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William Greaves
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/10.1215_02705346-9561409/2/s_cob9561409figure1.png?Expires=2147483647&Signature=gyRsG3VBJTU9UD220n9XXFoIFp6o~g-Mctk8qV5E4v5Ia~bbjuhgpqL9p5lO4tqwGxrDHsGShYz3ZN2-zzCvO7ARF7sGuAZsz3EJrBZvgpssazDuzcv31kcyVT4PwWi-L1kQmW1~-CZfRiFLmWfmTokoa8b5V54jH~cvG5Y~f7EdRt-zJS7SAAObmIft8iWeEOwevFBNyMkbrReuI0F0A9JriF2ygPJQqsKuTdSnJqAsfPGTQILAvs3-qpmO66xtnA0b3OR1ww0TO4zqcHXq-vx64qr4XbJpJv4~OEyE0hpfjqDrCRAATHItSzq6cSbJ2JFIBLEykGbJE-FyErLDKg__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in The Reserve Army of Affectivity: Unemployed Labor in William Greaves's Psychodramatic Cinéma Vérité
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2022
Figure 1. The title of In the Company of Men (dir. William Greaves, US, 1969) appears over the frozen face of Charles Darby. Image courtesy of Indiana University Libraries Moving Image Archive
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Journal Article
Camera Obscura (2022) 37 (1 (109)): 31–59.
Published: 01 May 2022
...Figure 1. The title of In the Company of Men (dir. William Greaves, US, 1969) appears over the frozen face of Charles Darby. Image courtesy of Indiana University Libraries Moving Image Archive ...
FIGURES
Image
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in The Reserve Army of Affectivity: Unemployed Labor in William Greaves's Psychodramatic Cinéma Vérité
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2022
Figure 2. The cover of a syllabus produced by Newsweek magazine that accompanied William Greaves's film. The syllabus is held in the Greaves Collection, box 1, folder 45.
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Journal Article
Camera Obscura (2023) 38 (3 (114)): 1–5.
Published: 01 December 2023
...–87; Erin Greer, “Wages for Face-Work: Black Mirror 's ‘Nosedive’ and Digital Reproductive Labor,” Camera Obscura , no. 105 (2020): 88–115; and Alex Pittman, “The Reserve Army of Affectivity: Unemployed Labor in William Greaves's Psychodramatic Cinéma Vérité,” Camera Obscura , no. 109 (2022): 31–59...
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