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Marxist feminism

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Journal Article
Camera Obscura (2020) 35 (3 (105)): 88–115.
Published: 01 December 2020
... as care work. The most extensive exploration of the resources provided by Marxist feminism for the theorization of digital labor is Kylie Jarrett s Feminism, Labour, and Digital Media: The Digital Housewife.17 Jarrett argues that digital practices, from social media engagement to maintaining discussion...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 319–322.
Published: 01 December 1989
... these positions and continuously challenging or modifying them has been marxist- feminism with its explicit historical and ideological anchoring and immediately recognizable political connections. Also having an im- mediate impact was the reevaluation of personal goals and political commitments...
Journal Article
Camera Obscura (1979) 1-2 (3-1 (3-4)): 233–237.
Published: 01 May 1979
... Copyright © 1979 by Camera Obscura 1979 m/f 233 MIF is a new British journal of Marxist feminist theory edited by Parveen Adams, Rosalind Coward and Elizabeth Cowie.* “One of our foremost aims,” they state in the editorial...
Journal Article
Camera Obscura (1979) 1-2 (3-1 (3-4)): 5–13.
Published: 01 May 1979
... became more sophisticated, that Marxist theory had failed to account for the specific oppression of women and that, historically, socialist revolution had not brought fundamental changes in sexual relations. Radical feminism, the major tendency among American feminists at this time, saw...
Journal Article
Camera Obscura (1994) 11-12 (3-1 (33-34)): 242–261.
Published: 01 May 1994
... the audience seems to oscillate between two poles: at one end are Marxist-influenced theories where the audience is understood as part of the televisual machinery for reproducing consumer capitalism, and at the other are critiques of those theories as overly reliant...
Journal Article
Camera Obscura (1984) 4 (3 (12)): 40–65.
Published: 01 December 1984
... in Australia, the Governor-General: 1975 ; a mass meeting of Sydney feminists plans to study “theory” in order to understandl respond to this event. But an over-demand for Marxists in reading groups, combined with an under-supply of such creatures, brings disintegration amidst accusations of star...
Journal Article
Camera Obscura (2009) 24 (2 (71)): 1–41.
Published: 01 September 2009
..., iconophobic, and it finds the image to be secondary, irrational, and bound to the inadequate plane of the surface. Dudley Andrew has connected this philosophical tradition to film theory, pointing to “the more passionate diatribes of Marxists and feminists, who have to be counted among the chief...
Journal Article
Camera Obscura (2007) 22 (3 (66)): 185–191.
Published: 01 December 2007
... “generations,” outlining a progres- sion from Marxist feminist and activist concerns to psychoanalysis, postmodernism, and postcolonialism.3 Later, I edited an anthology of so-called classic feminism and film essays largely to make avail- able in one place a “history” of the field that could also be used...
Journal Article
Camera Obscura (1991) 9 (3 (27)): 174–178.
Published: 01 September 1991
..., and Henry S. Richardson. Routledge, 1990. Late Marxism: Adorno, or, The Persistence of the Dialectic by Fredric Jameson. Verso, 1990. The Crisis in Historical Materialism: Class, Politics and Culture in Marxist Theory by Stanley Aronowitz. University of Minnesota Press...
Journal Article
Camera Obscura (1991) 9 (3 (27)): 148–165.
Published: 01 September 1991
... to introduce continental and British cultural theories into a feminist critique in the visual arts. Thus, Pollock’s 1981 book, Old Mistresses: Women, Art, and Ideology (co-authored with Rozsika Parker) provided a substantial, Marxist-oriented revision to American feminist critiques, reflecting...
Journal Article
Camera Obscura (1979) 1-2 (3-1 (3-4)): 237–244.
Published: 01 May 1979
... wanted nothing more to do with Marxist males, the more moderate Socialist “Cercle Dimitriev,” the Trotskyist group known as “Les Pitroleuses,” and many more. The one thing they agreed on was the need to abolish the opposition between private and public life. In 1970...
Journal Article
Camera Obscura (2016) 31 (3 (93)): 99–131.
Published: 01 December 2016
... by geopolit- ical analysis and critique by women of color (and those that emerge when feminisms centered on wages for so-­called productive labor are exposed to Marxist critiques, along with those that become apparent when movements with a focus on reproductive rights and heteronormative futurism...
Journal Article
Camera Obscura (1988) 6 (1 (16)): 179–190.
Published: 01 January 1988
... envisaged as one 184 of bridging this profound separation between "us" and "them." In a recent article, Radway has formulated the task as follows: I am troubled by the fact that it is all too easy for us, as academic feminists and Marxists who are preoccupied...
Journal Article
Camera Obscura (2009) 24 (2 (71)): 107–137.
Published: 01 September 2009
... in the power of Islamist movements initially promoted to oppose Marxist activ- ists.3 A Door to the Sky in turn seeks to negotiate this sociopoliti- cal landscape by elevating an Islamic feminism distinct from, yet not antagonistic toward, secular, liberal feminism. Still, the Moroccan-Sufism-infused...
Journal Article
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 223–233.
Published: 01 December 1982
... Rice) and ended with an account that ,would have shocked no classical Marxist. In his long paper (or papers) on German silent cinema, Thomas Elsaesser attempted to historicize the psychoanalytic account of the gaze in cinema by developing what seemed...
Journal Article
Camera Obscura (1984) 4 (3 (12)): 89–106.
Published: 01 December 1984
... groups of marxists today. Marxists who reinvest 101 Marx’s principles in literary and aesthetic criticism are subject to Lyotard’s attack, again rendered indirectly through the vehicle of satire. For it is in the realm of aesthetics that Lyotard’s politics offer the clearest notion...
Journal Article
Camera Obscura (2018) 33 (1 (97)): 1–27.
Published: 01 May 2018
... investigates how Turkish sex films identify and discuss the social oppositions upon which desire is manufactured. It also engages these films’ repercussions, whether in terms of cinematic and social influence or how they affected moral codes regarding female sexuality. Moving from Alan Soble’s Marxist analysis...
Journal Article
Camera Obscura (1985) 5 (1-2 (13-14)): 235–249.
Published: 01 September 1985
... interventions, like Marxist ones, must prove their validity through their efJects rather than through recourse to “essence.” Such interventions, in Bennett’s words, can help ‘‘touncouple and disrupt the prevailing array of discourses through which subject identities are formed. . . . ” New...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 226–230.
Published: 01 December 1989
... associated with the Birmingham Centre for Cultural Studies and the Open Uni- versity in Britain) for theoretical grounding in this less deterministic approach to the filmhiewer relationship. Eclectic but firmly rooted in both a Marxist and feminist analysis of culture and society, cultural studies...
Journal Article
Camera Obscura (2003) 18 (3 (54)): 177–211.
Published: 01 December 2003
... of the “orthodox” line of the Marxist aesthetic rep- resented most purely by Maxim Gorky’s dramas, most Eastern European films of the 1960s and 1970s chose to follow the “criti- cal realist” tendency derived from the writings of Lukács and further developed by Brecht, which found visual expression...