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Journal Article

Jean-Louis Baudry /The Apparatus

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Jean Andrews, Bertrand Augst
Camera Obscura (1976) 1 (1 (1)): 104–126.
DOI: https://doi.org/10.1215/02705346-1-1_1-104
Published: 01 May 1976
...Jean Andrews; Bertrand Augst © 1976 by Camera Obscura 1976 ∗ “The Apparatus” was published in French as “Le Dispositif” in Communications , No. 23, 1975, pp. 56–72. References Baudry , Jean-Louis “Cinema: effets ideologiques produits par l'appareil de base,” Cinhhique...
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Journal Article

The Apparatus: An Introduction

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Bertrand Augst, Francis M. Cornford
Camera Obscura (1976) 1 (1 (1)): 97–103.
DOI: https://doi.org/10.1215/02705346-1-1_1-97
Published: 01 May 1976
...Bertrand Augst; Francis M. Cornford © 1976 by Camera Obscura 1976 The Apparatus: An Introduction Following up on a suggestion made by Marcelin Pleynet in the course of an interview with Cinetbique in 1970, Jean-Louis Baudry undertook to describe systematically the manner in which...
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Journal Article

Recycled Wounds: Trauma, Gender, and Ethnicity in Keren Yedaya's Or, My Treasure

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Raz Yosef
Camera Obscura (2009) 24 (3 (72)): 41–71.
DOI: https://doi.org/10.1215/02705346-2009-009
Published: 01 December 2009
... that is expressed in both the film's narrative and in its cinematic apparatus. The Mizrahi woman's unceasing daily encounters with class and gender oppression, which she comes to internalize, constitute an ongoing trauma. The chronic nature of this trauma does not allow her to turn it into post-traumatic memory...
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Journal Article

Choreographing Homosexual Desire in Philippe Vallois's Johan

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David A. Gerstner
Camera Obscura (2013) 28 (3 (84)): 125–157.
DOI: https://doi.org/10.1215/02705346-2352176
Published: 01 December 2013
..., pornography) with New Wave cinematic aesthetics (jump cuts, an interrupted sound track, a revealed apparatus). It is a remarkable film for its sexual forthrightness as well as the value Vallois places on cinematic form. Johan is a dynamic text particularly when read through the contemporaneous political...
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Journal Article

The Défilement Into the Look…

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Bertrand Augst
Camera Obscura (1977) 1 (2 (2)): 93–104.
DOI: https://doi.org/10.1215/02705346-1-2_2-93
Published: 01 September 1977
... intrinsic duplicity of the cinematographic apparatus, at once stimulating and repressing the spectator's desire for that which must be denied to him in order to mani- fest itself. The 'film-strip' can only turn into 'film-projection' where the 'unreal' of the image is materialized if, in the instant...
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Journal Article

Thierry Kuntzel and the Return of Writing

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Raymond Bellour
Camera Obscura (1983) 4 (2 (11)): 28–59.
DOI: https://doi.org/10.1215/02705346-4-2_11-28
Published: 01 September 1983
... in that, unlike those ofBaudry and Metz for example, they do not concern themselves with the cinema proper, i.e., an apparatus which stops short ofany actual film; but neither are they really concerned, like so many other analyses, with the films to which they refer. It is more a case...
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Journal Article

Picture This: Lillian Gilbreth's Industrial Cinema for the Home

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Nicholas Sammond
Camera Obscura (2006) 21 (3 (63)): 103–133.
DOI: https://doi.org/10.1215/02705346-2006-013
Published: 01 December 2006
...), 90 – 94. 2. Jean-Louis Baudry, “Ideological Effects of the Basic Apparatus,” in Narrative, Apparatus, Ideology, ed. Philip Rosen (New York: Columbia University Press, 1986), 290 – 91, 295 – 96. See also Louis Althusser, “Ideology and Ideological State Apparatuses (Notes...
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Journal Article

The Avant-Garde and Its Imaginary

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Constance Penley
Camera Obscura (1977) 1 (2 (2)): 2–33.
DOI: https://doi.org/10.1215/02705346-1-2_2-2
Published: 01 September 1977
...Constance Penley © 1977 by Camera Obscura 1977 BIBLIOGRAPHY 1. Augst , Bertrand , ‘“The Apparatus”: An Introduction’, Camera Obscura , no. 1, December 1976 , 97 –101. 2. Auglagnier-Spariani , Piera , ‘“Le Desir de Savoir” dans ses rapports à la transgression...
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Journal Article

Feminism and Film History

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Patrice Petro
Camera Obscura (1990) 8 (1 (22)): 8–27.
DOI: https://doi.org/10.1215/02705346-8-1_22-8
Published: 01 January 1990
... of film history through a consideration of spectatorship and discourses on consumption. Feminism, Spectatorship, and Consumerism If the apparatus stages an eternal, universal and primordial wish to create a simulacrum of the psyche, then Baudry’s argument is blind...
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Journal Article

“Cinema at Its Source”: Synchronizing Race and Sound in the Early Talkies

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Alice Maurice
Camera Obscura (2002) 17 (1 (49)): 31–71.
DOI: https://doi.org/10.1215/02705346-17-1_49-31
Published: 01 May 2002
... that synchronization.3 The focus on the racialized body—including the fetishi- zation of body parts and bodily properties (especially the “Negro voicesignaled the cinema’s need to remake itself. As in the earliest days of the cinema, race functioned to show off and shore up the apparatus at a time...
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Journal Article

“Crisscross”: Paranoia and Projection in Strangers on a Train

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Sabrina Barton
Camera Obscura (1991) 9 (1-2 (25-26)): 74–100.
DOI: https://doi.org/10.1215/02705346-9-1-2_25-26-74
Published: 01 September 1991
... projection. The glass booth and the telephone stand in for film’s image and sound apparatus, whose projections enable the audience’s own disavowal of projected desires: we do not seek or speak our desires, but passively sit back and let them speak us. Like Guy, we never need to dial direct.16...
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Journal Article

Alternation, Segmentation, Hypnosis: Interview with Raymond Bellour

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Janet Bergstrom
Camera Obscura (1979) 1-2 (3-1 (3-4)): 70–103.
DOI: https://doi.org/10.1215/02705346-1-2-3-1_3-4-70
Published: 01 May 1979
... by the Cahiers du Cinha under the heading of politique des auteurs. Hypnosis and the Cinematographic Apparatus JB: You have been working on hypnosis and its relation to the cine- matographic apparatus for several years. To what extent did this work come out of particular...
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Journal Article

Reconstructing Documentary: Connie Hatch's Representational Resistance

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Abigail Solomon-Godeau
Camera Obscura (1985) 5 (1-2 (13-14)): 112–147.
DOI: https://doi.org/10.1215/02705346-5-1-2_13-14-112
Published: 01 September 1985
... of the camera obscura made clear in a single phrase the critical limits of an inventory of appearances. Absent from Benjamin’s critique, however, is an examination of the ways that the photographic apparatus and its resultant image structurally function to construct...
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Journal Article

Feminism and Film: Critical Approaches

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Camera Obscura (1976) 1 (1 (1)): 3–10.
DOI: https://doi.org/10.1215/02705346-1-1_1-3
Published: 01 May 1976
... and representation, ofideology as representation. The camera obscura, as an apparatus which renders an image ofthe" real" , is both reproducer of ideology and metaphor for its functioning. On theone hand bourgeois ideology is embedded in the very mechanism of the camera obscura, the. prototype of the camera...
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Journal Article

Imagining Television as a Vital Queer Medium: Riot

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Susan Potter
Camera Obscura (2024) 39 (3 (117)): 121–147.
DOI: https://doi.org/10.1215/02705346-11365890
Published: 01 December 2024
... as an extensive apparatus that has an intimate relation to queer forms of social life, experience, and time. Villarejo summarizes her argument as follows: As television makes and takes our time in different ways, with ever-changing relationships to what it means to belong (appear, endure, attach) to normative...
FIGURES
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Journal Article

Sandy Flitterman-Lewis

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Camera Obscura (1989) 7 (2-3 (20-21)): 155–160.
DOI: https://doi.org/10.1215/02705346-7-2-3_20-21-155
Published: 01 December 1989
... of desire which fuel the cinematic apparatus, and that these, as modes of subjectivity, encompass and supersede individuals -directors, char- acters and viewers alike. For me, the exploration of the sexually dif- ferentiated subject of cinematic viewing suggested a way to articulate...
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Journal Article

Psychosis, Neurosis, Perversion

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Raymond Bellour
Camera Obscura (1979) 1-2 (3-1 (3-4)): 104–132.
DOI: https://doi.org/10.1215/02705346-1-2-3-1_3-4-104
Published: 01 May 1979
... that reappears inside the frame). A few shots later, the alternation between Norman and Marion recommences, this time through an apparatus that mimics the cinema- tographic apparatus itself. Norman is concealed, significantly, by a painting which prefigures the effect he...
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Journal Article

Cinema Histories, Cinema Practices Asilomar Conference

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Mary Ann Doane, Philip Rosen
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 223–233.
DOI: https://doi.org/10.1215/02705346-3-4-2-3-1_8-9-10-223
Published: 01 December 1982
... years under the auspices of The Center for 20th Century Studies, with a matching grant from NEA (1978-“The Cinematic Apparatus”; 1979-“Cinerna and Language”; 198o-“Cinema and Film: Conditions of Presence This year, however, the conference was sponsored by the U.S.C. Center...
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Journal Article

Errata

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Camera Obscura (1980) 2 (3 (6)): 155.
DOI: https://doi.org/10.1215/02705346-2-3_6-155
Published: 01 December 1980
... read: The Apparatus: An Introduction. Vol. 1, no. 1; pp. 97-101. The entry under Jean-Louis Baudry should read: The Apparatus: Me tapsychological Approaches to the Impression of Reality. Vol. 1, no. 1; pp. 104-126. Addenda Thriller (Sally Potter) is distributed by Serious Business...
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Journal Article

Addenda

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Camera Obscura (1980) 2 (3 (6)): 155.
DOI: https://doi.org/10.1215/02705346-2-3_6-155a
Published: 01 December 1980
... read: The Apparatus: An Introduction. Vol. 1, no. 1; pp. 97-101. The entry under Jean-Louis Baudry should read: The Apparatus: Me tapsychological Approaches to the Impression of Reality. Vol. 1, no. 1; pp. 104-126. Addenda Thriller (Sally Potter) is distributed by Serious Business...
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