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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2007) 22 (2 (65)): 73–101.
Published: 01 September 2007
... and Performance . Her interview with David Wilson, cofounder of the Museum of Jurassic Technology in Los Angeles, appears in Other Voices 3 (2007). She is currently revising her book manuscript, “Moving Performances.” It’s Time from House for Josephine Baker (parody series) by Darell Wayne...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2008) 23 (3 (69)): 35–79.
Published: 01 December 2008
...Anne Anlin Cheng This article tells the stories of architect Adolf Loos and cabaret/film icon Josephine Baker in order to trace the philosophic intimacy between modernist preoccupation with the nude surface and the staging of exposed, racialized skin in the early twentieth century. The racial or...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2003) 18 (3 (54)): 212–214.
Published: 01 December 2003
... 2003 Books Received Ascheid, Antje. Hitler’s Heroines: Stardom and Womanhood in Nazi Cinema. Philadelphia: Temple University Press, 2003. Bailey, David A., and Gilane Tawadros, eds. Veil: Veiling, Representation, and Contemporary Art. Cambridge: MIT Press, 2003. Baker...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2007) 22 (2 (65)): 1–9.
Published: 01 September 2007
... this issue are also connected by their interest in diva reception. Making a case for the progressive potential of “Baker’s mobile diasporic diva iconicity,” Jeanne Scheper considers how Josephine Baker’s image as both a sexualized black woman and a mother has been understood and...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1996) 13 (2 (38)): 116–131.
Published: 01 May 1996
... Baker, Dash uses the term speculative fiction to describe how she 118 would like artists to depict in an "expansive" way a historical life or period of time about which historical data is lacking-what some might call "taking liberty." Though the phrase speculative fiction emerges...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2012) 27 (2 (80)): 165–175.
Published: 01 September 2012
... made, and the gaps that neoliberalism has left bare are slowly being bridged, one frame at a time. • Camera Obscura Notes . Jasbir Puar, Terrorist Assemblages: Homonationalism in Queer Times (Durham, NC: Duke University Press, . George Baker, “Photography’s Expanded Field...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2009) 24 (2 (71)): 1–41.
Published: 01 September 2009
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1992) 10 (2 (29)): 91–129.
Published: 01 May 1992
... their campaign against venereal disease, ASHA, working in conjunction 94 with the Young Men’s Christian Association (YMCA), secured its foothold in the government following the joint complaint to Secretary of War Newton Baker about the swollen ranks of prostitutes accom...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1991) 9 (3 (27)): 76–87.
Published: 01 September 1991
... building on Grosse Hamburger Street, and each can imagine a Jewish or non-Jewish baker or doctor or housewife or child. The few who saw the vitrines in the west and those who knew the families of the inhabitants will have specific information, but each viewer will create his or her own scenario...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2013) 28 (2 (83)): 177–189.
Published: 01 September 2013
... have lived: fragments of Rich- ards’s story were taken from the lives of Dorothy Arzner, Butterfly McQueen, Josephine Baker, and many others. I loved the chal- lenge of imagining a person who’s fictional but who is also kind of real in a way. That is, she could have lived, though even if she had...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2005) 20 (3 (60)): 159–191.
Published: 01 December 2005
... middle term between black and white. Nevertheless, by imitating and appropriating the conventions of blackface, black blackface can also foreground the performative constitution of apparently biological and physi- ological categories. As Houston A. Baker Jr. argues, there are two “authentic...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2002) 17 (1 (49)): 73–105.
Published: 01 May 2002
...Elizabeth Coffman Camera Obscura 2002 Elizabeth Coffman is an associate professor of communication at the University of Tampa. She has published on Josephine Baker and Lillian Gish and is completing a book titled Visual Communication for Allyn and Bacon Press. She is also a filmmaker...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2013) 28 (2 (83)): 1–43.
Published: 01 September 2013
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2015) 30 (2 (89)): 125–155.
Published: 01 September 2015
... hired Joe Baker, who crafted the “Integration without Identification” policy, with the goal to cre- ate more roles for African Americans in television programs.27 By 1954, a frustrated Baker had left NBC, and these early attempts at integration and courting an African American audience had...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1996) 13 (3 (39)): 4–33.
Published: 01 September 1996
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1995) 12 (3 (36)): 134–153.
Published: 01 September 1995
... multiple visual representations that accompany her voice and the historical context of her career. Around the time of Houston’s breakthrough, other Black singers competed with her to take the top spot: Janet Jackson, Anita Baker, and Sade all demonstrated cross-over potential. By the time...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1993) 11 (2 (32)): 102–123.
Published: 01 September 1993
..., is a romantic sentiment. . . Susan Brownmiller’ Designing Women revolves around the lives of four white, varyingly middle-class Southern women who run an interior design firm, Sugar- baker’s, in Atlanta. (They are also aided...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2017) 32 (2 (95)): 63–87.
Published: 01 September 2017
... Dissociation 5, no. 2 (2004): 61 – 87; Brian Baker, Masculinity in Fiction and Film: Representing Men in Popular Genres, 1945 – 2000 (New York: Continuum, 2006); Sharon Packer, Cinema’s Sinister Psychiatrists: From Caligari to Hannibal ( Jefferson, NC: McFarland, 2012); Sharon...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2004) 19 (2 (56)): 47–73.
Published: 01 September 2004
... film functions as a dehistoricizing vehicle for a period of time—marked by the posters of female film stars from Rita Hayworth (Gilda, dir. Charles Vidor, US, 1946) to Raquel Welch (One Million Years BC, dir. George Baker, UK, 1966)—in which the civil rights movement is occurring outside the prison...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1995) 12 (2 (35)): 52–84.
Published: 01 May 1995
... camp are emerging with some regularity (The Politics and Poetics ofCamp; Camp Grounds) and earlier studies (Esther Newton's Mother Camp, Roger Baker's Drag) are being brought back into print. But whether prematurely announced or not, the death of camp raises the issue of aspects of death in camp...