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Journal Article
Camera Obscura (2018) 33 (2 (98)): 139–159.
Published: 01 September 2018
...Nick Salvato With an emphasis on the animated special Really Rosie (CBS, 1975), this essay explores the queer capacities of limited cel animation, an artistic and technical mode that provides striking occasions for figuring both queer ’s potential and its circumscriptions. In the process, the essay...
Journal Article
Camera Obscura (2016) 31 (1 (91)): 165–173.
Published: 01 May 2016
...Donna Kornhaber This article positions the work of the feminist animation studio Lift Animation as a corrective to the industrialized processes and gendered hierarchies of traditional commercial animation studios. It examines Lift's unique place in the world of contemporary animation as a studio...
Image
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in Re witched : Retextuality and the Queering of Bewitched
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2021
Figure 6. The opening title animation for “Endora Moves In for a Spell,” with the original broadcast's extended animation sequence featuring the Aunt Jemima placement (above) and the edits made to it in syndication on FamilyNet and LOGOtv, respectively (below).
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Image
/10.1215_02705346-9787014/1/s_cob9787014figure3.png?Expires=2147483647&Signature=u0M-LNhvPyKdLU9MH7bN9JJ6UwWmC7VgNANlDFy~SIv8U2QMEaNsCS~LtpGb~iCO8dfJ6kCgpreGmKXQRlS9lFfYUtCI7~c1C9lRDpDPFPsO4TEwwciPvKuxZRy4fztHb6j4RxT~CApZr2Ojnz8-CAWEZJEdz~pLK-HqJXAnWN10f2HiMJ-65I1G9ZgfwODzWzraGTuH18acWWWTyboStz0z5peVVAx4wX99svG6pjq2MOorj~FKRCoL~Agez8~iM4Mf7BfNMOPBCvpfyT7UFkF61-N6VGvQLQNY0e0B5bMLjVzCYS2jzPPGXETtLYgNVaqqKjTxzizCh4E3pYeqbQ__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in A Problem of Fit : Athina Rachel Tsangari and Greek “Weird Wave” Cinema
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 September 2022
Figure 3. Open-mouth animation from The Capsule (dir. Athina Rachel Tsangari, Greece, 2012). © HAOS Film / Photographer Despina Spyrou
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Image
/10.1215_02705346-9349315/3/s_cob9349315figure2.png?Expires=2147483647&Signature=d0bIKFsb6USq8WlcHPguKnJBSiSXpllndBu6QH6Xa2fYLY9JRZi-YmHFlnD1JhdqF1k4Myx3QP182Y1pJi8qkpqvA3l5BjAjf9Fa8WcU553SEotgGz6X2OfxN3lcVWT2Ip9P-Tju1uwLQgBuFehYKBQXnq13Lv-CcqAZoKhE2KZCETbyBX~wv2-OcGZt3fKrUJR3O~ch9SXjN6K1m7-LmvU0sudGp18sdlWnGxS4nLZ4seEvbnPn1UX~0VLczz9uv2D6HKvNVor7yVH4~OzavP2omMMp19QQtaJEOCbW74hfFaz9Bes2ep1n8TOlo8jrggC-DS~4ueUU0jz7Uk2YWg__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in Re witched : Retextuality and the Queering of Bewitched
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2021
Figure 2. LOGOtv's Facebook posts joke about the queer identities of Bewitched 's stars and characters, while FamilyNet's posts emphasize the family-friendly patriarchal nature of the show, highlighting here that its signature opening animations were made by a kid-friendly animation studio.
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Journal Article
Camera Obscura (2018) 33 (2 (98)): 197–207.
Published: 01 September 2018
... meanings of humanity. Popular among contemporary participatory documentary interventions aiming to empower dehumanized subjects such as impoverished children, disaster victims, disabled individuals, and endangered animals, immediations include tropes such as the photographic aesthetic of innocence...
Journal Article
Camera Obscura (2016) 31 (3 (93)): 153–163.
Published: 01 December 2016
... engages in collective media production from Inuit women's perspectives with an explicit focus on gender. Arnait's video art, animation, fiction features, television programs, and documentaries address issues faced by women struggling for the recognition of indigenous and minoritarian cultures. The success...
Journal Article
Camera Obscura (2015) 30 (3 (90)): 61–91.
Published: 01 December 2015
... themselves in the form of spatial hauntings in such narratives, they can be said to resemble the workings of trauma whereby deeply disturbing past experiences continually disrupt the present. This essay argues that the Paranormal Activity film franchise (US, 2007–12) is animated less by the hermeneutics...
Journal Article
Camera Obscura (2011) 26 (2 (77)): 33–63.
Published: 01 September 2011
... liminal. Through close readings of The Seven Year Itch, Blue Velvet, Three Little Pigs , and The Empire Strikes Back , I track the range of meaning found in cinematic breathing, from the figurative presence of erotic breath in pornography to the literal associations of air and environment in animation...
Journal Article
Camera Obscura (2013) 28 (2 (83)): 177–189.
Published: 01 September 2013
... lens, Leonard works from an implicitly queer and feminist perspective that puts pressure on both hegemonic modes of seeing and our ways of narrating them. Such concerns have similarly animated the work of art historian Huey Copeland, whose writing explores the ways in which forms of cultural difference...
Journal Article
Camera Obscura (2014) 29 (2 (86)): 59–83.
Published: 01 September 2014
... and transgressively intimate mode of looking at bodies. At the same time, the shame involved in this act of looking animates a sense of social connectedness and feelings of relatedness to others that are also pleasurably intimate. The viewer's pleasure in this intimacy can be understood in relation to the traditional...
Journal Article
Camera Obscura (2014) 29 (3 (87)): 149–183.
Published: 01 December 2014
... to stage the satisfactions of marital bliss. Linda's fantasy of domestic modernity pointedly and spectacularly fails to cover over national histories of colonial violence and trauma. Meanwhile, Mei Li's premodern framework of animism enlivens these abject spirits otherwise buried by national and imperial...
Journal Article
Camera Obscura (2022) 37 (3 (111)): 115–143.
Published: 01 December 2022
... marine life such a compelling metaphor in disability narrative? Here the author considers the ways that water and aquatic animals trouble the boundary between life and nonlife, gesture toward the always-uninhabitable space of the other, and become points of contact between the visual and the material...
FIGURES
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Journal Article
Camera Obscura (2002) 17 (1 (49)): 149–187.
Published: 01 May 2002
...Susan McHugh Camera Obscura 2002 Susan McHugh is Marion L. Brittain Fellow of Writing in the School of Literature, Communication, and Culture at the Georgia Institute of Technology. She has published articles in Critical Inquiry, Society and Animals , and South Atlantic Review...
Journal Article
Camera Obscura (1997) 14 (1-2 (40-41)): 226–242.
Published: 01 May 1997
...?
Carnosaur
5 billion people will die from a deadly virus in
1997. . . . The survivors will abandon the face
of the planet. Once again the animals will rule
the world...
Journal Article
Camera Obscura (2017) 32 (2 (95)): 89–115.
Published: 01 September 2017
... Kirkland
At the 2012 BronyCon, a convention for adult and adolescent male
fans of the animated series My Little Pony: Friendship Is Magic (MLP-
FIM, syndicated, 2010 – ), showrunner Lauren Faust addressed
a cheering crowd in a heartfelt expression of gratitude. As she
accepted a framed image...
Journal Article
Camera Obscura (1996) 13 (1 (37)): 187–237.
Published: 01 January 1996
..., as we review the
status of animated Latino/a bodies in U.S. mass culture. It will take
time for some clear thought, some focused, quiet meditation, to think
through the implications of Fusco and Brillstein's production. We will
need all the critical imagination possible to reconcile the bifurcated...
Journal Article
Camera Obscura (2002) 17 (2 (50)): 1–39.
Published: 01 September 2002
... of representation employs
racially and sexually marked bodies as signs of contagion, while
the artificial mode of representation utilizes the techniques of
voice-over and animation to trace the paths of contagion between
individuals, nations, and continents. Thus the films under investi-
gation here...
Journal Article
Camera Obscura (1992) 10 (2 (29)): 232–239.
Published: 01 May 1992
...
Joe Henderson, MD, Eric Baumgartner,
Scott Chesnut, Brian Driscoll, Anne Henderson,
Linda Hurd
There are several concepts of what multimedia is or can be. Some think
it need be no more than simple, computer-based “slide” presentations
with some added animation and sound. Educators may...
Journal Article
Camera Obscura (1977) 1 (2 (2)): 50–66.
Published: 01 September 1977
...: cinema has only one body, the one in which time is inscribed. ,0
Drawing, Obviation
The animated film differs from the film made up of photographic
images in two ways: image and movement. Because it is drawn, the ef-
fects specifically determined by the photographic process are eliminated...
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