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adaptation

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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2001) 15 (3 (45)): 71–113.
Published: 01 December 2001
... Democracy , Duke University Press. 03-Slane.sh 70-113=44pg 4/18/01 4:00 PM Page 70 03-Slane.sh 70-113=44pg 4/18/01 4:00 PM Page 71 Pressure Points: Political Psychology, Screen Adaptation, and the Management of Racism in the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2012) 27 (1 (79)): 157–191.
Published: 01 May 2012
...Nadia Sophia Sanko The story of Carmen (Mérimée 1845, Bizet 1875), the (in)famous Gypsy from Spain, is the second most adapted narrative in the history of world cinema with more than eighty global versions officially recognized to date; however, one significant and critical version has been...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2016) 31 (3 (93)): 165–175.
Published: 01 December 2016
...Liz Clarke; S. Topiary Landberg In this article, the authors argue that the 2013 omnibus film Valencia: The Movie/s (US) presents a unique approach to collective filmmaking in its adaptation of Michelle Tea's queer coming-of-age memoir Valencia (2000). This approach creates a sense of cultural...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2009) 24 (2 (71)): 107–137.
Published: 01 September 2009
... Middle East. This article examines how Benlyazid's first feature at once engages and resists the burdens of representation that accrue to it as it circulates transnationally. Alternately proposing and withholding insights into Muslim women's lives, Benlyazid's film strives to adapt mainstream narrative...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2011) 26 (2 (77)): 91–121.
Published: 01 September 2011
... without a veil, adapting their advertising accordingly. While this may seem straightforward, the complexity lies in the extent to which women's hair is considered “unrepresentable” in practice and in the paradoxes of presenting the veil on-screen while still demonstrating the product's benefits. A...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2012) 27 (2 (80)): 135–143.
Published: 01 September 2012
... Moufawad-Paul's Nus Enssas / صيصنصن (Canada, 2011) and Raafat Hattab's Hourieh (Palestine, 2011) explore issues ranging from queer diasporic solidarity politics and challenges to out/closeted binaries and to the creative reinscription of nakba narratives. Nadia Awad's Two Adaptations of the Same Novel (US...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2008) 23 (1 (67)): 113–143.
Published: 01 May 2008
...Hiram Perez Building on feminist and queer scholarship on the relationship of film spectatorship to subjectivity, this essay conjectures subaltern spectatorships of the two US film adaptations of Fannie Hurst's 1933 novel Imitation of Life as a means of tracing the impossibly entangled discourses...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2017) 32 (2 (95)): 29–61.
Published: 01 September 2017
..., and outright challenges to industrial and generic hegemony. A series of case studies demonstrates that individual mainstream alt-porn films, despite their corporate production model, may not be antithetical to the subgenre's antiestablishment origins. Frequently adapting self-reflexive strategies from...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2017) 32 (2 (95)): 63–87.
Published: 01 September 2017
... representation of masculine traumatic symptoms in both Richard Condon's 1959 novel and Frankenheimer's cinematic adaptation of it. In a period of national shame about the unwon Korean conflict, Frankenheimer first feminizes his protagonists by rendering them hysterical, and then allows them to redeem themselves...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2017) 32 (3 (96)): 1–31.
Published: 01 December 2017
.... Modern Family ’s adaptations of sitcom narrativity allow it to advance its progressive ambitions, while the program also plays with the humor of gay stereotypes ultimately to demolish binary assumptions of queer political identity. To read a sitcom through a political lens of conservatism versus...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2017) 32 (3 (96)): 93–119.
Published: 01 December 2017
... their adaptation of Truman Capote’s 1958 novella. The film de-queered the novella, erasing its fantasies of white/black miscegenation and funneling these racial and sexual anxieties onto the specter of Asianness. In place of Capote’s original vision, the film preoccupied itself with defining an...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2018) 33 (1 (97)): 1–27.
Published: 01 May 2018
... production. Although Turkish film producers first adapted European exploitation films (particularly Italian erotic comedies), in time they created a trashy and irregular film practice addressing the specific needs of its assumed audience: young, unemployed, underclass men with rural backgrounds. The article...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1980) 2 (3 (6)): 50–53.
Published: 01 December 1980
... Navire Night) or were written with various representationsin mind (such as India Song-texte-thkitre- film)and are therefore sometimes listed as theater, novels, or film sce- narios (such as De‘truire, dit-elle). In some cases, adaptations of novels or scenarios have been filmed by other...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2012) 27 (3 (81)): 181–183.
Published: 01 December 2012
... Sundance Film Festival. No. 81: pp. 149 – 157 Nadia Sophia Sanko Creolizing Carmen: Reading Performance in María Antonia, Cuba’s Overlooked Carmen Adaptation. No. 79: pp. 157 – 191 J. E. Smyth The Organization Woman behind The Man in the Gray Flannel Suit. No. 80: pp. 61 – 91...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2000) 15 (2 (44)): 202–204.
Published: 01 September 2000
... Modern Magic. Durham, NC: Duke University Press, 2000. Naremore, James, ed. Film Adaptation. New Brunswick, NJ: Rutgers University Press, 2000. Nelmes, Jill, ed. An Introduction to Film Studies. 2d ed. New York...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 199–204.
Published: 01 December 1989
... traced a matricidal dream through certain key texts by Ingmar Berg- man, showing how the representation of such a recurring dream can structure an adaptation of the Oedipal narrative and its reading. I also applied some of these ideas to music video in an essay called “Music...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2002) 17 (3 (51)): 71–113.
Published: 01 December 2002
... drama, Sorry, Wrong Number, in which this line is first spoken, as well as for the 1948 film adaptation, which repeats it.1 In both, Copyright © 2002 by Camera Obscura Camera Obscura 51, Volume 17, Number 3 Published by Duke University Press 71 72 • Camera Obscura the telephone functions as...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1986) 5 (3 (15)): 176–179.
Published: 01 December 1986
.... University of California Press, 1986. $12.95. German Film and Literature: Adaptations and Transformations by Eric Rentschler. Methuen, 1986. $17.50. A Hitchcock Reader edited by Marshall Deutelbaum and Leland Poague. Iowa State University Press. Ames, IA, 1986. $19.95. The Filmology...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2001) 16 (2 (47)): 133–175.
Published: 01 September 2001
...- sion shows (The Brady Bunch, Mission Impossible, South Park), televi- sion shows remake popular films (M*A*S*H, The Odd Couple, Buffy the Vampire Slayer), and both films and television shows remake or adapt comic book stories (Superman, Batman, and the like). These various relations are complicated...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2010) 25 (2 (74)): 75–117.
Published: 01 September 2010
... 2004, and Three Weeks (dir. Alan Crosland, US, 1924), the only adaptation of the novel that she supervised personally and which had been presumed lost until I located a print at the Gosfilmofond in Moscow in 2006. Scholars have recently drawn attention to Glyn’s position as an...