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Camera Obscura (2019) 34 (3): 97–125.
Published: 01 December 2019
...Lee Wallace Lisa Cholodenko’s three films High Art (US, 1998), Laurel Canyon (US, 2002), and The Kids Are All Right (US, 2010) all tell the same story: a sexual and emotional ingenue arrives in a tightly circumscribed social world that both resembles and departs from a conventional family. At its...
Camera Obscura (2014) 29 (1 (85)): 111–135.
Published: 01 May 2014
... previous two feature films — High Art (US, 1998) and Laurel Canyon (US, 2002) — both premiered at Cannes and were critically acclaimed on the festival circuit. High Art won the Waldo Salt Screenwriting Award at the Sundance Film Festival, and Ally Sheedy won the National Society of Film...
Camera Obscura (1992) 10 (3 (30)): 112–137.
Published: 01 May 1992
... in these movies are unspectacular, nonheroic protagonists who do not really do anything significant at all. Lawrence Kasdan’s Grand Canyon and Ron Shelton’s White Men Can’t Jump both portray a white guy who plays basketball with his black friend and attempts to understand his...