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Journal Article
Camera Obscura (2021) 36 (3 (108)): 129–135.
Published: 01 December 2021
... material from Hammer's 1998 artist residency in a Cape Cod shack without running water or electricity. While there, she shot film, recorded sounds, and kept a journal. In 2018, Hammer began her process of dying by revisiting her personal archive. She gave all of her images, sounds, and writing from...
FIGURES
Journal Article
Camera Obscura (2021) 36 (2 (107)): 185–197.
Published: 01 September 2021
...Kenneth White Abstract The essay describes Carolee Schneemann's residence, a stone house constructed in 1750 by Huguenot settlers on land of the Munsee Lenape people, and its central role in her life and work from the early 1960s until her death in 2019. The essay gives particular attention...
FIGURES
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Journal Article
Camera Obscura (2021) 36 (3 (108)): 123–127.
Published: 01 December 2021
... on my mind when I suggested giving her our annual Artist Residency Award, an invitation to work on a new project that comes with both the support of the Studio and a financial award. Recognizing the impact of supporting an older female artist who was still actively making work and whose project involved...
FIGURES
Journal Article
Camera Obscura (2021) 36 (1 (106)): 9–39.
Published: 01 May 2021
... in a role in James Broughton's The Bed (US, 1968). The Vallejo is still intact and currently hosts an invitation-only artists’ residency. Uncle Yanco provides a short tour of this community and its unusual architecture through a series of mobile images, filmed as if we were gliding around its...
FIGURES
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Journal Article
Why Isn't Michelle Lopez on Judge Judy ? Citizenship and Televisuality in Hima B.'s And I Do Survive
Camera Obscura (2010) 25 (2 (74)): 183–195.
Published: 01 September 2010
... an artist residency with a New Jersey AIDS organi-
zation (helping low-income black and Latina women), I realized
that many of these women were dealing with basic survival issues
like housing, medical care, or even the daily use of public trans-
port. So making videos clearly wasn’t their biggest...
Journal Article
Camera Obscura (2004) 19 (1 (55)): 181–197.
Published: 01 May 2004
....
You have also been involved in collaborations in rather unexpected places,
such as your artist’s residency at the Miami Beach High School in Florida.
There you worked with teenagers to help them make with their own hands
what they most wanted; one student, for example, wanted a better ending...
Journal Article
Camera Obscura (2016) 31 (3 (93)): 141–151.
Published: 01 December 2016
... vacance (Okin-
dong Vacation) was an event organized by the collective in 2009 in
collaboration with Okin Apartment residents and various artists
that ran for one night and two days. During the event, residents
shared their memories with visitors, musicians conducted impro-
vised rap performances...
Journal Article
Camera Obscura (2016) 31 (3 (93)): 165–175.
Published: 01 December 2016
... • Camera Obscura
and artist-run venues, along with a huge percentage of the Mission’s
queer and low-income residents. The facts and tragedies related to
these wide-scale cultural displacements from the Mission, among
many other inner-city neighborhoods in San Francisco, have been
widely...
Journal Article
Camera Obscura (2005) 20 (2 (59)): 1–33.
Published: 01 September 2005
...Lindsey Moore Camera Obscura 2005 Lindsey Moore is lecturer in English at Lancaster University, UK. She has published articles on Algerian revolutionary women in the texts of Frantz Fanon and Gillo Pontecorvo and on Shirin Neshat, an Iranian artist resident in the United States. She...
Journal Article
Camera Obscura (1984) 4 (3 (12)): 164–165.
Published: 01 December 1984
...
Endowment for the Arts Visual Artist’s Fellowship in 1982, the Western
States Regional Media Arts Fellowship in 1983, and the American Film
Institute’s Independent Filmmakers Program Grant in 1984. Recently she
has been teaching video production at UCLA and is an Artist in Residence...
Journal Article
Camera Obscura (2016) 31 (3 (93)): 35–63.
Published: 01 December 2016
... the intentions of collaborative partners or the institutions hosting them, shared labor opens ways to contend with difference as creative material and not just as that which opposes normality. The author considers a number of artists' groups, projects, and collaborative methods in which the subject slips out...
Journal Article
Camera Obscura (2022) 37 (3 (111)): 1–29.
Published: 01 December 2022
.... It argues that remix in general treats the archive as a site that embraces its inclinations toward its own fictive and mythical effects. In performing a diasporic desire to recuperate cultural pasts, visual remix performs in order to render possible artistic imagination and queer interpretations...
FIGURES
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Journal Article
Camera Obscura (2013) 28 (3 (84)): 1–31.
Published: 01 December 2013
... in college, she took one of the first film
courses ever given and wrote about it in her student newspaper.37
She also pioneered the inclusion of women on the paper’s edito-
rial board. Later, she resided in a Greenwich Village populated by
European intellectual émigrés, modernist artists, leftist folk...
Journal Article
Camera Obscura (2020) 35 (3 (105)): 154–165.
Published: 01 December 2020
...: www.prabapilar.com/larval-rock-stars/. 10. From the artist s website: tejalshah.in. 164 Camera Obscura Anuj Vaidya and Tejal Shah are friends and collaborators in the process of (un)becoming with each other. Shah currently resides in India, where she is pursuing her passion in teaching and studying Buddhist...
Journal Article
Camera Obscura (2011) 26 (1 (76)): 39–63.
Published: 01 May 2011
..., that is, by mobilizing a network of
intertextual references that challenge the unity and self-presence
of the viewing subject, artists such as Dotty Attie, Ken Aptekar, and
David Reed practice what Bal calls “preposterous history”: a way
of doing art that dispossesses the past of its priority over the pres...
Journal Article
Camera Obscura (2021) 36 (2 (107)): 151–163.
Published: 01 September 2021
...Melissa Ragona Abstract This essay examines the central position the medium of sound played in the work of the artist Carolee Schneemann (US, 1939–2019). By exploring a few key early works such as Glass Environment for Sound and Motion (1962), Chromelodeon (1963), and Noise Bodies (1965), it traces...
FIGURES
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Journal Article
Camera Obscura (2020) 35 (3 (105)): 132–141.
Published: 01 December 2020
...Jasmine Nichole Cobb In this interview, artist and scholar Deborah Willis describes the work of excavating and organizing the history of Black photography. Willis’s groundbreaking scholarship helped to formally establish an archive of Black visual practice before libraries and cultural institutions...
Journal Article
Camera Obscura (1992) 10 (2 (29)): 244–246.
Published: 01 May 1992
... at the
11th Annual Meeting of the Society of Magnetic Resonance in Medicine
(Berlin, August 1992). She is currently a resident in Gynecology and Obstetrics
at Emory University School of Medicine.
Ann Barry Flood, Ph.D., is currently Director of Health Policy Studies at the
Center...
Journal Article
Camera Obscura (2012) 27 (3 (81)): 101–135.
Published: 01 December 2012
...Greg Youmans Since 2005, a number of video artists have mined the essentialist iconography and practices associated with 1970s lesbian feminism, such as central-core imagery, rural separatism, and Goddess rites. These artists have produced work that is pointedly queer in sensibility and that brings...
Journal Article
Camera Obscura (2016) 31 (1 (91)): 187–201.
Published: 01 May 2016
...), is a collaboration with
fourteen communities in Israel/Palestine. She currently teaches
at Amherst College and is an artist in residence at the Center for
International Studies at Duke University.
1. Susan Meiselas, ed., Learn to See (Cambridge, MA: Polaroid
Foundation, 1975).
2. Susan Meiselas...
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