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Search Results for New French Extremism
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Journal Article
Camera Obscura (2015) 30 (3 (90)): 161–187.
Published: 01 December 2015
...Mauro Resmini This article examines a recent tendency in contemporary art cinema—the New French Extremity (NFE)—and focuses specifically on a critique of the scholarly discourse that has flourished around it in recent years. The fundamental argument of this discourse can be summarized as follows...
View articletitled, Reframing the <span class="search-highlight">New</span> <span class="search-highlight">French</span> <span class="search-highlight">Extremity</span>: Cinema, Theory, Mediation
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for article titled, Reframing the <span class="search-highlight">New</span> <span class="search-highlight">French</span> <span class="search-highlight">Extremity</span>: Cinema, Theory, Mediation
Journal Article
Camera Obscura (2017) 32 (2 (95)): 117–151.
Published: 01 September 2017
...Ora Gelley The French director Catherine Breillat has in recent years become a kind of figurehead for what has been perceived by many as a new trend in contemporary European cinema toward extreme representations of violence and graphic sexuality. As a consequence of the controversy provoked...
Journal Article
Camera Obscura (2015) 30 (3 (90)): 188–190.
Published: 01 December 2015
...
Linda Liu
Occult Anxieties and the Recessionary Imaginary in the Paranormal
Activity Franchise. No. 90: pp. 61 – 91
Diana Adesola Mafe
Race and the First-Person Shooter: Challenging the Video Gamer in
BioShock Infinite. No. 89: pp. 89 – 123
Mauro Resmini
Reframing the New French...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 230–234.
Published: 01 December 1989
... and
others and about issues that are not frequently explored or addressed
in academic writing. My interest in questions of female spectatorship
was shaped in the early-to-mid-1970s by three perspectives: those of
film studies, French literary theory and feminism. These three “new...
Journal Article
Camera Obscura (2012) 27 (3 (81)): 169–179.
Published: 01 December 2012
... Sea beach outside.8
In many ways, what was shown on the screens of the festi-
val was as excessive as the pandemonium in the casino hall. The
new tendency in experimental lmmaking pointed toward the
extreme: on the one hand, psychedelic, hallucinating works with
soft-focus images...
View articletitled, How EXPRMNTL Made the Small Coastal Town of Knokke the Scene for Radical Artistic <span class="search-highlight">New</span> Waves and Political Sea Changes
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PDF
for article titled, How EXPRMNTL Made the Small Coastal Town of Knokke the Scene for Radical Artistic <span class="search-highlight">New</span> Waves and Political Sea Changes
Journal Article
Camera Obscura (2016) 31 (1 (91)): 93–121.
Published: 01 May 2016
...Ros Murray This article assesses the impact and import of 1970s French feminist video collectives, focusing on the relationship between technology, subjectivity, and embodiment. It investigates how early portable video technology provided the tools for an exploration of subjectivity as collective...
View articletitled, Raised Fists: Politics, Technology, and Embodiment in 1970s <span class="search-highlight">French</span> Feminist Video Collectives
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for article titled, Raised Fists: Politics, Technology, and Embodiment in 1970s <span class="search-highlight">French</span> Feminist Video Collectives
Journal Article
Camera Obscura (1988) 6 (3 (18)): 20–25.
Published: 01 September 1988
... Language," was a pioneering work in the evolution of
China's new cinema when it was published in 1979. In 1981, she
directed her first film, The Drive to Win, about the life of a woman
basketball player. After another period teaching in the Academy, she
completed her second film, Sacrificed Youth...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 5–27.
Published: 01 December 1989
...),2 which mapped the field of
cinema semiotics into the study of codes and the study of textual
systems. Metz’s early work was disseminated in English primarily by
the British journal Sc~een,~which in 1971 experienced an editorial
rupture resulting in a sustained engagement with new...
Journal Article
Camera Obscura (1979) 1-2 (3-1 (3-4)): 237–244.
Published: 01 May 1979
...
The Camera Obscura Collective
French Feminism
Syntactical hesitation: Ywelthey. The third person plural signifies dis-
tance, taking French feminists as the object of a discourse. The first
person plural signifies solidarity, describing the women I have loved
and with whom I have worked over...
Journal Article
Camera Obscura (1989) 7 (1 (19)): 134–141.
Published: 01 January 1989
...Jane Weinstock Copyright © 1989 by The Johns Hopkins University Press 1989 Women on the Verge of a Nervous Breakdown (Pedro Almodovar, 1988)
Out of Her Mind: Fantasies of the 26th
New York Film Festival
by Jane Weinstock
You could say it was the Year of the Other at the New...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 137–141.
Published: 01 December 1989
... in the world of
American and French film scholarship. The founding assumptions
about history and the body in Italian cinema can be better understood
if we turn, for a moment, away from the two models generally used
to discuss identification and narrative -the Lacanian...
Journal Article
Camera Obscura (2021) 36 (2 (107)): 33–63.
Published: 01 September 2021
... for The Handmaiden 's depictions of colonial fetish. In pink and ero film, we find a kind of proliferation that echoes Kouzuki's library of imitations: for example, the French New Wave erotic film Emmanuelle (dir. Just Jaeckin, France, 1974) inspired both the Japanese production Tokyo Emmanuelle (dir. Akira...
FIGURES
| View All (4)
Journal Article
Camera Obscura (2001) 16 (2 (47)): 133–175.
Published: 01 September 2001
... is a French film not really French? . . . When it’s La Femme Nikita.
—Caryn James, “Word from Nikita: Hold the Subtitles,” New York Times
(5 May 1991)
Europe is trying to make movies like Hollywood, heaven help us all. Style
over substance, technology over artistry, box office over everything.
—Bill...
Journal Article
Camera Obscura (1990) 8 (1 (22)): 130–137.
Published: 01 January 1990
... in translation), The Cheese and the Worms: The Cosmos of a
Sixteenth-Century Miller,2 announced the arrival of a compelling new
voice in contemporary history-writing and historical reflection. Using
the court records of Menocchio, a miller tried for heresy for having
evolved an entire and elaborate...
Journal Article
Camera Obscura (2021) 36 (1 (106)): 109–125.
Published: 01 May 2021
.... Like Braunberger and Dauman, Beauregard produced small-scale films and generally eschewed corporate finance in favor of a mix of loans, inheritances, and state aid. Out of this low-budget model came many landmark films of the French New Wave, including The 400 Blows ( Les quatre cents coups , dir...
FIGURES
Journal Article
Camera Obscura (2005) 20 (3 (60)): 129–157.
Published: 01 December 2005
... openly rebels
against the unreasonable patriarchal rigidity of her father
and her religion. Courtesy Margaret Herrick Library
The Americanization of Tsuru
Aoki: Orientalism, Melodrama,
Star Image, and the New Woman
Sara Ross
The film career of Tsuru Aoki in the teens and twenties...
View articletitled, The Americanization of Tsuru Aoki: Orientalism, Melodrama, Star Image, and the <span class="search-highlight">New</span> Woman
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for article titled, The Americanization of Tsuru Aoki: Orientalism, Melodrama, Star Image, and the <span class="search-highlight">New</span> Woman
Journal Article
Camera Obscura (1981) 3 (1 (7)): 3–5.
Published: 01 May 1981
..., on the Feminar Conference held at
Northwestern University in November, 1980, and a Book Review,
of New French Feminisms, an important, extremely relevant, and
somewhat controversial collection of essays. Both these sections will
become regular features with the purpose of providing coverage of
public...
Journal Article
Camera Obscura (2011) 26 (3 (78)): 1–33.
Published: 01 December 2011
... aristocrats wearing their court finery, Coppola creates
a new image, one based on the pastel palate of brightly colored
French pastries from the renowned gourmet cake boutique Ladu-
rée. Referring to the finished film metaphorically as both a painting
and a photograph, Barrett declares...
Journal Article
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 33–59.
Published: 01 December 1982
... Enfants was the most
widely read and loved of the nineteenth-century “reading books” or
primers used in French schools. Madame Alfred Jules Emile Fouilke,
writing under the pseudonym “G. Bruno,” tells the story of two
orphan boys who travel through every province and major city of
France...
Journal Article
Camera Obscura (1988) 6 (3 (18)): 106–119.
Published: 01 September 1988
... that such a book-the most explicit record of a long-running
encounter between two of the most important figures in contemporary
French thought-will hold for anyone interested in the development
of the French intellectual scene in recent years, Deleuze's book is one
of the most explicit and thorough...
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