1-12 of 12 Search Results for

Shoah

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Article
Camera Obscura (2019) 34 (1 (100)): 99–111.
Published: 01 May 2019
...Maureen Turim Chantal Akerman’s 2004 art installation Marcher à côté de ses lacets dans un frigidaire vide ( Walking Next to One’s Shoelaces in an Empty Fridge ) explores Akerman’s multigenerational family history as Jewish survivors of the Shoah. The installation is spatially configured so...
Journal Article
Camera Obscura (2021) 36 (1 (106)): 87–107.
Published: 01 May 2021
... 2021 by Camera Obscura Published by Duke University Press 2021 Agnès Varda Jewish children Pantheon Shoah Marceline Loridan-Ivens Figure 1. Installation view of Les Justes au Panthéon ( The Righteous at the Pantheon , France, 2007) Figure 1. Installation view of Les Justes au...
FIGURES | View All (9)
Journal Article
Camera Obscura (2004) 19 (3 (57)): 157–185.
Published: 01 December 2004
... far. Examples would be Atom Egoyan’s Ararat (Canada/France, 2002), Errol Morris’s The Thin Blue Line (US, 1988), Alain Resnais’s Hiroshima, mon amour (Hiroshima, My Love; France/Japan, 1959) and Nuit et brouillard (Night and Fog; France, 1955), and, of course, Claude Lanzmann’s Shoah (France, 1985...
Journal Article
Camera Obscura (2008) 23 (2 (68)): 103–139.
Published: 01 September 2008
Journal Article
Camera Obscura (2021) 36 (2 (107)): 99–125.
Published: 01 September 2021
... to places where most films did not dare venture in their various attempts at representing the Shoah. 5 In the course of the postwar decades, the predominant inclination in film has been to draw back from the ultimate reality of the genocide. Within a “normative tendency that has privileged testimony over...
FIGURES
Journal Article
Camera Obscura (2003) 18 (1 (52)): 35–83.
Published: 01 May 2003
... of Jews in World War II. In fact, even the names of these monuments of loss are interchanged. Most arrest- ingly in recent nomenclature, the “event” is referred to as the Holocaust, the Shoah, and, by some Yiddish speakers, as Der Khurbn (The Destruction). The latter two names contain within them...
Journal Article
Camera Obscura (2001) 16 (1 (46)): 47–75.
Published: 01 May 2001
Journal Article
Camera Obscura (2020) 35 (1 (103)): 77–107.
Published: 01 May 2020
... paradigmatic though inevitably partial and vague representation of Nazi perpetrators in Shoah (France/UK, 1985). Cambodian cinema s new set of conventions is characterized promi- nently by a direct, nonarchival, face- to- face confrontation of the first- generation survivor with the perpetrator as embodied...
Journal Article
Camera Obscura (2006) 21 (2 (62)): 108–143.
Published: 01 September 2006
... that loss” (132). Indeed, Heimat seems to correlate in numerous ways to the generic category of melodrama. In its postwar, post-Shoah mani- festations, Heimat is always in danger of falling into the regressive logic of melodrama and a notion of history that, like the Heimat films, threatens...
Journal Article
Camera Obscura (2007) 22 (3 (66)): 129–167.
Published: 01 December 2007
Journal Article
Camera Obscura (2011) 26 (1 (76)): 95–129.
Published: 01 May 2011
Journal Article
Camera Obscura (2010) 25 (1 (73)): 29–67.
Published: 01 May 2010