Skip Nav Destination
Search Results for Stan Brakhage
1-16 of 16 Search Results for
Camera Obscura (2020) 35 (3 (105)): 60–87.
Published: 01 December 2020
... to the elision of gendered labor found in Stan Brakhage’s lyrical film Star Garden (US, 1974). The article charts two types of gendered labor Robertson engages in over the course of the project. First, as a document that tracks Robertson’s weight loss, a form of labor that she presents in a register...
Camera Obscura (2007) 22 (1 (64)): 194–196.
Published: 01 May 2007
..., there is only one film, of the many works to which I expose my college students, that consistently cre- ates a passionate, call it vitriolic, reaction: Stan Brakhage’s twelve- minute Window Water Baby Moving (US, 1962). From “sublime!” to “disgusting!” and all the shades in between, this forty...
Camera Obscura (2006) 21 (3 (63)): 153–156.
Published: 01 December 2006
..., Chick Strand, and others working in the 1960s and beyond were not signs of incompetence but marks of a different vision? It is only in the past several years that Menken has been credited with inﬂuencing Stan Brakhage and others, many of whom have been lionized for half a century for displaying...
Camera Obscura (1989) 7 (2-3 (20-21)): 373–377.
Published: 01 December 1989
... Manfred Frank. Trans. Sabine Wilke and Richard Gray. University of Minnesota Press, 1989. $19.95. I . . . Sleeping (Being a Dream Journal and Parenthetical Explication) by Stan Brakhage. Island Cinema Resources, 135 St. Pauls Ave., Staten Island, NY 10301. $5.95. Materialist Film by Peter...
Camera Obscura (1979) 1-2 (3-1 (3-4)): 176–192.
Published: 01 May 1979
... documents, and the oral histories we have conducted with those who lived through the times with her. From the Holder/DeLavallade reception, a wild, ludicrous tale emerged. The tale itself was remembered by one of the great legendizers of Maya Deren: Stan Brakhage. Maybe we...
Camera Obscura (1983) 4 (2 (11)): 60–71.
Published: 01 September 1983
... American Cinema, as exemplified by the filmmaking approaches of Stan Brakhage, Sidney Peterson and Gregory Markopoulos, for example, and characterized by the use of self-reflexive subject matter and unconventional filming methods. The term "visionary film" was formulated by P...
Camera Obscura (1989) 7 (1 (19)): 134–141.
Published: 01 January 1989
... Festival’s title) at a pro- gram of films by Stan Brakhage, Laurie Dunphy, Warren Sonbert, and Chick Strand. Still, I found the voices of Terence Davies and Derek Jarman to be infinitely more compelling and no less unconventional. Rather than taking their “selves” as a...
Camera Obscura (2013) 28 (3 (84)): 1–31.
Published: 01 December 2013
... Obscura Published by Duke University Press 1 2 • Camera Obscura avant-garde scene;4 Scott MacDonald discusses her career in rela- tion to Cinema 16;5 Ryan Shand ties her praxis to the realm of amateur filmmakers;6 John Pruitt sees her as influencing the art of Stan Brakhage;7 Orit...
Camera Obscura (2012) 27 (3 (81)): 169–179.
Published: 01 December 2012
..., “EXPRMNTL, festival hors normes,” Several of the big names remained absent, in part out of protest for what happened in Stan Brakhage, Jonas Mekas, and Kenneth Anger. EXPRMNTL festival program. Note that Lebel was angry at the festival organizers because his lm Le désir...
Camera Obscura (1976) 1 (1 (1)): 128–139.
Published: 01 May 1976
... stove and blows the whole place up. L'ENFANT AIME OU JE JOUE it ETRE UNE FEMME MARIEE (1971) 30 min.; B&W; 16 mm; sound. (The Beloved Child or I Play at Being a Married Woman) Not yet seen; no information available. November, 1971 went to New York City. Saw films by Stan Brakhage...
Camera Obscura (1984) 4 (3 (12)): 89–106.
Published: 01 December 1984
... Pleaszlre Pnhcz)le, as a’conjunction of life and death instincts. This theory of “excess” of visual dynamics seems a fruitful way to discuss the films of Stan Brakhage and some of Hollis Frampton’s works. Just as with the films of gradual transformations, these films of...
Camera Obscura (2015) 30 (2 (89)): 1–27.
Published: 01 September 2015
...- lar, autonomous (male) auteur — Basil’s talents are clearly a match for Conner’s virtuosic camerawork, and both are essential to the dance. Moreover, BREAKAWAY was a one-time collaboration, not the result of an ongoing partnership or a close-knit domestic unit as were the films of Stan...
Camera Obscura (2009) 24 (2 (71)): 1–41.
Published: 01 September 2009
... and look, like Stan Brakhage in The Act of Seeing with One’s Own Eyes (US, 1971), at the colors and patterns of its insides. If all of this talk of bodies and blood seems far from pretty, this is indeed the point. The rhetoric of film theory has insistently denigrated surface decoration...
Camera Obscura (2011) 26 (2 (77)): 1–31.
Published: 01 September 2011
Camera Obscura (2002) 17 (1 (49)): 73–105.
Published: 01 May 2002
... a butterﬂy into Rastignac’s whirling American “dervish” and ﬁnally disappearing into a kaleidoscope of colored material. Early hand tinting does not at all appear to be a part of the ﬁlm’s natural mise-en-scène; like the frameless animation of Stan Brakhage’s avant-garde piece, Dog Star Man...