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Pipilotti Rist
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Journal Article
Camera Obscura (2022) 37 (1 (109)): 91–113.
Published: 01 May 2022
...Emily Watlington Abstract This article considers the often‐overlooked role that disgusting imagery plays in the work of Swiss video artist Pipilotti Rist. In immersive installations and in single‐channel videos, Rist updates abject feminist performance art of the 1960s and 1970s for a media...
FIGURES
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in Pretty Gross: Dialectics of Desire and Disgust in the Reception of Pipilotti Rist
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2022
Figure 1. Pipilotti Rist, I'm Not the Girl Who Misses Much ( Ich bin nicht das Mädchen, das viel vermisst ), 1986, video still. © Pipilotti Rist. Courtesy of the artist, Luhring Augustine, New York, and Hauser & Wirth
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Image
in Pretty Gross: Dialectics of Desire and Disgust in the Reception of Pipilotti Rist
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2022
Figure 2. Pipilotti Rist, Mutaflor , 1996, video installation. Installation view, Pipilotti Rist. Komm Schatz, wir stellen die Medien um & fangen nochmals von vorne an , Kunsthalle Krems, Austria, 2015. Photo: Lisa Rastl. © Pipilotti Rist. Courtesy of the artist, Luhring Augustine, New York
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Image
in Pretty Gross: Dialectics of Desire and Disgust in the Reception of Pipilotti Rist
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2022
Figure 3. Pipilotti Rist, Sip My Ocean ( Schlürfe meinen Ozean ), 1996, audio video installation still. Installation view, Pipilotti Rist: Partit Amistós—Sentiments Electrònics , Fundació Juan Miró, Barcelona, Spain, 2010. Photo: Pere Pratdesaba. © Pipilotti Rist. Courtesy of the artist
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