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Camera Obscura (2016) 31 (3 (93)): 177–183.
Published: 01 December 2016
...Elisa Giardina Papa; Nupur Mathur; Bathsheba Okwenje This article features an interview with the artist Radha May, a global, artist collective working under a single female identity. Radha May, whose members come from India, Italy, and Uganda, talks about merging three different perspectives and...
Camera Obscura (2019) 34 (3): 97–125.
Published: 01 December 2019
..., Cholodenko seems more interested in how patterns of wanting find satisfaction at all, let alone in other people on whom we might feel a need to depend. High Art addresses the question of how to secure or extend satisfaction head-on when Lucy, the older, more experienced woman, finally takes Syd (Radha...
Camera Obscura (2007) 22 (3 (66)): 171–178.
Published: 01 December 2007
... – 19; Kathleen McHugh and Vivian Sobchack, “Beyond the Gaze: Recent Approaches to Film Feminisms,” Signs 30 (2004): 1205 – 7. In progress is a two-volume sourcebook on women’s work in the early industries that includes credits of extant flm prints. See Jane Gaines and Radha...
Camera Obscura (2020) 35 (3 (105)): iv–29.
Published: 01 December 2020
... Reader (New Delhi: Zubaan, 2005); and Radha Kumar, A History of Doing: An Illustrated Account of Movements for Women s Rights and Feminism in India, 1800 1990 (New Delhi: Kali for Women, 2002). The movements described in these accounts were later published and documented by the very activists who came...
Camera Obscura (2014) 29 (1 (85)): 111–135.
Published: 01 May 2014
... others from outside their field. InHigh Art, this outsider is Syd (Radha Mitchell), ingenue and driven assistant editor of a photography magazine; in Laurel The Kids Are All Right, the Pursuits of Happiness, and the Spaces Between • 121 Canyon, it is Alex (Kate Beckinsale); and in The Kids Are...