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artist collective

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Journal Article
Camera Obscura (2016) 31 (3 (93)): 177–183.
Published: 01 December 2016
...Elisa Giardina Papa; Nupur Mathur; Bathsheba Okwenje This article features an interview with the artist Radha May, a global, artist collective working under a single female identity. Radha May, whose members come from India, Italy, and Uganda, talks about merging three different perspectives...
Journal Article
Camera Obscura (2016) 31 (1 (91)): 165–173.
Published: 01 May 2016
... concerned especially with questions of alterity, subjecthood, and community formation in its work. A self-described “socially conscious animation studio,” Lift is structured roughly along the lines of an artistic collective in which many animators freely contribute their skills and time in support of stop...
Journal Article
Camera Obscura (2016) 31 (3 (93)): 141–151.
Published: 01 December 2016
...Jihoon Kim This article examines a series of video works by Okin Collective, a group of three Korean artists (Jin Shiu, Kim Hwayong, and Yi Joungmin) who have over the past few years been productively concerned with an array of political, social, and cultural issues from both local and global...
Journal Article
Camera Obscura (2016) 31 (2 (92)): 195–203.
Published: 01 September 2016
...Jasmina Tumbas In this interview, the author and Australian artist Jemima Wyman discuss the position of art and activism in Wyman's artistic practice. Focusing on opacity as a political position in the conception and production of her artwork, Wyman comments on her use of patterns, performance...
Journal Article
Camera Obscura (2019) 34 (2): 1–39.
Published: 01 September 2019
... Beyoncé staged through collaborations with Warsan Shire, a British poet born in Kenya to Somali parents; Awol Erizku, an Ethiopian-born American artist raised in the Bronx; and Daniela Vesco, a Costa Rican photographer. This collective of artists forge a black aesthetics at a heightened level...
Journal Article
Camera Obscura (2022) 37 (1 (109)): 149–175.
Published: 01 May 2022
...Anne-Charlotte Mecklenburg Abstract The English/Irish boy band One Direction (2010–16) was one of the first major artists to capitalize on social media's potential for building and maintaining a dedicated fan base over time. The One Direction fandom was particularly pervasive on the blogging site...
FIGURES
Journal Article
Camera Obscura (2016) 31 (3 (93)): 133–139.
Published: 01 December 2016
... of scholars, learners, artists, archivists, and activists focused on feminist research on technology. FemTechNet was founded in 2012 in response to what the initial collective felt was a misguided enthusiasm on college campuses for MOOCs (massive open online courses) that appeared to be undermining principles...
Journal Article
Camera Obscura (2009) 24 (1 (70)): 37–65.
Published: 01 May 2009
...Jennifer González Contemporary digital artists have been exploring the function of the face and its relation to public space for several decades. This essay offers a close reading of artworks by Keith Piper, Nancy Burson, Keith Obadike, and the collective Mongrel that address the relation between...
Journal Article
Camera Obscura (2012) 27 (2 (80)): 155–160.
Published: 01 September 2012
...Omar Kholeif In this piece I address the construction of male homosexuality in Eytan Fox's The Bubble (Israel, 2006) in contrast with its presentation in the artist Sharif Waked's short film, Chic Point (Palestine, 2003). Examining the tensions between Palestinian and Israeli masculinity...
Journal Article
Camera Obscura (2021) 36 (1 (106)): 127–153.
Published: 01 May 2021
... achievement award) in the name of other creative directors not yet in the spotlight. In 2018, Varda joined with the 50/50 en 2020 collective, a gender equity campaign, on the Cannes red carpet to call for gender parity and greater transparency in the festival's process of selecting films to screen...
FIGURES | View All (10)
Journal Article
Camera Obscura (2016) 31 (1 (91)): 187–201.
Published: 01 May 2016
...Ariella Azoulay The growing literature and catalogs on photographic collaboration, participation, and collectivity, which are part of the proliferation of artistic projects that assert collaboration as their goal, still mainly focus on photographers who initiate collaborative projects...
Journal Article
Camera Obscura (2020) 35 (3 (105)): iv–29.
Published: 01 December 2020
...Lakshmi Padmanabhan What can photographic form teach us about feminist historiography? Through close readings of photographs by visual artist and documentary photographer Sheba Chhachhi, who documented the struggle for women’s rights in India from the 1980s onward, this article outlines...
Journal Article
Camera Obscura (2013) 28 (2 (83)): 177–189.
Published: 01 September 2013
...); Philadelphia Museum of Art (1998); Kunsthalle Basel (1997); Secession, Vienna (1997); and the Renaissance Society, Chicago (1993). Major group exhibitions include Documenta IX (1992) and Documenta XII (2007), as well as the 1993 and 1997 Whitney Biennials. She is a founding member of the artist collective...
Journal Article
Camera Obscura (2012) 27 (3 (81)): 169–179.
Published: 01 December 2012
.... Since 2007 she has taught film in Toronto at the School of Image Arts of Ryerson University. She is also a freelance film programmer for art galleries or artist collectives. For more information, see www.gerdacammaer.com . Figure . Poster designed by Pierre Alechinsky for EXPRMNTL I N...
Journal Article
Camera Obscura (2020) 35 (3 (105)): 154–165.
Published: 01 December 2020
... in that cultural context. What came after, for me, was very political work around questions of democracy. I got involved with the artist collective Open Circle and I organized an Artists for Freedom week after the Gujarat pogrom of 2002.5 I went on a fact- finding mission with a collective of lawyers and activists...
Journal Article
Camera Obscura (2003) 18 (3 (54)): 3–38.
Published: 01 December 2003
... is revealed by tak- ing the original festival in 1972 as a case in point. In it, the num- ber of tapes made by individuals (fifteen) was almost equaled by those made collaboratively (eleven), and most of the tapes were created by artists and collectives whose names are now unknown (Darcy Umstadter, Queer...
Journal Article
Camera Obscura (1995) 12 (3 (36)): 66–83.
Published: 01 September 1995
... a form of resistance. As much as I do not enjoy looking at these works on an immediate visual level, they do allow me a way of articulating my individual experience in relation to a collective history and a way of producing an imaginary alliance with the artists who are using histories...
Journal Article
Camera Obscura (2016) 31 (3 (93)): 5–33.
Published: 01 December 2016
...- tion Vidéo, Isis Collective, Reelfeelings Collective, Women’s Media Collective, and Women Artists in Video, as well as using autoethno- graphic and scholarly research, I argue for the use of affect theory as a different way to do and undo feminist media history. Affect theory, with its emphasis...
Journal Article
Camera Obscura (2016) 31 (3 (93)): 65–97.
Published: 01 December 2016
... artists and cultural practitioners have responded to this situation by adopting more collective forms of creation. From painters to opera performers, artists are turning toward collective forms of creation, and they have shown increased interest in community art and participatory art or relational...
Journal Article
Camera Obscura (1991) 9 (3 (27)): 148–165.
Published: 01 September 1991
... article in this collection that singles out the work of one feminist artist is Mulvey’s celebratory catalogue essay for Mary Kelly’s exhibition of Corpus in London and Cambridge in 1986. The continual focus of British feminist art writers on Kelly’s work is testament...