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1
Journal Article
Camera Obscura (1993) 11 (1 (31)): 26–47.
Published: 01 May 1993
...Edith P. Thornton Copyright © 1993 by Indiana University Press 1993
On the Landing: High Art, Low Art, and
Upstairs, Downstairs
Edith P. Thornton
Originally conceived in 1969 by two actresses, Jean Marsh and Eileen
Atkins, Upstairs, Downstairs began as a series idea...
Journal Article
Camera Obscura (2005) 20 (3 (60)): 159–191.
Published: 01 December 2005
... Review of Film and Video, Intersections: Gender, History and Culture in the Asian Context , and Film Quarterly . Wong’s dragon lady costume was condemned by Chinese
nationalists and raved about in American publicity
writings.
The Art of Screen Passing:
Anna May Wong’s Yellow
Yellowface...
Journal Article
Camera Obscura (1996) 13 (3 (39)): 34–51.
Published: 01 September 1996
...Bill Nichols; Gerald Peary Copyright © 1995 by Indiana University Press 1996 Jennifer Montgomery at the 1995 Toronto Festival of Festivals.
Photo by Karen Schmeer.
Children, Art, Sex, Pornography: Jennifer
Montgomery's Art for Teachers...
Journal Article
Camera Obscura (2001) 16 (1 (46)): 1–45.
Published: 01 May 2001
..., University of London. His essay is part of a forthcoming book entitled Remapping European Art Cinema . 01-Betz.sh 5/29/01 12:29 PM Page iv
La notte (dir. Michelangelo Antonioni, Italy/France, 1961).
Courtesy the Museum of Modern Art Film Stills Archive...
Journal Article
Camera Obscura (1984) 4 (3 (12)): 3–17.
Published: 01 December 1984
...Denise Mann © 1984 by Camera Obscura 1984
Modem Sexuahty (1979)
Staggering Toward Modern Times: The Video Art
of Max Almy
DeniJe Man n
Max Almy’s video art moves from the highly personal, low-tech, black and
white multi-monitor performance piece to that of the multi-layered...
Journal Article
Camera Obscura (1984) 4 (3 (12)): 89–106.
Published: 01 December 1984
... Bible of Saint-Martial, Limoges, 1 lth century
Desire in Art and Politics: The Theories of
Jean-FranCois Lyotard
Maureen Turim
When one mentions the juncture of semiotics, psychoanalysis and
ideology in French theory, certain names circulate in the American con-
sciousness: Roland...
Journal Article
Camera Obscura (1991) 9 (3 (27)): 148–165.
Published: 01 September 1991
...Amelia Jones Vision and Difference: Femininity, Feminism and the Histories of Art , Griselda Pollock. London and New York: Routledge, 1988. Visual and Other Pleasures , Laura Mulvey. Bloomington and Indianapolis: Indiana University Press, 1989. Love for Sale: The Words and Pictures...
Journal Article
Camera Obscura (2011) 26 (3 (78)): 63–93.
Published: 01 December 2011
...Adair Rounthwaite This article develops the concept of “the masturbatory” as a way of theorizing performance art and performance studies' recent turn to reperformance. In reperformance, previous performance artworks — often from performance art's “classic” era of the 1970s — are reenacted, creating...
Journal Article
Camera Obscura (2011) 26 (3 (78)): 155–165.
Published: 01 December 2011
... herself as a benshi. Unlike other traditional performing arts, creating one's original style based on one's interpretation of the film has always been more valued than copying the predecessors' styles. Sawato also discusses the complex ways in which she, a contemporary woman with a clear feminist agenda...
Journal Article
Camera Obscura (2021) 36 (3 (108)): 137–139.
Published: 01 December 2021
...Vanessa Haroutunian Abstract This essay describes how the Barbara Hammer Lesbian Experimental Filmmaking Grant came into fruition, created by the pioneering lesbian experimental filmmaker Barbara Hammer and administered through the New York City nonprofit organization Queer|Art. In 2017, Hammer...
FIGURES
Journal Article
Camera Obscura (2023) 38 (1 (112)): 81–101.
Published: 01 May 2023
...Tim Ridlen Abstract Finch College was a small women's liberal arts college located on the Upper East Side of Manhattan open from 1900 to 1975. The Contemporary Wing of the Finch College Museum of Art held a number of important exhibitions for conceptual art, experimental media, and film organized...
FIGURES
Image
/10.1215_02705346-10278600/1/s_cob10278600figure1.png?Expires=2147483647&Signature=2ttgtvfgmdnvndH1uML0YTSn7IlBC3qd0VYyYhVqxw0r9zUQGxam6wROidognUUnvcrKAK35dFEaD3sZP8NdfxrvvFeu~McqEgVWfWaFaXXTMtQPghst1btiVoHkfMQwyyjaFHNBIYONsB9jgfcshanT8tLtB9WeR8j3ntw5RqpPpCo5wAsqqszix2nqJKgeXi1TJBuRvwQqnsYw5u7e7upkuSj6JAuts8IzWSsiK--Z8vjN--7oAmhgTfcYlRU63l46JpEGsbrhqLyx8deTG13XOM7pvKjPsSeerjiYo1NTgxWrBn6AvDx6~AGkaR5Mwkv~K0iVcCKR5mrmxnUEaQ__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in Art on Film at Finch College: Reproductive Labor in the Enrichment Economy
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2023
Figure 1. Photographs of Projected Art: Artists at Work , 1971. Series 4, Box 18, Folder 29, Finch College Records
More
Image
/10.1215_02705346-10654941/1/s_cob10654941figure1.png?Expires=2147483647&Signature=W7274Tbf78yrtc5nuhv0L5k7S2Q8w-PEtbVP4fOiVieY~ZxXADKkDDeubWDBfx8Ug78RCNlxm5VFZSX8PHBKhWyMuLa1vD0s9FDEUDFabFL4KGNtJvxxm9VsCICO8p4mtxPFx41VuIRFo-kN1MSLKSo7Sk2rhMOTgBYcBgGxhgGyqclC~rDTHaDi5hussqieoTzlY27RVV3saEWYVxaCHL56F9Or9i5tDW3V3kx6zHMkNOaUlIZeSY6fhVsm6BNrPOencjECc7sv6xZitDg2i0gL1Y6YmjdvaOCldrPuet0xCXyaGv2VxJBadjqdrSYBRLxaUriuDGlHnF9BAHurRA__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in Calculating Couples: Computing Intimacy and 1980s Romance Software
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 September 2023
Figure 1. Software cover art for IntraCourse (Intracorp, 1986) resembles the aesthetics of popular sex manuals like The Joy of Sex , by Alex Comfort (1972).
More
Journal Article
Camera Obscura (2001) 16 (3 (48)): 83–111.
Published: 01 December 2001
..., Cinematernity: Film, Motherhood, Genre , and Sunrise . She is currently at work on Designing Women: Art Deco, Cinema, and the Female Form , forthcoming from Columbia University Press.
Greta Garbo and Silent Cinema:
The Actress As Art Deco Icon
Lucy Fischer
The stuff [shown at the 1925 Paris...
Journal Article
Camera Obscura (2016) 31 (2 (92)): 195–203.
Published: 01 September 2016
...Jasmina Tumbas In this interview, the author and Australian artist Jemima Wyman discuss the position of art and activism in Wyman's artistic practice. Focusing on opacity as a political position in the conception and production of her artwork, Wyman comments on her use of patterns, performance...
Journal Article
Camera Obscura (2002) 17 (1 (49)): 73–105.
Published: 01 May 2002
... and is in the postproduction stages of a feature-length documentary, Talk Back Bosnia: A Dialogue on Nation Building . Loie Fuller in The Serpentine Dance.
Courtesy New York Public Library
Women in Motion: Loie Fuller
and the “Interpenetration” of
Art and Science
Elizabeth Coffman
A modern woman...
Journal Article
Camera Obscura (2003) 18 (3 (54)): 99–117.
Published: 01 December 2003
...), and The Films of Oshima Nagisa: Images of a Japanese Iconoclast (Berkeley: University of California Press, 1998). She has also published over seventy essays in anthologies and journals on a wide range of theoretical, historical, and aesthetic issues in cinema and video, art, cultural studies, feminist...
Journal Article
Camera Obscura (2009) 24 (1 (70)): 37–65.
Published: 01 May 2009
... difference. From Colour Separation (Mongrel, 1997).
Courtesy of the artist.
The Face and the Public:
Race, Secrecy, and
Digital Art Practice
Jennifer González
The function and importance of race and race discourse in online
digital spaces and in contemporary digital art revolve around...
Journal Article
Camera Obscura (2024) 39 (1 (115)): 157–188.
Published: 01 May 2024
.... Through its “art of disappearance,” A Fantastic Woman conjures an enticing horizon in which transgender surveillance and subjugation are provisionally contravened, proffering the possibility of sidestepping the disciplining, normalizing powers of the cisgender gaze. [email protected] Copyright ©...
FIGURES
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Journal Article
Camera Obscura (2024) 39 (2 (116)): 71–102.
Published: 01 September 2024
...Shannan Hayes Abstract This essay develops a theory of Mika Rottenberg's video art by attending to both the content her work represents (neoliberalism's logic of gendered labor) and the formal characteristics by which her art affects (sensibly drawing the viewer in while resisting assimilation...
FIGURES
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