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Lars von Trier

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Journal Article
Camera Obscura (2018) 33 (2 (98)): 41–67.
Published: 01 September 2018
...Marta Figlerowicz This essay examines Lars von Trier’s Nymphomaniac (Denmark/Belgium/France/Germany, 2013) and Jonathan Glazer’s Under the Skin (UK/US/Switzerland, 2013) as instances of an aesthetic trope described here as “inanimism.” Both films depict inanimate representations of human beings...
Journal Article
Camera Obscura (2014) 29 (1 (85)): 5–31.
Published: 01 May 2014
... as a director with that of art cinema auteur and compatriot Lars von Trier: Bier has traveled the festival circuit extensively with her four most recent films, and has brought a lot of attention to the Danish film scene, though not as much as her countryman Lars von Trier, who has always...
Journal Article
Camera Obscura (2020) 35 (3 (105)): 116–131.
Published: 01 December 2020
...- ally, narratively, and formally to your previous feature I.K.U. Many of us queer- feminist media types love that film, and it has gone on to be some- thing of a cult classic.3 I showed I.K.U. in a film festival in Denmark where I was intro- duced to Lars von Trier s company Zentropa. At that time...
Journal Article
Camera Obscura (2017) 32 (2 (95)): 117–151.
Published: 01 September 2017
... I am par- ticularly drawn to contemporary art directors and performance artists — such as Catherine Breillat, Virginie Despentes, Emma Sulkowicz, Cristian Mungiu, and Lars von Trier — who aim in their work to expose the often hidden structures of violence and oppression that govern our...
Journal Article
Camera Obscura (2001) 16 (1 (46)): 47–75.
Published: 01 May 2001
... that of the number who leave during a contemporary German comedy. However, it would be a mistake to assume that those who see a Detlev Buck film do not also see a film by Lars von Trier, Jean-Luc Godard, or Farocki, for that matter. The terms of political...
Journal Article
Camera Obscura (2022) 37 (3 (111)): 115–143.
Published: 01 December 2022
... Disability in the Movies (New Brunswick, NJ: Rutgers University Press, 1994). 2. See also Breaking the Waves (dir. Lars von Trier, Denmark/UK, 1996); The Diving Bell and the Butterfly (dir. Julian Schnabel, France/UK, 2007); The Piano (dir. Jane Campion, France/Australia, 1993); and The Sea...
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Journal Article
Camera Obscura (2006) 21 (2 (62)): 74–107.
Published: 01 September 2006
... fromSeabiscuit and Bagger Vance as Aki Kaurismäki’s The Man without a Past (Mies vailla menneisyttä; Denmark/US, 2002), Lars von Trier’s Dogville (Finland/Germany/France, 2003), and Guy Maddin’s The Saddest Music in the World (Canada, 2003), only serves to remind us of the decline of the welfare state...
Journal Article
Camera Obscura (2001) 16 (1 (46)): 1–45.
Published: 01 May 2001
...- guage, in casting) to ensure the future of Europe’s national film industries. And although he praises Lars von Trier’s Europa (Zen- tropa in the US, 1992)—a film made and financed by Swedish, Danish, German, and French partners, filmed in English and Ger...