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alicia

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Journal Article
Camera Obscura (2017) 32 (1 (94)): 179–186.
Published: 01 May 2017
...Alicia Kozma This article examines Stephanie Rothman and her career as a second-wave exploitation film director between 1966 and 1974. Marginally represented in film histories and archives, Rothman made seven films during her short career and flourished in the primarily masculinized world of second...
Journal Article
Camera Obscura (2008) 23 (2 (68)): 1–39.
Published: 01 September 2008
... Despina Kakoudaki I know very little about Alicia. Only what is seen in the film. At times, the writer knows the characters’ past and their future, far beyond the ending of the film. In this case, I have the same information as the spectator. Alicia’s real film begins at the end, in the...
Journal Article
Camera Obscura (1994) 11-12 (3-1 (33-34)): 12–41.
Published: 01 May 1994
... to the current day. The female protagonist, Alicia, was changed from the daughter of a convicted Nazi spy (Ingrid Bergman) to the daughter of a convicted Soviet spy (Jenny Robertson). In both films, Alicia reacted to her father’s conviction by developing a reputation for notorious...
Journal Article
Camera Obscura (1986) 5 (3 (15)): 110–136.
Published: 01 December 1986
... . . . . Edison, using an automaton of his own making, calls upon his own ingenuity to replace her . . . .”I3 How does Villiers choose to speak of Lord Ewald’s disillusionment? Ewald sums up Alicia’s “defect” this way: she is a “bourgeois God- dess”(3 6). More specifically: “The...
Journal Article
Camera Obscura (2009) 24 (1 (70)): 1–5.
Published: 01 May 2009
...: Duke University Press, 1998); Beth E. Kolko, Lisa Nakamura, and Gilbert B. Rodman, eds., Race in Cyberspace (New York: Routledge, 2000); Alondra Nelson and Thuy Linh N. Tu, with Alicia Hines Headlam, eds., Technicolor: Race, Technology, and Everyday Life (New York: New York...
Journal Article
Camera Obscura (1997) 14 (1-2 (40-41)): 129–160.
Published: 01 May 1997
... because he is engaged to a young singer, Alicia Clary, whose face and figure captivate him, but whose stupidity and vulgarity destroy the romantic illusion that he needs. He describes himself as a man of aristocratic tastes that are threatened by the new c‘positivism...
Journal Article
Camera Obscura (2020) 35 (3 (105)): 142–153.
Published: 01 December 2020
... measures and push for redistributive results beyond symbolic commitment, individual recognition, and positive publicity. © 2020 by Camera Obscura 2020 Anna Serner 50/50 by 2020 campaign gender equality work Swedish Film Institute Figure 1. Alicia Vikander, Charlotte Rampling, and Eva Green in...
Journal Article
Camera Obscura (2001) 15 (3 (45)): 1–33.
Published: 01 December 2001
... created in women what Alicia Ostriker has called a “divided self, rooted in the authorized dualities” of culture.41 Although the “splitting images” or “double-talking ironies” Hutcheon identifies as characteristic of feminist art are...
Journal Article
Camera Obscura (2003) 18 (1 (52)): 157–187.
Published: 01 May 2003
... Devlin (Cary Grant) “seems determined to intensify” the anguish he feels on seeing under- cover spy Alicia (Ingrid Bergman) with her Nazi conspirator Sebas- tian. “It’s almost as if [Devlin] sends Alicia into the arms of Sebas- tian for the purpose of watching her,” Modleski writes, “as if he...
Journal Article
Camera Obscura (1979) 1-2 (3-1 (3-4)): 157–175.
Published: 01 May 1979
... of the Condor, Independence Day, A Minor Altercation, Alicia and One Way or Another. Some of these titles are by women, and some by men. We feel the exploitation and subjugation of women is an integral part of the system that creates the issues that all of our...
Journal Article
Camera Obscura (1995) 12 (3 (36)): 66–83.
Published: 01 September 1995
... visibilities and invisibilities. NOTES My special thanks to the artists, Jerry, Blandenia, and Linda Cooks, Alicia Brown, Joe Cumbo, Lisa Finn, Deborah Grayson, Kofi Natambu, Jeanette Roan, Kathy White, and Sharon Willis. 1. Pat Turner explains that, like any other slave, the head...
Journal Article
Camera Obscura (2007) 22 (3 (66)): 129–167.
Published: 01 December 2007
Journal Article
Camera Obscura (1997) 14 (1-2 (40-41)): 243–274.
Published: 01 May 1997
Journal Article
Camera Obscura (1999) 14 (3 (42)): 50–69.
Published: 01 September 1999
... this "ideal, shimmering, stable" world of Clueless and of its protagonist Cher (played winningly by Alicia Silverstone) that I seek to interrogate in this essay. More precisely, I am interested in using Clueless to explore the role of cinematic representation in the con• struction of national and...
Journal Article
Camera Obscura (2011) 26 (1 (76)): 1–37.
Published: 01 May 2011
Journal Article
Camera Obscura (2020) 35 (1 (103)): 1–37.
Published: 01 May 2020