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Camera Obscura (2018) 33 (1 (97)): 113–137.
Published: 01 May 2018
...China Medel This article examines the role of image culture in producing collective memory and opportunities for transnational solidarity in Alex Rivera’s science fiction film about the US-Mexico borderlands, Sleep Dealer (US/Mexico, 2008). The article shows that the film offers two contrasting...
Camera Obscura (2012) 27 (3 (81)): 149–157.
Published: 01 December 2012
... (US, Tina Mabry’s Mississippi Damned (US, Cherien Dabis’s Amreeka (US/Canada, Zeina Durra’s The Imperialists Are Still Alive (US, Suzi Yoonessi’s Dear Lemon Lima (US, Dennis Dortch’s A Good Day to Be Black and Sexy (US, Jennifer Phang’s Half Life (US, Alex Rivera’s Sleep Dealer (US...
Camera Obscura (1990) 8 (1 (22)): 28–49.
Published: 01 January 1990
... Fund Research was published in 12 volumes devoted to questions as diverse as patterns of attendance, the effect of movies on children’s perceptions of society, and the relationship between cinema and children’s sleep.* Reverend William H. Short obtained funding for the program under...
Camera Obscura (1988) 6 (2 (17)): 68–81.
Published: 01 May 1988
..., is the explicitness with which the film reveals men’s desire to usurp women’s procreative function. In the scene where the three men, having become unwittingly involved with drug dealers, attempt to capture the criminals for the police, the baby’s father, Jack (Ted Danson), disguises...
Camera Obscura (2006) 21 (2 (62)): 108–143.
Published: 01 September 2006
... in both Winter Sleep- ers and Run Lola Run, signifies a model for masculinity that seeps from Winter Sleepers to Run Lola Run. In Winter Sleepers, Ferch plays Marco, a ski instructor who has difficulty communicating with the women in his life, as illustrated in scenes in which Marco expresses his...
Camera Obscura (2006) 21 (1 (61)): 105–145.
Published: 01 May 2006
... estranged lovers, a poor man’s ﬁnal coin handed to a blackjack dealer, or a tear ﬁnally shed after years of repression. In melodrama, the everyday surface comes to symbolize an under- lying emotional and spiritual realm through the overinvestment of signiﬁcance and affect in the smallest gesture...
Camera Obscura (2001) 16 (2 (47)): 1–35.
Published: 01 September 2001
... remember anything but bits and pieces of their lives. The premise of the story is that Nosferatu-like aliens, bald and ghastly and dressed in black over- coats, are in charge of the “reality” of the city, putting the people to sleep at uncertain midnights and slipping out to change their memories...
Camera Obscura (2007) 22 (2 (65)): 39–71.
Published: 01 September 2007
... to Idina.”11 Every local review of the current touring production, including those in the Washington Post, the Pittsburgh Post-Gazette, the Boston Globe, the Atlanta Journal-Constitution, and the Cleveland Plain Dealer, has com- mented on the scores of girls (typically described in time...
Camera Obscura (1994) 11-12 (3-1 (33-34)): 12–41.
Published: 01 May 1994
... Alexander Sebastian, a friend of her father’s who had been fond of her in the past. In the Hitchcock version, Alex was an expatriate German Nazi determined to keep Nazism alive. Lifetime’s remake presented him as a rogue Russian arms dealer, operating after the breakup of the Soviet...
Camera Obscura (1993) 11 (2 (32)): 41–74.
Published: 01 September 1993
... or his image, as Vince Vega does when he spends several minutes in Mia’s bathroom posing before her mirror and earnestly talking himself out of sleeping with her. Of course, when he returns to the living room, the whole situation has changed; she has overdosed on his heroin...