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bellour

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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1979) 1-2 (3-1 (3-4)): 133–134.
Published: 01 May 1979
... Copyright © 1979 by Camera Obscura 1979 Raymond Bellour : Selected Bibliography I. Books Afexandre Astruc. Paris: Seghers, 1963. Henri Michaux ou une mesure de f’itre.Paris: Gallimard, 1966. Le Zivre des autres. Paris: L’Herne, 1971. Essays on film and literature; interviews...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1979) 1-2 (3-1 (3-4)): 70–103.
Published: 01 May 1979
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1982) 3-4 (2-3-1 (8-9-10)): 116–123.
Published: 01 December 1982
...Raymond Bellour; Susan Suleiman Copyright © 1982 by Camera Obscura 1982 “I Am an Image”” Raymond Bellour The essential novelty of Sauve qui peut (la vie) (already suggested in FvanL‘e/touv/d~touv/deux/enfants)resides in the displacement to which the cinema is subjected. Here...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1977) 1 (2 (2)): 67–92.
Published: 01 September 1977
...Raymond Bellour; Bertrand Augst; Hilary Radner © 1977 by Camera Obscura 1977 Hitchcock, The Enunciator Raymond Bel/our o. The credits have barely starred; a body is seized. Twice a name is claimed: the film's title by its director, and a woman's name by a man. Admittedly...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1979) 1-2 (3-1 (3-4)): 104–132.
Published: 01 May 1979
...Raymond Bellour Copyright © 1979 by Camera Obscura 1979 Psychosis, Neurosis, Perversion Raymond Bellow Barthes said to me the other day: basically, when you give someone something to read, you...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1983) 4 (2 (11)): 28–59.
Published: 01 September 1983
...Raymond Bellour © 1983 by Camera Obscura 1983 Thierry Kuntzel and the Return of Writing RaymondBellour It was after this that there was most ofa virtue for him, most of a cultivated charm, most of a...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1986) 5 (3 (15)): 110–136.
Published: 01 December 1986
...Raymond Bellour © 1986 by Camera Obscura 1986 Edison’s phonographic talking doll (1890) Ideal Hadaly Raymortd Bellour The New Eve, an electro-human machine (almost an animal! . . . ), offering a replica of the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1990) 8 (3 (24)): 206–215.
Published: 01 September 1990
...Raymond Bellour; Alison Rowe; Elisabeth Lyon Copyright © 1991 by The Johns Hopkins University Press 1990 7‘he Letter goes on 99 Raymond Bellour The letter goes on and on. If it is a real letter, it never stops saying, wanting, wanting to say more. In film, the letter is...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1990) 8 (3 (24)): 7–10.
Published: 01 September 1990
...Raymond Bellour; Elisabeth Lyon Copyright © 1991 by The Johns Hopkins University Press 1990 The Power of Words, The Power of Images Raymond Bellour Depending on one’s choice of chronology and emphasis, two essential things have been happening for ten, twenty, thirty years...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1979) 1-2 (3-1 (3-4)): 32–69.
Published: 01 May 1979
...Janet Bergstrom Copyright © 1979 by Camera Obscura 1979 REFERENCES Bertrand , Augst “The Défilement into the Look….” Camera Obscura , 3-1 (fall, 1977 ). Raymond , Bellour (Please see the bibliography which follows this article.) Sandy , Flitterman “Woman, Desire...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1980) 2 (2 (5)): 3–5.
Published: 01 September 1980
... psychoanalysis and cinema, co-edited by Kuntzel, Raymond Bellour and Christian Metz, and so it was written to be read in the context of Bellour’s “Le blocage symbolique,” Metz’s “The Imaginary Signifier” and “The Fiction Film and Its Spectator,” and Jean-Louis Baudry’s “The Apparatus: Metapsychological...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1979) 1-2 (3-1 (3-4)): 246–247.
Published: 01 May 1979
... Copyright © 1979 by Camera Obscura 1979 246 CONTRIBUTORS Raymond Bellour is currently writing a film scenario on the life of the French historian Michelet with Philippe Venault. L’Analyse du fzlm, his collected film analyses, will be published in 1979 as will two...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1990) 8 (3 (24)): 216–217.
Published: 01 September 1990
... Language of Fiction (Boston: Routledge and Kegan Paul, 1982) and the translator of Jean-Claude Milner’s For the Love of Language (London: Macmillan, 1990). Raymond Bellour is co-curator of Passages de l’image (on the relations between photography, film, video and computer images) which...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1980) 2 (2 (5)): 116–118.
Published: 01 September 1980
.... Bellour, Raymond Hitchcock, the Enunciator. Vol. I, no. 2; pp. 66-91. Psychosis, Neurosis, Perversion. Vol. I, no. 3-4;pp. 105-132. Alternation, Enunciation, Hypnosis: Interview with Raymond Bellour by Janet Bergstrom. Vol. I, no. 3-4;pp. 71-103...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1977) 1 (2 (2)): 93–104.
Published: 01 September 1977
...Bertrand Augst © 1977 by Camera Obscura 1977 The Defilement Into the Look. Bertrand Augst Thierry Kuntzel's' closescrutiny of the effect produced by the defilement of a series of still images passing through the gates of a projector, and Raymond Bellour's- analysis of the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1982) 3-4 (2-3-1 (8-9-10)): 238–239.
Published: 01 December 1982
...: Klincksieck, 1973) and of the forthcoming Munuel d’esthitique du cinima. He currently teaches at the University of Lyon (France) and at the Center for Film Studies in Paris. Raymond Bellour is Make de Recherches at the C.N.R.S. (Paris). His most recent work includes an...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1983) 4 (2 (11)): 146–147.
Published: 01 September 1983
... © 1983 by Camera Obscura 1983 146 Contributors Raymond Bellour is Maitre de Recherches at the C.N.R.S. (Paris). His most recent work includes the completion of a book-length study of the novels of Alexandre Dumas, L 'enonciaieur and, with Philippe Venault, a...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1983) 4 (2 (11)): 3–5.
Published: 01 September 1983
... essentialist ideas take too much for granted about the nature of feminin• ity, masculinity and homosexuality and stand in the way of developing theories to account for the complexities of representation. Other articles extend the theoretical concerns found in previous issues. Raymond Bellour writes on...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1986) 5 (3 (15)): 180–181.
Published: 01 December 1986
...-14; pp. 163-193. Bellour, Raymond Ideal Hadaly. No.15; pp. 111-135. Bergstrom, Janet Androids and Androgyny. No.15; pp. 37- 65. Dadoun, Roger Metropolis: Mother-City-“Mitt1er”-Hitler. No. 15; pp. 137- 163. Duguet, Anne-Marie...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1986) 5 (3 (15)): 3–5.
Published: 01 December 1986
... place for the father, given the “disintegration and transfiguration of the ‘traditional’ American bourgeois family.” Raymond Bellour’s “Ideal Hadaly” (on The Future Eve by Villiers de 1’Isle-Adam) analyzes the collusion of technology and male fantasy in the representation of the ideal...