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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2013) 28 (3 (84)): 103–123.
Published: 01 December 2013
...Sam McBean Alison Bechdel's autobiographical graphic novel, Fun Home (2006), intricately weaves together the author's coming-out story with her family's history, particularly the story of her father's closeted queer sexuality and possible suicide. In its exploration of family history, queer desires...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1990) 8 (3 (24)): 139–161.
Published: 01 September 1990
...Réda Bensmaïa; Alison Rowe; Elisabeth Lyon Copyright © 1991 by The Johns Hopkins University Press 1990 From the Photogram to the Pictogram: On Chris Marker’s La Jetke Rkda Bensmaia No work of art must either be described or ex- plained...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1990) 8 (3 (24)): 206–215.
Published: 01 September 1990
...Raymond Bellour; Alison Rowe; Elisabeth Lyon Copyright © 1991 by The Johns Hopkins University Press 1990 7‘he Letter goes on 99 Raymond Bellour The letter goes on and on. If it is a real letter, it never stops saying, wanting, wanting to say more. In film, the letter is...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2005) 20 (1 (58)): 1–31.
Published: 01 May 2005
...Alison Butler Camera Obscura 2005 Alison Butler teaches film studies in the Department of Film, Theatre, and Television at the University of Reading in the UK. She is the author of Women's Cinema: The Contested Screen (2002) and a member of the editorial advisory board of the journal...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2013) 28 (3 (84)): 169–170.
Published: 01 December 2013
... Finding Christa and Off and Running. No. 83: pp. 77 – 107 Bienvenida Matías, see Catherine L. Benamou and Bienvenida Matías Sam McBean Seeing in Alison Bechdel’s Fun Home. No. 84: pp. 103 – 23 Erin Lee Mock “The Soap Opera Is a Hell of an Exciting Form”: Norman Lear’s Mary...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1990) 8 (3 (24)): 216–217.
Published: 01 September 1990
...: Criticism and Ideology in Contemporary Film Theory (University of Illinois Press, 1988), and The Difficulty of Difference: Psychoanalysis, Sexual Dif- ference, and Film Theory (Routledge, 1990). Alison Rowe is currently living in Paris and researching the status of contem- porary French poetry...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2014) 29 (2 (86)): 119–147.
Published: 01 September 2014
... Superbad (cowritten by Seth Rogen) becomes Seth Rogen, the actor who plays Ben in Knocked Up. Ben is forced, one might say, into maturity, adulthood, and responsibility when, in a drunken one-­night stand, he beds the beautiful Alison (Heigl), who becomes pregnant and, for reasons that have...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 127–132.
Published: 01 December 1989
... works only to satisfy the fetishistic and voyeur- istic pleasure of the masculine gaze. This has produced something of an impasse for women’s film theory and practice, which Alison Butler has succinctly, if summarily, described: New feminist cinema has emerged...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1990) 8 (3 (24)): 125–138.
Published: 01 September 1990
... the artist, 1983-87. 12. Raymond Bellour, “Video Writing,” trans. Alison Rowe. Included in 11- luminating Video (New York: Aperture Press, 1990) and originally in a separate article, “Le dernier homme en croix,” Cinq pi2ces avec vue, exhibition...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2016) 31 (2 (92)): 175–185.
Published: 01 September 2016
... Autonomous Killing Machines,” Proceedings of the AISB, no. 136 (2013): 14 – 22. 11. For an important analysis of this history, see Alison Adam, Artificial Knowing: Gender and the Thinking Machine (New York: Routledge, 1998). 12. More specifically, the essay challenges the dominance...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2014) 29 (1 (85)): 33–57.
Published: 01 May 2014
... associated with its gendering. These rearticulations include Alison Butler’s consideration of contemporary women’s cinema as a form of minor cinema and Patricia White’s study of short-­form commis- sioned works in her essay “Lesbian Minor Cinema.”12 Like Gun- ning, both Butler and White draw from...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 336–372.
Published: 01 December 1989
...: “Nationwide”. London: British Film Institute, 1978. Burgin, Victor. The End of Art Theory: Criticism and Postmodernity. London: Macmillan, 198 6. Butler, Alison. “ ‘She Must Be Seeing Things’: Interview with Sheila Mc- Loughlin.” Screen 28, no. 4 (1987): 20-8. Byars, Jackie. “Reading...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2009) 24 (3 (72)): 111–151.
Published: 01 December 2009
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1996) 13 (3 (39)): 4–33.
Published: 01 September 1996
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2008) 23 (2 (68)): 103–139.
Published: 01 September 2008
..., to adopt a gay identity, without actually engaging in gay sex. Berlin becomes for him something akin to what Alison Lands- berg calls “transferential spaces,” sites in which “people are invited to enter into experiential relationships to events through which they themselves did not live.”46...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2015) 30 (3 (90)): 61–91.
Published: 01 December 2015
... distant and buried social trauma whose discovery and revelation drive the narratives. Rather, as some commentators have pointed out, the primary atrocity in these films is the McMansion itself and the atomized, consumer- ist lifestyle that it symbolizes. Journalist Alison Gillmor writes, “It...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2008) 23 (1 (67)): 47–67.
Published: 01 May 2008
... Fuse,” Superficial, 17 January 2006, thesuperficial.com/2006/01/russell_crowe_has_a_short_fuse .php. 5. Wayne Koestenbaum, The Queen’s Throat: Opera, Homosexuality, and the Mystery of Desire, 2nd ed. (Cambridge, MA: Da Capo, 2001), 113. 6. Alison Rosen, “How to Be...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2015) 30 (1 (88)): 155–183.
Published: 01 May 2015
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1984) 4 (3 (12)): 40–65.
Published: 01 December 1984
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1988) 6 (2 (17)): 169–193.
Published: 01 May 1988
... autonomy from the adult-dominated 178 world. These playful children are discovering the pleasures of resis- tance. Alison James (1979) offers a similar vision of a children’s culture cast in opposition to adult norms and satisfying the growing youngs- ter’s need...