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Stan Brakhage

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Journal Article
Camera Obscura (2020) 35 (3 (105)): 60–87.
Published: 01 December 2020
... it to the elision of gendered labor found in Stan Brakhage’s lyrical film Star Garden (US, 1974). The article charts two types of gendered labor Robertson engages in over the course of the project. First, as a document that tracks Robertson’s weight loss, a form of labor that she presents in a register...
Journal Article
Camera Obscura (2021) 36 (2 (107)): 145–149.
Published: 01 September 2021
... reenactment of the highly gendered role that the filmmaker Stan Brakhage cast Schneemann to play in his short experimental film Cat's Cradle (1959). It considers the way she understood home and homeland as two interlocking fronts in the ongoing battle over how gender is encoded and enacted. It concludes...
FIGURES
Image
Published: 01 September 2021
Figure 7. Carolee Schneemann and Yvonne Rainer, March 1965. Photograph by Stan Brakhage Figure 7. Carolee Schneemann and Yvonne Rainer, March 1965. Photograph by Stan Brakhage More
Journal Article
Camera Obscura (2021) 36 (2 (107)): 198–210.
Published: 01 September 2021
...Figure 7. Carolee Schneemann and Yvonne Rainer, March 1965. Photograph by Stan Brakhage Figure 7. Carolee Schneemann and Yvonne Rainer, March 1965. Photograph by Stan Brakhage ...
FIGURES | View All (12)
Journal Article
Camera Obscura (2007) 22 (1 (64)): 194–196.
Published: 01 May 2007
..., there is only one film, of the many works to which I expose my college students, that consistently cre- ates a passionate, call it vitriolic, reaction: Stan Brakhage’s twelve- minute Window Water Baby Moving (US, 1962). From “sublime!” to “disgusting!” and all the shades in between, this forty-five-year...
Journal Article
Camera Obscura (1979) 1-2 (3-1 (3-4)): 176–192.
Published: 01 May 1979
... through the times with her. From the Holder/DeLavallade reception, a wild, ludicrous tale emerged. The tale itself was remembered by one of the great legendizers of Maya Deren: Stan Brakhage. Maybe we should recount some of the stories we heard at the Buffalo Conference...
Journal Article
Camera Obscura (2006) 21 (3 (63)): 153–156.
Published: 01 December 2006
... working in the 1960s and beyond were not signs of incompetence but marks of a different vision? It is only in the past several years that Menken has been credited with influencing Stan Brakhage and others, many of whom have been lionized for half a century for displaying Menken-like qualities...
Journal Article
Camera Obscura (1983) 4 (2 (11)): 60–71.
Published: 01 September 1983
... approaches of Stan Brakhage, Sidney Peterson and Gregory Markopoulos, for example, and characterized by the use of self-reflexive subject matter and unconventional filming methods. The term "visionary film" was formulated by P. Adams Sitney, in his book of the same title...
Journal Article
Camera Obscura (2013) 28 (3 (84)): 1–31.
Published: 01 December 2013
... to the realm of amateur filmmakers;6 John Pruitt sees her as influencing the art of Stan Brakhage;7 Orit Halpern locates links between Deren’s outlook and the postwar fields of game theory, anthropology, and gestalt psychology;8 Maureen Turim finds parapraxis a key trope in her films;9 Renata Jackson...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 373–377.
Published: 01 December 1989
.... Trans. Sabine Wilke and Richard Gray. University of Minnesota Press, 1989. $19.95. I . . . Sleeping (Being a Dream Journal and Parenthetical Explication) by Stan Brakhage. Island Cinema Resources, 135 St. Pauls Ave., Staten Island, NY 10301. $5.95. Materialist Film by Peter Gidal...
Journal Article
Camera Obscura (1989) 7 (1 (19)): 134–141.
Published: 01 January 1989
... Distant Voices, Still Lives, Mike Leigh’s High Hopes and his short, The Short and Curlies, Derek Jarman’s The Last of England, Joao Bothelho’s Hard Times, Edgardo Cozarinsky’s Sarah). 136 This year I heard Avant Garde Voices (the Festival’s title) at a pro- gram of films by Stan...
Journal Article
Camera Obscura (2012) 27 (3 (81)): 169–179.
Published: 01 December 2012
... Torture Garden,” Sight and Sound no. – Simon Hartog, a British lm critic, concluded this. Garcia Bardon, “EXPRMNTL, festival hors normes,” Several of the big names remained absent, in part out of protest for what happened in Stan Brakhage, Jonas Mekas, and Kenneth...
Journal Article
Camera Obscura (1976) 1 (1 (1)): 128–139.
Published: 01 May 1976
... FEMME MARIEE (1971) 30 min.; B&W; 16 mm; sound. (The Beloved Child or I Play at Being a Married Woman) Not yet seen; no information available. November, 1971 went to New York City. Saw films by Stan Brakhage, Michael Snow andJonas Mekas; especially excited by La Region Centrale by Snow...
Journal Article
Camera Obscura (1984) 4 (3 (12)): 89–106.
Published: 01 December 1984
... Pnhcz)le, as a’conjunction of life and death instincts. This theory of “excess” of visual dynamics seems a fruitful way to discuss the films of Stan Brakhage and some of Hollis Frampton’s works. Just as with the films of gradual transformations, these films of elaborate...
Journal Article
Camera Obscura (2015) 30 (2 (89)): 1–27.
Published: 01 September 2015
... a match for Conner’s virtuosic camerawork, and both are essential to the dance. Moreover, BREAKAWAY was a one-­time collaboration, not the result of an ongoing partnership or a close-­knit domestic unit as were the films of Stan Brakhage, which he signed “by Brakhage” in order to emphasize...
Journal Article
Camera Obscura (2011) 26 (2 (77)): 1–31.
Published: 01 September 2011
... was harshly criticized by some members of the New York avantgarde, most notably by Stan Brakhage, who accused Clarke of being “no more than a commercial filmmaker” (Rabinovitz,Points of Resistance, 134). Portrait of Jason and Warhol’s Chelsea Girls (US, 1966) were...
Journal Article
Camera Obscura (2002) 17 (1 (49)): 73–105.
Published: 01 May 2002
... to be a part of the film’s natural mise-en-scène; like the frameless animation of Stan Brakhage’s avant-garde piece, Dog Star Man, tinting seems to add magically a separate layer. The coloring appears deliberately faked and reminds the viewer of the materiality of the film itself. In Fire Dance Fuller...
Journal Article
Camera Obscura (2009) 24 (2 (71)): 1–41.
Published: 01 September 2009
... dissection, Dante reminds us of the old gender trou- ble of the avant-garde — once again, slicing up eyeballs is neces- sary to guard against the aesthetic danger of women.2 In this essay, I want to effect a little dissection of my own, to open up the body of film theory and look, like Stan...
Journal Article
Camera Obscura (1995) 12 (2 (35)): 186–221.
Published: 01 May 1995
... sensible to have a little dialogue between video and film. SM: When you were making your early "poetic" films, were you influenced by the gestural hand-held camerawork Stan Brakhage and Jonas Mekas became famous for? When I first saw the hand-held video material at the end, it struck me, on one hand...