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Sigmund Freud

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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2010) 25 (1 (73)): 131–159.
Published: 01 May 2010
...Julie Levin Russo This article returns to Sigmund Freud's and Jacques Lacan's theories of scopophilia to intervene in a pessimistic thread of new media criticism. By complicating doomsday scenarios, it unpacks the complexities of exhibitionism iterated as online self-display, including aspects not...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2008) 23 (1 (67)): 113–143.
Published: 01 May 2008
... of race and sexuality, as well as of formulating “queer of color” as a kind of critical modality. Much like Harriet Beecher Stowe's Uncle Tom's Cabin functions, according to Sigmund Freud, as a cultural artifact prized in the form of an idealized beating fantasy by the Victorian (white) child...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2014) 29 (3 (87)): 93–115.
Published: 01 December 2014
... against Oedipus.6 Martel’s films are, in effect, both narrative and Oedipal with a vengeance. Specifically, they explore Sigmund Freud’s Oedipus complex, the archetypal narrative of patriarchy, through nar- ratives that highlight the contrast between two kinds of female desire: that which is...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2017) 32 (1 (94)): 63–91.
Published: 01 May 2017
... biopower. © 2017 by Camera Obscura 2017 Marina Abramović performance art biopower masochism Sigmund Freud Figure 1. Marina Abramovi´c marks the days that she has performed The Artist Is Present (2010) at the Museum of Modern Art (MoMA) in New York City. Still from Marina Abramovi´c...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2011) 26 (1 (76)): 39–63.
Published: 01 May 2011
... itself already internally disrupted by the double identification of Sigmund Freud with Oedipus and Anna Freud with Antigone. “Your Antigone,” writes Yerushalmi, but this also means: the one who is daughter and sis- ter to you, her father and brother, both having been born from the same...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1980) 2 (2 (5)): 115.
Published: 01 September 1980
... of the National Audio-visual Institute (INA), Paris. Jane Weinstock studies at New York University and is currently living in Paris. She has recently worked with Claire Pajaczkowska, Andrew Tyndall, and Anthony McCall on the film Sigmund Freud’s Dora: A Case of Mistaken Identity...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1989) 7 (1 (19)): 142.
Published: 01 January 1989
... Psychoanalysis and Cinema. Forthcoming is Male Subjectivity at the Margins. Sasha Torres is a doctoral candidate in the English Department at Cornell University. Jane Weinstock is a writer and filmmaker who lives in New York. She is one of the directors of Sigmund Freud’s Dora and has written for...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1980) 2 (2 (5)): 72–79.
Published: 01 September 1980
... history. The Story of Anna 0.:A Study on Hysteria refers at once to the investigation of Josef Breuer and Sigmund Freud, and to that of the filmmaker. The case involved a highly intelligent young woman who developed, in connection with her father’s fatal illness, what Ernest Jones called a...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1988) 6 (2 (17)): 6–29.
Published: 01 May 1988
...: Flammarion, 1982 . Deleuze , Gilles . Masochism: An Interpretation of Coldness and Cruelty . London: Georges Braziller, 1971 . Freud , Sigmund . The Interpretation of Dreams (1900). Vols. 4 and 5 of The Standard Edition of the Complete Psychological Works of Sigmund Freud . Edited by...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1988) 6 (2 (17)): 82–88.
Published: 01 May 1988
... is the form fruste. What is it that defines definition in an image? (All quotations are from Sigmund Freud, “Charcot” (1983), Stan- dard Edition vol. 3.) “Terreur,” panels 1 and 6, 30” x 30”, hand-colored positive, 1985 (Ray Barrie) “Ironie,” panels5 and 2, 30” x 30”, hand...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1981) 3 (1 (7)): 151–152.
Published: 01 May 1981
... film Sigmund Freud’s Dora. A Film Quarterlyn8 of Theory, Criticism, and Practice FILM AND CULTURE William C. Wees, “The Cinematic Image as a Visualization of Sight”; Janet Staiger, “Mass-producedPhotoplays: Eco- nomic and...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2007) 22 (1 (64)): 181–185.
Published: 01 May 2007
... him via his daughter. Anna Freud is the historical figure who sought to keep her father’s history — and the history of his ideas — intact in the most official way. Given her own work and her life, the museum is the Anna Freud house, as much as it is the Sigmund Freud house. As I visit...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1990) 8 (3 (24)): 168–194.
Published: 01 September 1990
... , Sigmund . “Fragment of an Analysis of a Case of Hysteria” (1905). The Standard Edition of the Complete Psychological Works of Sigmund Freud vol. 7. Translated and edited by Strachey, James. London: Hogarth Press, 1953 . Freud , Sigmund . “On Narcissism: An Introduction” ( 1914 ). Standard...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2015) 30 (3 (90)): 93–127.
Published: 01 December 2015
... all — seven if you include the portrait hanging above them — arranged across the picture plane in a balanced and sym- metrical formation. (There always seems to be some painted pater- nal figure watching over things inThe Snake Pit, most often Sig- mund Freud himself.) But the classical system...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1977) 1 (2 (2)): 50–66.
Published: 01 September 1977
... signifier requires an initiation . ' Michel Gheude, Cinetbique, no. 7-8, p.64. 12. Sigmund Freud, 'The Moses of Michelangelo,' vol.XIII of the Stan- 61 dard Edition, London, Hogarth Press, 1953. Henceforth referred to as S.E. 13. Andre Green, 'La deliaison,' Litterature, no.B, October 1971...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1988) 6 (2 (17)): 89–111.
Published: 01 May 1988
... give me two or three days of quite amazing pain, preceded by many hours of hallucination and nausea, I’ve always admired Freud when he managed to turn his migraine symptoms to some account. One particular onset of migraine that he records is described as something akin to a mystical...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1988) 6 (2 (17)): 30–67.
Published: 01 May 1988
...- binarisms that reinforce each other in the case of gender, if not that of class. The “truth” or “right” which is thus subverted is the principle of hierarchy. Freud’s account of perversion also stresses its diversionary and de- centering character. c‘Perversions he writes in Three Essays on the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2003) 18 (3 (54)): 99–117.
Published: 01 December 2003
... performance art in relation to Akerman. 7. Abramovic´, Abramovic´, and Kunstmuseum Bern, Artist Body, 370. 8. Gilles Deleuze, Masochism (New York: Zone, 1989). Marina Abramovic´’s Performance • 115 9. Sigmund Freud, “The Economic Problem of Masochism,” first...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1988) 6 (2 (17)): 68–81.
Published: 01 May 1988
... Pollitt, “The Strange Case of Baby M,” The Nation (May 23,1987) 683. 2. “Thighs and Whiskers-The Fascination of ‘Magnum, p.i.’ ” is the title of an article by Sandy Flitterman, in Screen 26, no. 2. (March-April 1985) 42-5 9. 3. Sigmund Freud, Three...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1988) 6 (2 (17)): 155–168.
Published: 01 May 1988
... “thing” itself. 4. Sigmund Freud, Collected Papers, trans. Joan Riviitre (Basic Books: New York, 1959),Vol. 2: 57. 5. Sigmund Freud, Collected Papers 51. 6. In the first of Freud’s theses, there is no absolute specification that the reminiscence be a...