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She Monkeys

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Journal Article
Camera Obscura (2017) 32 (3 (96)): 121–154.
Published: 01 December 2017
...Katharina Lindner This article is situated within a critical context in which phenomenological approaches to film intersect with debates around queer cinema, and lesbian film in particular. With a specific focus on Apflickorna ( She Monkeys , dir. Lisa Aschan, Sweden, 2011), it proposes ways...
Journal Article
Camera Obscura (1997) 14 (1-2 (40-41)): 226–242.
Published: 01 May 1997
...Stacy Alaimo Copyright © 1996 by Indiana University Press 1997 12 Monkeys (Terry Gilliam, 1995) Endangered Humans?: Wired Bodies and the Human Wilds in Carnosaur, Carnosaur 2, and 12 Monkeys Stacy Alaimo The earth was not made for us. She was made...
Journal Article
Camera Obscura (2016) 31 (2 (92)): 61–91.
Published: 01 September 2016
... is a PhD candidate in comparative literature at the University of California, Irvine, where she is completing a dissertation on ventriloquism in contemporary transatlantic popular culture. Her writing on art, film, and media has appeared in the Brooklyn Rail, In These Times, Public Books, Sounding Out...
Journal Article
Camera Obscura (2008) 23 (1 (67)): 151–159.
Published: 01 May 2008
... that in honor of the conference’s focus she would read a text titled “My Favorite Dead Artist.” The text begins as follows: Come as your favorite dead artist. That was the theme of this party at Area, the famed New York City early 1980s nightclub. I was under the delusion that I had moved to Gotham...
Journal Article
Camera Obscura (2004) 19 (2 (56)): 47–73.
Published: 01 September 2004
..., the cult of Callas among American gay men has been largely a love affair with her recorded voice be- cause her records arrived before she sang here in person.”7 When the three films in this study use the trope of operatic tutelage, they appropriate this gay cultural formation and they circulate...
Journal Article
Camera Obscura (2007) 22 (3 (66)): 61–91.
Published: 01 December 2007
... in a film’s narrative. Second, the hand is a site at which artificiality is revealed. After RoboCop, these two functions cease, almost entirely, to overlap. In Terminator 3, for example, the T-X (Kristanna Loken) is revealed to be a machine when she thrusts her ever-so-briefly damaged left arm up...
Journal Article
Camera Obscura (1991) 9 (1-2 (25-26)): 41–72.
Published: 01 September 1991
... Perspective . London: Penguin, 1978 . Masquerading As the American Male in the Fifties: Picnic, William Holden and the Spectacle of Masculinity in Hollywood Film Steven Cohm “Whatever does she see in him?” is a common female crack about...
Journal Article
Camera Obscura (1992) 10 (2 (29)): 57–90.
Published: 01 May 1992
... series. In Overcoming Endometriosis. The monkey mates as soon as she becomes of age, and has offspring until she can no longer have any or until she dies. Menstruation in this animal must be rare. As women have the same physiology it must be wrong...
Journal Article
Camera Obscura (2001) 16 (3 (48)): 9–57.
Published: 01 December 2001
...Jennifer M. Bean Camera Obscura 2001 Jennifer M. Bean is an assistant professor of cinema studies at the University of Washington, Seattle. She is coeditor, with Diane Negra, of the forthcoming Feminist Reader in Early Cinema (Duke University Press) and is currently completing her book...
Journal Article
Camera Obscura (1990) 8 (3 (24)): 46–63.
Published: 01 September 1990
...- tional: The unseen female narrator with an Italian accent who gives us the biographical facts, who contextualizes, whom we ridiculously trust because she begins by telling us: “Opera buffa, farsa, opera comica, melodrama burlesca. The world has changed, like Donizetti without Lucia. History...
Journal Article
Camera Obscura (2002) 17 (2 (50)): 109–153.
Published: 01 September 2002
...Despina Kakoudaki Camera Obscura 2002 Despina Kakoudaki is an assistant professor of comparative literature at Harvard University, where she teaches courses in film, literature, and visual culture. She is currently completing a book on artificial people (why we imagine them and how we...
Journal Article
Camera Obscura (1997) 14 (1-2 (40-41)): 161–179.
Published: 01 May 1997
... gives up a life of her own to bring up her child in n Lr\et;lo .=Tfiwlrl Ca*mr;.vnl;r+ rts-rltpApc hqxre heen chnnm tn he f9r mnrp hills to weather out the nuclear storm and train her son for his principal 169 role in the new millennium, she voices her hope for a better world than...
Journal Article
Camera Obscura (2020) 35 (2 (104)): 37–61.
Published: 01 September 2020
...). Jane Gaines underscores this double valence of realism within film studies, where she explains that the [current] critique of realism is heir to the crisis of historicism that 1970s film theory kept alive. 1 Nevertheless, black film studies and black feminism continue to Framing Black Performance...
Journal Article
Camera Obscura (2007) 22 (2 (65)): 73–101.
Published: 01 September 2007
... of which she imitates an animal Josephine Baker’s banana dance in Les by dancing on all fours — the triplettes de Belleville crowd of identical geezers goes “bananas.” They jump up from their seats and, “going ape,” literally turn into a pack of monkeys, rushing...
Journal Article
Camera Obscura (2002) 17 (1 (49)): 189–215.
Published: 01 May 2002
...Bonnie Blackwell Camera Obscura 2002 Bonnie Blackwell holds a Ph.D. in English from Cornell University and is an assistant professor specializing in women's studies and eighteenth-century British literature at Texas Christian University. She has written on various aspects of women's...
Journal Article
Camera Obscura (2002) 17 (3 (51)): 149–179.
Published: 01 December 2002
...Nina Schwartz Camera Obscura 2002 Nina Schwartz is associate professor of English at Southern Methodist University. Her book, Dead Fathers: The Logic of Transference in Modern Narrative , was published in 1994. This article is part of a project she is currently writing on contemporary...
Journal Article
Camera Obscura (1992) 10 (1 (28)): 262–289.
Published: 01 January 1992
... of subject and object. There is, for example, a Frenchman, dressed in a city suit and hat, who accompanies the woman as she walks, never taking his eyes off her. His walk, meant to represent the urban walk, is there as a comparative point of reference to what Regnault terms...
Journal Article
Camera Obscura (2015) 30 (2 (89)): 89–123.
Published: 01 September 2015
... Mafe is an associate professor of English at Denison University, where she teaches courses in postcolonial, gender, and black studies. She has published articles in Research in African Literatures, American Drama, English Academy Review, Frontiers, Safundi, Camera Obscura , and African Women Writing...
Journal Article
Camera Obscura (2012) 27 (3 (81)): 1–37.
Published: 01 December 2012
.... Anne Kustritz is an assistant professor in media studies at the University of Amsterdam. Her teaching focuses on convergence culture and queer and feminist theory. Her work deals with creative fan communities and representational politics. She also serves on the editorial board of Transformative...
Journal Article
Camera Obscura (2015) 30 (3 (90)): 27–59.
Published: 01 December 2015
... the graduate program in visual and cultural studies at the University of Rochester. She teaches in the School of Media and Communication at Korea University. Her research interests include postcolonial memories, translation of culture, and Asian/Korean cinema. Her recent articles appeared in the Journal...