Published: 01 December 1980
... appear in Camera Obscuru/7. As part of a program of cultural exchange between the cities of Los Angeles and West Berlin, a number of filmmakers from West Berlin wrll be in Los Angeles in Novem- ber: Jutta Brueckner, Petra Haffner, Angelika Kittelhack, Elfie Mikisch, Ulrike...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1980) 2 (3 (6)): 122–152.
Published: 01 December 1980
..., and festivals. Most recently, West Berlin has emerged as a particularly favorable city for feminist cinema. There, in 1973, Helke Sander and Claudia Alemann organized the “First International Women’s Film Workshop.” One result was the founding of the first and only Euro- pean...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1991) 9 (3 (27)): 76–87.
Published: 01 September 1991
... know exactly what this missing house was, or once was, but whatever it now was didn’t seem to be there. It was near Alexanderplatz. I had been told, by someone I had never seen, to go to 1.5-16 Grosse Ham- burger Street, East Berlin-an address that didn’t exist, in a city that no longer...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1996) 13 (1 (37)): 238–239.
Published: 01 January 1996
... development of the American horror film in the early nineties. Harun Farocki is a Berlin-based filmmaker, who makes primarily experimental documentary and "essay" films. He has made over seventy films, including Images ofthe World and the Inscription ofWar, Videograms ofa...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1976) 1 (1 (1)): 140–142.
Published: 01 May 1976
... German) BasicEditiing Theory, a book of history and theory using analyses of the first eight years of D. W. Griffith's films. D Yvonne Rainer has received a grant from the West German Government to live in Berlin as a visiting artist. Kristina Talking Pictures premiered in August at the Pacific Film...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1979) 1-2 (3-1 (3-4)): 219–224.
Published: 01 May 1979
...-material-interactions),photography, drawings. purchases: centre georges pompidou, paris. albertina, Vienna. museum des 20. jahrhunderts, Vienna. neue galerie, graz. distribution: freunde der deutschen kinemathek, berlin. P.A.P., munich. reprinted from Berlin...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1988) 6 (3 (18)): 42–51.
Published: 01 September 1988
...Janet Bergstrom Copyright © 1988 by The Johns Hopkins University Press 1988 The Theater of Everyday Life: Ulrike Ottinger's China: The Arrs, Everyday Life Janet Bergstrom West Berlin has had a strong documentary filmmaking movement throughout the history of the New German...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2013) 28 (3 (84)): 169–170.
Published: 01 December 2013
... of The Hours: Queer Melodrama and the Dilemma of Marriage. No. 82: pp. 37 – 67 Alessandra Raengo In the Shadow. No. 83: pp. 1 – 43 B. Ruby Rich The Confidence Game. No. 82: pp. 157 – 68 Jill Richards Berlin Alexanderplatz’s Serial Women. No. 84: pp. 67 – 101 Patricia White...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1983) 4 (2 (11)): 132–145.
Published: 01 September 1983
... Berlin no longer programs only women's films for women. In the United States there have been some encouraging developments regarding the availability of German women's films. In the fall of1980, a group of filmmakers participated in the Berlin-Los Angeles exchange (Petra Haffter, Angelika...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 209–212.
Published: 01 December 1989
... of a critique of ideology. Yet the critic’s practice cannot be separated from the problem of spectatorship. The Berlin editors of Frauen und Film approached me early because I was at that time one of the few women writing for one of the established newspapers...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1986) 5 (3 (15)): 165–173.
Published: 01 December 1986
... have a second document that provides reliable information, although it concerns a limited aspect of the original version of Metropolis. This is the censorship card of the Film Censor- ship Office in Berlin which passed the film for release on November 13, 1926 at a...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2001) 16 (1 (46)): 99–141.
Published: 01 May 2001
... conquered Berlin in 1945, and it contextualizes these events with information about rapes by the German army as well as the armies of the other Allies against Hitler. Sander’s film premiered at the Berlin Film Festival in Feb- ruary 1992; it won the...