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belinda

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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2014) 29 (1 (85)): 1–3.
Published: 01 May 2014
...Therese Davis; Belinda Smaill This introduction to the special issue titled “The Place of the Contemporary Female Director” outlines the genesis of the issue and aims of the editors. Building on a workshop that took place in Film and Television Studies at Monash University, Melbourne, in 2011, the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2014) 29 (1 (85)): 5–31.
Published: 01 May 2014
...Belinda Smaill This article discusses contemporary Danish director Susanne Bier, whose recent features have received international exposure and acclaim. It situates Bier as a female filmmaker, analyzing what her status as a female director might add to a reading of the circulation of her work in...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2009) 24 (2 (71)): 43–75.
Published: 01 September 2009
...Belinda Smaill British documentary filmmaker Kim Longinotto has been producing work for three decades. Her films have circulated widely and garnered significant critical acclaim. Despite her prominence in the industry, Longinotto's films have attracted surprisingly little scholarly attention. Her...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2014) 29 (3 (87)): 184–185.
Published: 01 December 2014
.... 149 – 83 Nick Davis The Face Is a Politics: A Close-Up­ View of Julie Dash’s Illusions. No. 86: pp. 149 – 83 Therese Davis Between Worlds: Indigenous Identity and Difference in the Films of Darlene Johnson. No. 85: pp. 81 – 109 Therese Davis and Belinda Smaill...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2014) 29 (1 (85)): 33–57.
Published: 01 May 2014
... Monash University. She is author of The Chinese Exotic: Modern Diasporic Femininity (Hong Kong University Press, 2007); coauthor, with Belinda Smaill and Audrey Yue, of Transnational Australian Cinema: Ethics in the Asian Diasporas (Lexington, 2013); and coeditor, with Sean Metzger, of Futures of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2014) 29 (1 (85)): 81–109.
Published: 01 May 2014
... Hollywood genre films on television. To date, all of Johnson’s work falls within short-­form cat- egories: short dramas, one-­hour documentaries, and made-­for-­TV documentaries for Indigenous programs such as Message Stick (ABC, Australia, 1999 – 2012). Belinda Smaill has called for greater...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2016) 31 (2 (92)): 119–147.
Published: 01 September 2016
...- maker play in mediating, without collapsing, significant differences between the women whose lives are at stake in these documentaries and the women who make and watch them? In their writings on Kim Longinotto, both Patricia White and Belinda Smaill grapple with the related questions of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2014) 29 (1 (85)): 111–135.
Published: 01 May 2014
... that world’s rhythms and tonalities, then we might say that the note that it sounds is the discordant one of crossing over itself — tracing an ephemeral space that holds, precariously, the distance between different worlds.28 Notes I would like to thank Therese Davis and Belinda Smaill...