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1
Journal Article
Camera Obscura (2019) 34 (1 (100)): 99–111.
Published: 01 May 2019
... that the two parts poetically echo each other—one focuses on her writing displayed sculpturally, and the other on an interview with her mother about her grandmother’s diary—and features a projection doubled not only by side-by-side images but also by an additional intervening scrim bearing images of the diary...
Journal Article
Camera Obscura (2019) 34 (3): 63–95.
Published: 01 December 2019
... Street as a case study to analyze the ways in which theories of trauma can be effectively brought to bear on melodramas of the post–World War I era and, in the process, demonstrate the appeal Pabst’s works held for the Close Up editors, who shared his interest in trauma, psychoanalysis, and healing...
Journal Article
Camera Obscura (2022) 37 (2 (110)): 59–89.
Published: 01 September 2022
... Frames per Century (Italy, 2013), Chevalier (Greece, 2015), and Trigonometry (BBC, 2020), reveals Tsangari's authorial signature and how Tsangari's films ambivalently bene fit from “wave” marketing even as their reception bears out the costs of that uncomfortable fit. Paradoxically, Tsangari's auteur...
FIGURES
| View All (4)
Journal Article
Camera Obscura (1990) 8 (1 (22)): 50–72.
Published: 01 January 1990
... the
live prize fights with their male homosocial clientele, the cinematic
The Teddy” Bears (Edwin S. Porter, 1907)
52 mediation of the event gave women access to a public sphere from
which they had traditionally been excluded. To be sure, this access
was not the same...
Journal Article
Camera Obscura (1990) 8 (1 (22)): 4–7.
Published: 01 January 1990
... contexts.
In an essay on Edwin S. Porter’s The “Teddy” Bears (1907),Miriam
Hansen discusses film spectatorship not only as a function of film style
and structure, but also as a function of particular exhibition practices.
Referring to the opposition between public and private spheres, she...
Journal Article
Camera Obscura (1980) 2 (3 (6)): 6–41.
Published: 01 December 1980
...-enters and sits down near
Anne-Marie Stretter and Michael kchardson on the floor.
The Beethoven variation continues.
V2: [She] can’t bear it.
V1: No, she can’t bear it . . . can’t bear India.
The voices are silent.
V1: She’s sleeping.
V2: He loved her more than anything in the world...
Journal Article
Camera Obscura (1990) 8 (3 (24)): 162–167.
Published: 01 September 1990
.... Of this time-these years-the tapes, all of them, bear
the mark. This time-these years-the tapes, all of them, have tried
to take up, to say silently while assigning the spectator, in part, to my
place-the strange place of the watchman.
Nostos I (1979)
Three...
Journal Article
Camera Obscura (1976) 1 (1 (1)): 53–70.
Published: 01 May 1976
... does" object" continue to function
"as object", and to what extent does object become meaning-bearing?
Texts function very much like the objects I have used in that they
keep reappearing in a new work (e.g. the red ball, the stairs, the suit-
case, etc.) As my interests change, I find...
Journal Article
Camera Obscura (2008) 23 (2 (68)): 69–101.
Published: 01 September 2008
....”
These and other examples privilege memory’s cinematic contours,
such that light’s shifting meaningfully affects (and saves) lives.
In addition to the light’s photogenic enhancement of the
film and the world, After Life also heralds the privileges and luxu-
ries of cinematic time, which bears...
Journal Article
Camera Obscura (1988) 6 (1 (16)): 169–177.
Published: 01 January 1988
..., is noticeable in this
respect. This shift, not surprisingly, is having a major effect on the articula•
tion of social relations within the family, not least those which bear upon
the balance of power over gender differences.
In Family Television, David Morley sets out...
Journal Article
Camera Obscura (2016) 31 (1 (91)): 5–25.
Published: 01 May 2016
...)
in which a former New York City mayor (Alan Mandell), who bears
a striking resemblance to Ed Koch, and a man several decades his
junior, Ceth (Jay Brannan), meet at the underground salon for
which the film is named — a place that plays host to everything
from performance art, film screenings...
Journal Article
Camera Obscura (2009) 24 (2 (71)): 43–75.
Published: 01 September 2009
... but is also informed by what Wendy Brown
refers to as the “fiction of the autonomous, willing, reasoning,
48 • Camera Obscura
rights-bearing subject convened by modernity,” an individual who
is structured through discourses of the fulfillment of the self.11
In Divorce Iranian Style...
Journal Article
Camera Obscura (2007) 22 (2 (65)): 11–37.
Published: 01 September 2007
... Identification
It was my nineteenth or twentieth birthday — I can’t remember
which. I was contemplating coming out to my parents when I
received a birthday card in the mail from my mother. My mother
never sends cards bearing preprinted messages specific to the
occasion. She always sends a card...
Journal Article
Camera Obscura (2009) 24 (3 (72)): 41–71.
Published: 01 December 2009
.... Some immigrants were even sprayed with DDT on their
arrival to Israel to “purify” them of the infections they brought with
them from their Arab countries of origin.8 “The displaced Jews
from Muslim countries,” Shohat writes, “became victims of logics
of progress, bearing the marks of its...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 127–132.
Published: 01 December 1989
... problems of entry for women into tradi-
tionally male-dominated cultural and industrial spheres, it has had to bear
the additional burden of working alongside the paralyzing paradigms of a
feminist cultural theory in which historical diagnoses have tended to harden...
Journal Article
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 5–6.
Published: 01 December 1982
...) in order to give readers a sense not only of the importance that
we afford to Godard’s work, but also the complexity of our relation to
that work as it bears on our own project, namely, the examination of
women and representation in film and the other arts.
Although the American release title...
Journal Article
Camera Obscura (2002) 17 (2 (50)): 69–107.
Published: 01 September 2002
...-to-
be is hailed or “interpellated” into, inscribed within, a network of
relations governed by the symbolic order. “Everyone knows how
much and in what way an unborn child is expected,” Althusser
notes. They may assume as a matter of course, for example, that
the child “will bear its Father’s Name...
Journal Article
Camera Obscura (2022) 37 (2 (110)): 119–147.
Published: 01 September 2022
... Berlin. Invented to fill out the setting and the story, none of these characters develops through their own narratives; they are perfunctory and even superficial figures who simply bear witness to and facilitate Esty's escape and transition from ultra-Orthodox life. Perhaps the blithest of all is Yael...
FIGURES
Journal Article
Camera Obscura (1992) 10 (2 (29)): 57–90.
Published: 01 May 1992
..., in an editorial, attention was drawn to the fact that
endometriosis was increasing in frequency and that there was probably
some reason for it. It was felt that the increase might be due to delayed
marriages and the lack of early and frequent child-bearing, and suggested...
Journal Article
Camera Obscura (2014) 29 (3 (87)): 93–115.
Published: 01 December 2014
... [The Swamp] and its
environs.
Located ninety kilometers away is the town of Rey Muerto [Dead
King] and close by the estate called La Mandrágora [Mandrake].
Mandrágora is a plant that was used as a sedative before ether and
morphine replaced it, when it was necessary to bear painful experiences...
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