1-20 of 787 Search Results for

also

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2013) 28 (1 (82)): 69–101.
Published: 01 May 2013
... schoolgirl — for the collocation of chronological and nonchronological times with the heterogeneous spaces of diaspora. But the diasporic archive that is this calendar also illumines for us certain media for ensuring a beloved body's continued presence, the photograph and also the calendar being formal...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2016) 31 (2 (92)): 27–59.
Published: 01 September 2016
... by the greater economic insecurity that middle-class women have been facing post–Great Recession but also by a variety social factors that generate feelings of immobilization and isolation. Abjection is often a principal sign of these characters' precarity—they inhabit spaces where they often recoil...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2011) 26 (1 (76)): 39–63.
Published: 01 May 2011
... claim that, as gestures of reinscription rather than of neutral recording, these works not only expand but also confront, disturb, and ultimately reconstitute the memory of cinema we have inherited. Beyond the opposition between continuity and discontinuity, what I propose to call “digital memory” is a...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2011) 26 (1 (76)): 131–157.
Published: 01 May 2011
..., there is a danger of underplaying, reifying, or of just not looking at the spaces of belonging and inhabitance that are also characteristic of an era of transnational migration. As a result, theories of transnational and diasporic cinema run the risk of closing down spaces for considering the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2017) 32 (3 (96)): 1–31.
Published: 01 December 2017
... progressive sympathies and any conservative arc that viewers might discern. It is also beneficial to contemplate the ways in which narrative structures are themselves politically agnostic, as well as to consider the ways in which most family sitcoms attempt to appeal to viewers across the political divide...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2018) 33 (1 (97)): 1–27.
Published: 01 May 2018
... investigates how Turkish sex films identify and discuss the social oppositions upon which desire is manufactured. It also engages these films’ repercussions, whether in terms of cinematic and social influence or how they affected moral codes regarding female sexuality. Moving from Alan Soble’s Marxist analysis...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2017) 32 (2 (95)): 63–87.
Published: 01 September 2017
... through heroic deeds of masculine role fulfillment. Drawing on the modeling of masculine hysteria by both Mark S. Micale and Elaine Showalter, the article is also informed not only by Bessel van der Kolk's descriptions of post-traumatic stress disorder but also by theorizations of tears in the writings of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2018) 33 (2 (98)): 139–159.
Published: 01 September 2018
... into more discrete forms, because such animation creates sites at which formal experimentation and formal redundancy are vividly and co-constitutively apparent. The essay also, playfully, nominates the suite of at-once realist and fantastical effects engendered in animation as the condition of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2012) 27 (3 (81)): 149–157.
Published: 01 December 2012
...Roya Rastegar Festivals not only select and exhibit films, they also call in audiences and shape the conditions in which these audiences engage with cinema. Drawing from the author's changing personal relationship to cinema culture, and engaging with eleven films that premiered at the 2012...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2013) 28 (2 (83)): 45–75.
Published: 01 September 2013
... Couch (US, 1964), which is typically shown silently. These films are queer in that they present a series of erotic encounters that vary in gender, sexuality, and number; significantly, these works are also nonsynchronous or silent in their image-sound relations. They are recombinant in their structure...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2011) 26 (3 (78)): 63–93.
Published: 01 December 2011
... in the present. The masturbatory quality of performance documentation and porn is characterized by self-pleasure and a plentitude of affect. It also involves the structuring of a present performance in relation to the fantasy of a previous performance that is viewed in a technologically mediated form...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2012) 27 (2 (80)): 61–91.
Published: 01 September 2012
...-director Johnson and producer Darryl F. Zanuck's eventual taming of Jones's power on the set mirrored the script's struggles between Betsy and her husband. But an analysis of the film and its production contexts also highlights the consequences of creating a masculine melodrama in a system that depended on...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2011) 26 (3 (78)): 155–165.
Published: 01 December 2011
... herself as a benshi. Unlike other traditional performing arts, creating one's original style based on one's interpretation of the film has always been more valued than copying the predecessors' styles. Sawato also discusses the complex ways in which she, a contemporary woman with a clear feminist agenda...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2015) 30 (1 (88)): 11–39.
Published: 01 May 2015
... analyzing not only television but also online media and print and digital tabloids and the audience discourses involved with them. It further argues that transmediation incorporates gender and sexuality as well as media. In this, the body also functions as a medium, simultaneously grounded in materiality...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2016) 31 (2 (92)): 149–153.
Published: 01 September 2016
... refusal of the female body's objectification and also a catalyst for collectivization. Heather Davis argues that plastic is an opaque queerness, and Nathan Lee writes on the condition of being HIV undetectable as an optimistic imperceptible relationship to one's body. Across these texts, opacity operates...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2009) 24 (2 (71)): 43–75.
Published: 01 September 2009
... documentaries frequently focus on women and children in not only the United Kingdom but also in cultures as diverse as Japan, Iran, and nations in Africa. This essay explores four of her most well-known recent documentaries, Divorce Iranian Style (1998) and Runaway (2001), both made in Tehran and codirected...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2009) 24 (1 (70)): 67–107.
Published: 01 May 2009
... gendering of these concepts, Osucha argues that they can also be explained by nineteenth-century anxieties about stabilizing the boundaries of racial whiteness. Analyzing the historical legal discourse via the seminal 1890 Harvard Law Review article “The Right to Privacy,” as well as via early case law...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2009) 24 (2 (71)): 139–159.
Published: 01 September 2009
... source of disruption that threatens the symbolic realm. By charting the mother-daughter nexus and suggesting that daughters continue to seek the semiotic chora even after the thetic break, these films also address a discernable lack in Kristeva's theory of abjection by paying due attention to the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2010) 25 (2 (74)): 161–171.
Published: 01 September 2010
... examines the laboring conditions and practices tantamount to slavery in the sugar plantations in the Dominican Republic (DR). It also addresses the complicity of state governments in human trafficking of Haitian migrants to the DR. The film also illuminates a global trend in which migrants, unable to...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2014) 29 (3 (87)): 149–183.
Published: 01 December 2014
... of racial incorporation also channel specters of empire? And how do these filmic apparitions render their audience also uncanny? Juliana Chang is an associate professor of English at Santa Clara University. She is the author of Inhuman Citizenship: Traumatic Enjoyment and Asian American Literature...