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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2010) 25 (2 (74)): 161–171.
Published: 01 September 2010
...Michael T. Martin While slavery is distinctive in human history, its enduring legacy and practices in the modern world are manifest in the “disposable” labor that provisions the brothels, sweatshops, and agricultural plantations in the global economy. This interview with filmmaker Amy Serrano...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1984) 4 (3 (12)): 163.
Published: 01 December 1984
... © 1984 by Camera Obscura 1984 Feminist Film was written as a response to a particular situation in avant- 163 garde film criticzjm. Amy Taubin’s unequivocal description of Marjorie Keller as ‘ ‘perhaps the only major filmmaker the American independent film has produced since the end of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2007) 22 (1 (64)): 113–135.
Published: 01 May 2007
..., and retunes its script through the altered values of feminist deconstruction. Based on a play by Stephen Belber, Tape concentrates its three protagonists, Vince (Ethan Hawke),  Jon (Robert Sean Leon- ard), and Amy (Uma Thurman), within one motel room.3 Giving the impression of eighty...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2007) 22 (1 (64)): 137–177.
Published: 01 May 2007
... Have One Daughter and That Is Egyptian Cinema”: ‘Azı¯za Amı¯r amid the Histories and Geographies of National Allegory Kay Dickinson On Tuesday, 1 November 1927, Egypt’s daily newspaper, al-Ahra¯m, proclaimed: Silent acting has finally been born in Egypt. In the Egyptian sky a...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1984) 4 (3 (12)): 162–163.
Published: 01 December 1984
... of criticizing Marjorie Keller’s films for their ambiguity. Personal Film/ Feminist Film was written as a response to a particular situation in avant- 163 garde film criticzjm. Amy Taubin’s unequivocal description of Marjorie Keller as ‘ ‘perhaps the only major filmmaker the American...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1995) 12 (2 (35)): 222.
Published: 01 May 1995
... College. Catherine Russell is Associate Professor of Cinema at Concordia University, Montreal. She has recently published Narrative Mortality: Death, Closure, and New Wave Cinemas (University of Minnesota Press, 1995). Amy Zilliax is a PhD student in the Department of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2002) 17 (1 (49)): 216–218.
Published: 01 May 2002
... Kentucky Press, 2001. Thornham, Sue. Feminist Theory and Cultural Studies: Stories of Unsettled Relations. London: Arnold, 2001. Tinkcom, Matthew, and Amy Villarejo, eds. Keyframes: Popular Cinema and Cultural Studies. London: Routledge, 2001. 218 • Camera Obscura Trimbur, John, ed...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1995) 12 (3 (36)): 158–160.
Published: 01 September 1995
...; pp. 193-212. Zilliax, Amy The Scorpion and the Frog: Agency and Identity in Neil Jordan’s The Crying Game. No. 35; pp. 25-52. ...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1995) 12 (2 (35)): 223–225.
Published: 01 May 1995
... University Press, 1996. $9.95. Queen Christina by Marcia Landy and Amy Villarejo, Indiana University Press, 1996. $9.95. Novas Travessias:Contemporary Photography in Brazil edited by Maria Luiza Melo Carvalho. Verso, 1996. $24.95. The Passion ofPier Paolo Pasolini by...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1984) 4 (3 (12)): 166–168.
Published: 01 December 1984
... Careers edited by 167 Marilyn Yalom. Capra Press. Santa Barbara, 1983. $10.00. Filmdance 1890 's-1983 edited by Amy Greenfield. The Experimental Intermedia Foundation at the Public Theater. New York, 1983. The Production Company (2nd edition). Parmorand Publications. Hollywood, 1983. $14.95...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2003) 18 (1 (52)): 188–190.
Published: 01 May 2003
..., Jill, and Angela Werndly. The Language of Television. New York: Routledge, 2002. McNair, Brian. Striptease Culture: Sex, Media, and the Democratisation of Desire. New York: Routledge, 2002. Monk, Claire, and Amy Sargeant, eds. British Historical Cinema: The History, Heritage, and...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1996) 13 (3 (39)): 126–150.
Published: 01 September 1996
... the plot is specific to this brief period of time, all the events that take place carry the weight of the family's history of suicide, 138 hopelessness, and economic distress. The oldest Grape is Larry whom we never see because, as Gilbert explains, he "got away." Amy is Gilbert's...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2008) 23 (1 (67)): 69–87.
Published: 01 May 2008
... University. Her research focuses on personality, publicity, and flamboyant excess in early-twentieth-century literary culture. She coedited Selected Poems of Amy Lowell (2002) and Amy Lowell, American Modern (2004) with Adrienne Munich and is currently completing a manuscript on Amy Lowell. The Rose...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1983) 4 (2 (11)): 60–71.
Published: 01 September 1983
... filmmaker the American independent film has produced since the end of the '60s. 1 With this claim, Amy Taubin (a New York-based film critic for the now defunct SoHo Weekly News, current contributor to the Village Voice and filmmaker in her own right) begins her Art/orum...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2003) 18 (1 (52)): 157–187.
Published: 01 May 2003
...- ual affirmation has taken place. Hitchcock’s use of James Stewart is exemplary in the staging of masculinity. Amy Lawrence explains that “in Rope, as in their collaborations in the 1950s, it is Stewart who serves as Hitchcock’s icon of American manhood.”4 Lawrence argues that the persona of the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2017) 32 (2 (95)): 89–115.
Published: 01 September 2017
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1979) 1-2 (3-1 (3-4)): 135–150.
Published: 01 May 1979
... and functions as a mediator between the values of multiple sexual relationships (plurality) and strict monog- amy. Cynthia’s narrative presence sets the fiction in motion by pro- voking conflict, and her figure mediates that same conflict toward its ultimate resolution. A...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1983) 4 (2 (11)): 72–85.
Published: 01 September 1983
... recent Village Voice' supplement on women filmmakers, Amy Taubin wrote an article citing Yvonne Rainer, Christine Choy and yourself as exemplary of the main tendencies in experimental and avant-garde feminist filmmaking. But in speaking about your work, you separate feminism...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2000) 15 (2 (44)): 151–175.
Published: 01 September 2000
...Barbara Mennel; Amy Ongiri Camera Obscura 2000 Barbara Mennel is an assistant professor of film and German in the Department of Modern Languages and Linguistics at the University of Maryland, Baltimore County. She has published on the films of Monika Treut and Chantal Akerman and is...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2006) 21 (3 (63)): 1–35.
Published: 01 December 2006
...Amy Shore Camera Obscura 2006 Amy Shore is an assistant professor in the Cinema and Screen Studies Program of SUNY Oswego's English department. Her scholarship focuses on activism and media, and she has several forthcoming articles related to her book project, “Suffrage and the Silver...