1-20 of 76 Search Results for

analyst

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Article
Camera Obscura (1992) 10 (3 (30)): 76–91.
Published: 01 May 1992
... the capacity of a Blue Stocking, or perhaps a Plain Jane. 2. You Freud? Q: What is it that the patient most desires? A: The analyst’s ear. 3. You Freud, Me Jane? In the Hitchcock film Mamie the heroine, a compulsive thief, is caught in the act by a man who saves her from the law by...
Journal Article
Camera Obscura (1984) 4 (3 (12)): 163.
Published: 01 December 1984
... poses is that in order to apprehend and interpret ‘ ‘what the film signifies at each moment, ’ ’ (p. 5) the filmic system constructed by the film-analyst must be naturalized and located in the film itself. Guzzetti is, of course, aware of this problem, but nonetheless embraces the...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 186–189.
Published: 01 December 1989
... instances of textual analysis, this model of reading presupposes a distinction between the work (a material entity) and the text (a construct of analysis) (Barthes 1977b). As Thierry Kuntzel has noted, however, it is often difficult to specify whose text the analyst constructs: that is, in what...
Journal Article
Camera Obscura (2012) 27 (2 (80)): 161–163.
Published: 01 September 2012
...- some. You could imagine him in another life, a wealthy doctor, with a stay-­at-­home husband and two kids, on the Upper East Side. But in this instant, he was triggering darkness, resurfacing the demons in my head. I imagined then what my analyst would say — was he with us, in the checkpoint...
Journal Article
Camera Obscura (1984) 4 (3 (12)): 162–163.
Published: 01 December 1984
... problem that this type of empirical analysis poses is that in order to apprehend and interpret ‘ ‘what the film signifies at each moment, ’ ’ (p. 5) the filmic system constructed by the film-analyst must be naturalized and located in the film itself. Guzzetti is, of course, aware of this...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 314–318.
Published: 01 December 1989
... analytic process whereby “in- fantile prototypes re-emerge and are experienced with a strong sen- sation of immediacy” in the course of the analysis itself and in the interaction between analyst and analysand; the transference is “ac- knowledged to be the terrain on which all the basic...
Journal Article
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 216–222.
Published: 01 December 1982
... the other hand, problem, but nonetheless embraces an empirical method because it per- apprehend and interpret “what the film signifies at each moment,” (p. s), the filmic system constructed by the film-analyst must be natu- ralized and located in the film itself...
Journal Article
Camera Obscura (1984) 4 (3 (12)): 157–161.
Published: 01 December 1984
... analyst of the uni- versity; as Israel notes, like the analyst with her or his stream of patients, Mannoni sits back and waits for each new speaker to arrive, never knowing whether a torrent of abuse or a transference of affection will come from the Other. Her “job,” then, becomes one of finding...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 297–300.
Published: 01 December 1989
... analysts who find that their clinical experience brings them into disagreement with “the reigning theory, the theory around which they are all gathered” (156).In some respects, my ex- perience with feminist film theory has been analogous to the situation Balmary describes...
Journal Article
Camera Obscura (1981) 3 (1 (7)): 66–87.
Published: 01 May 1981
... the analyst may confer the exact degree and type of generality or particularity that he wants, on condition only that his conclusions be measured against this initial act of delineation (this is the principle of distinctiveness) (LC 66). This co-constitutive relation...
Journal Article
Camera Obscura (1989) 7 (1 (19)): 134–141.
Published: 01 January 1989
... analyst, sitting silently, out of sight, behind the scenes. Unfortunately, however, the analyst is only one of the positions Edith takes in this filmed fantasy of a woman who lived out her fantasies until they outlived her. Edith also functions as a documentary presence: she...
Journal Article
Camera Obscura (1980) 2 (2 (5)): 72–79.
Published: 01 September 1980
... event to the analyst, and the narration involved in the analyst’s writing of the case history. Never has a science depended to such a degree on a technique so linked to story-telling and fiction. The film’s careful attention to all the narra- tives concerned is a way of...
Journal Article
Camera Obscura (2019) 34 (3): 127–155.
Published: 01 December 2019
... Twilight Zone (CBS, 1959 64) writer-producer Rod Serling being one such example served as their shows story editors, my focus in this piece is on women story editors who were not show staff writers but rather worked in the script and story development capacity described above. 4. Story analyst and...
Journal Article
Camera Obscura (1988) 6 (3 (18)): 80–94.
Published: 01 September 1988
... and when encountering the "feminine" genres like soap opera and the "woman's film While I applaud the movement toward an emphasis on the inter• action between text and spectator, the dethroning of the unexamined assumption that the male analyst'S reading and response is a universal one, and the...
Journal Article
Camera Obscura (1993) 11 (2 (32)): 124–160.
Published: 01 September 1993
... waste and remnants of the sublime as on the palpable, material links of bondage, death, and survival to artistic production, corruption, and reception. Yet, what seems clear to this analyst is that Dedeaux’s archaeologists would have profited from an understanding of the...
Journal Article
Camera Obscura (2001) 15 (3 (45)): 71–113.
Published: 01 December 2001
... project. In the process of converting Lindner’s 1942 case history to the 1962 film script, Kramer further hoped to achieve “greater explosive qualities through the switch” of the analyst’s ethnicity from Jewish to African American.4 Because of this change...
Journal Article
Camera Obscura (2019) 34 (3): 63–95.
Published: 01 December 2019
... psychoanalysts Karl Abraham and Hanns Sachs, Bryher s longtime friend and analyst, as consultants. Thematizing the psychological cure of a scientist (Werner Krauss) through dream analysis with a psychoanalyst (Pavel Pavlov), Secrets of a Soul is widely accepted as the first film to consider psychoanalysis...
Journal Article
Camera Obscura (1977) 1 (2 (2)): 50–66.
Published: 01 September 1977
... bring about. The analyst proceeds in the opposite direction. He starts from the film-projection which, in its moving globality produces an effect, in order to dis-animate the photograms and to pinpoint where the effect is produced. The proposition to conduct the analysis from the ef...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 300–304.
Published: 01 December 1989
... Gaylyn Studlar In Psychoanalyzing Psychoanalysis (1982), Marie Balmary describes the dilemma faced by analysts who find that their clinical experience brings them into disagreement with “the reigning theory, the theory around which they are all gathered” (156).In some...
Journal Article
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 88–115.
Published: 01 December 1982
... described above is a psycho- analytic one, since it too is predicated on a dual relationship that can be expanded to include a ternary position. To simplify the analytic process, we can say that there exists a dual, Imaginary relationship between the patient and the analyst who, at this...