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Journal Article
Camera Obscura (1988) 6 (1 (16)): 191–202.
Published: 01 January 1988
...Dana Polan ij I Complexity and Contradiction in Mass-Culture Analysis: On len Ang's Watching Dallas (New York: Methuen, 1985) Dana Polan There seem to be two very different books in len Ang's Watching Dallas. One is an open study of the contradictions and...
Journal Article
Camera Obscura (1988) 6 (1 (16)): 179–190.
Published: 01 January 1988
...Ien Ang ." Z Feminist Desire and Female Pleasure: On Janice Radway's Reading the Romance: Women~ Patriarchy and Popular Literature (Chapel Hill and London: University of North Carolina Press, 1984) len Ang Janice Radway's Reading the Romance does not...
Journal Article
Camera Obscura (2006) 21 (2 (62)): 192–195.
Published: 01 September 2006
.... But at the same time, the and has proved a dead end. Two parallel chains established with no inter- section, ultimately tying each other down. Ien Ang, for instance, tried to escape this two-sided model by replacing the and with in: gender in media. The media as the productive place of...
Journal Article
Camera Obscura (1988) 6 (3 (18)): 157–159.
Published: 01 September 1988
... Polan's Power and Paranoia: History, Narrative, and the American Cinema, 1940-1950. No.18; pp. 137-145. Andrew, Dudley Historical Critique and History as Criticism. On Cabiers du Cinema: The 1950s and Cahiers du Cinema: The 1960s, edited by Jim Hillier. No.18; pp. 127-135. Ang, len...
Journal Article
Camera Obscura (1988) 6 (1 (16)): 226–227.
Published: 01 January 1988
... 226 Contributors len Ang teaches at the University of Amsterdam. She is the author of Watching Dallas and has written numerous essays on television. Sarah Berry is a doctoral candidate in Cinema Studies at New York University. Robert H. Deming teaches...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 230–234.
Published: 01 December 1989
... level of empirical evidence in assessing the reactions of the “sample” of women whose responses to romance fiction form the basis of her study. Ien Ang’s Watching Dallas (1985) covers much of the ground that has been addressed in theoretical discussions of identification and pleasure, but her...
Journal Article
Camera Obscura (1986) 5 (3 (15)): 176–179.
Published: 01 December 1986
... Press. New York, 1986. $25.00. Watching Dallas: Soap Opera and the Melodramatic lmagination by Ien Ang. Methuen. New York, 1986. $8.95. The Czechoslovak New Wave by Peter Hames. University of California Press. Berkeley, 1985. john Ford: The Man and His Films...
Journal Article
Camera Obscura (1991) 9 (3 (27)): 174–178.
Published: 01 September 1991
... Literature and Film by Richard W. McCormick. Princeton University Press, 1991. The Color Black: Black Images in British Television edited by Therese Daniels and Jane Gerson. British Film Institute, 1989. 176 Desperately Seeking the Audience by Ien Ang. Routledge, 1991. $15.95. The...
Journal Article
Camera Obscura (2005) 20 (3 (60)): 159–191.
Published: 01 December 2005
Journal Article
Camera Obscura (2008) 23 (2 (68)): 141–166.
Published: 01 September 2008
..., Taiwan has experienced a gradual liberalization with recent calls for the legalization of gay marriages.15 The growing social acceptance of gay sexuality created conditions for the box office success of Ang Lee’s The Wedding Banquet (Xiyan, Taiwan/US, 1993) and the criti- cal acclaim of Tsai...
Journal Article
Camera Obscura (1996) 13 (2 (38)): 60–91.
Published: 01 May 1996
... Ang's conviction that "the task of the cultural studies researcher . . . is to develop strategic interpretations" of the "interpretive strategies used by audiences to read media texts. "35 At the same time, I remain mindful of the perilous epistemological dangers inherent in the production of such...
Journal Article
Camera Obscura (2015) 30 (1 (88)): 71–99.
Published: 01 May 2015
... which are designed to make us feel much better about ourselves: however dumb or selfish we were today, at least we weren’t like that.”2 This definition of ironic viewing resonates with Ien Ang’s 1982 description of how ironic viewing practices require knowledge of a program’s textual tricks...
Journal Article
Camera Obscura (1988) 6 (1 (16)): 128–153.
Published: 01 January 1988
Journal Article
Camera Obscura (2016) 31 (3 (93)): 141–151.
Published: 01 December 2016
.... Invitation to Perform Utopia and Catastrophe  • 151 Jihoon Kim is an assistant professor of cinema and media studies at Chung-­ang University, South Korea. He is the author of Between Film, Video, and the Digital: Hybrid Moving Images in the Post-­media Age (2016). Currently, he is working on a new...
Journal Article
Camera Obscura (2008) 23 (1 (67)): 184–193.
Published: 01 May 2008
.../behind_interview.html (accessed 31 July 2007). 5. Davies was herself the subject of a feature film, Bread and Roses (dir. Gaylene Preston, New Zealand, 1994). 6. The phenomenon of Brokeback Mountain (dir. Ang Lee, US, 2005) provided occasion for this question to circulate in public...
Journal Article
Camera Obscura (2013) 28 (2 (83)): 109–149.
Published: 01 September 2013
... particular executives. It was not unprecedented to comment on hiring and firing decisions, but this commentary became nearly as common as content analysis. From the Los Ange- les Times to the Lexington, North Carolina, Dispatch, executives like Paul Klein, Michael Dann, Robert Wood, Herb Schlosser...
Journal Article
Camera Obscura (2005) 20 (1 (58)): 59–105.
Published: 01 May 2005
Journal Article
Camera Obscura (2015) 30 (2 (89)): 1–27.
Published: 01 September 2015
... International.” Held at the Santa Monica Civic Auditorium on 28 and 29 October, T.A.M.I. was a two-­day concert that was filmed and released as a feature-­length concert movie in Los Ange- les theaters on 14 November, and nationally on 29 December. The 12  •  Camera Obscura film was directed by...
Journal Article
Camera Obscura (1991) 9 (1-2 (25-26)): 224–249.
Published: 01 September 1991
Journal Article
Camera Obscura (1994) 11-12 (3-1 (33-34)): 242–261.
Published: 01 May 1994
... overly reliant on the simplifying terms of the dominant discourse and thus unable to account for complexities, contradictions, and resistance to the dominant system evident in audience reading practices. Ien Ang’s Desperately Seeking the Audience embodies this...