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in John Waters's Vulgarity: Trash Cinema, Serial Mom , and the Politics of Abjection
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2025
Image
in John Waters's Vulgarity: Trash Cinema, Serial Mom , and the Politics of Abjection
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2025
Journal Article
John Waters's Vulgarity: Trash Cinema, Serial Mom , and the Politics of Abjection
Available to Purchase
Camera Obscura (2025) 40 (1 (118)): iv–27.
Published: 01 May 2025
...Figure 2. “She would hurt a fly.” Serial Mom (dir. John Waters, US, 1994) ...
FIGURES
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in John Waters's Vulgarity: Trash Cinema, Serial Mom , and the Politics of Abjection
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2025
Figure 3. Suburban affects: disgust, contempt, and enjoyment- joy. Multiple Maniacs (dir. John Waters, US, 1970)
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in John Waters's Vulgarity: Trash Cinema, Serial Mom , and the Politics of Abjection
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2025
Figure 1. The garbage men, Sloppy and Gus, share murderous fantasies with Beverly. Serial Mom (dir. John Waters, US, 1994)
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Image
Published: 01 September 2021
Figure 9. Water Light/Water Needle (1966). St. Mark's Church in-the-Bowery, New York. Photograph by John Weber
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Journal Article
Bodies in Water: Disability Cinemas and Creatures of the Sea
Available to Purchase
Camera Obscura (2022) 37 (3 (111)): 115–143.
Published: 01 December 2022
..., to produce discontinuous and immaterial forms of life, and, in so doing, to challenge dominant notions of embodiment and wholeness. Drawing on contemporary work in disability theory as well as the writings of John Berger, Maurice Merleau-Ponty, and Gilles Deleuze, the author offers a reading of these films...
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Journal Article
Bartmania: The Social Reception of an Unruly Image
Available to Purchase
Camera Obscura (1996) 13 (2 (38)): 60–91.
Published: 01 May 1996
... blight off
the television.
Sydney Fulbright, Fort Smith, Arkansas/
In a 1990 magazine article called "Bring Back the Juvenile Delinquent,"
cult cinema hero John Waters pleads, "we need a new breed of juvenile
delinquent...
Journal Article
The Deaths of Camp
Available to Purchase
Camera Obscura (1995) 12 (2 (35)): 52–84.
Published: 01 May 1995
...Caryl Flinn Copyright © 1995 by Indiana University Press 1995 Pink Flamingos (John Waters, 1982). New Line Cinema Corp.
The Deaths of Camp
Caryl Flinn
This piece was written in loving memory of Jim
McLaughlin, who was supposed to have debated...
Journal Article
Carolee Schneemann (1939–2019): Portfolio
Available to Purchase
Camera Obscura (2021) 36 (2 (107)): 198–210.
Published: 01 September 2021
...Figure 9. Water Light/Water Needle (1966). St. Mark's Church in-the-Bowery, New York. Photograph by John Weber ...
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Journal Article
Itsy-Bitsy Spiders and Other Pieces of the Real in Dead Calm
Available to Purchase
Camera Obscura (2002) 17 (3 (51)): 149–179.
Published: 01 December 2002
.... As if to demon-
strate the therapeutic efficacy of the couple’s isolation, we next
see John smiling approvingly at Rae who floats—literally oceani-
cally—on the water, surrounded by gloriously blank blue sea and
sky, with no sound but lapping waves. Rae, however, does not seem
to take pleasure in her activity...
Journal Article
Occult Melodramas: Spectral Affect and West African Video-Film
Available to Purchase
Camera Obscura (2012) 27 (2 (80)): 25–59.
Published: 01 September 2012
...,” in Sacred Waters:
Arts for Mami Wata and Other Divinities in Africa and the Diaspora,
ed. Henry John Drewal (Bloomington: Indiana University Press,
–
Bliss Cua Lim, Translating Time: Cinema, the Fantastic, and Temporal
Critique (Durham, NC: Duke University Press...
Journal Article
Books Received
Available to Purchase
Camera Obscura (1989) 7 (2-3 (20-21)): 373–377.
Published: 01 December 1989
... Copyright © 1990 by The Johns Hopkins University Press 1989 ooks Received 3 73
Feminism and Film Theory edited by Constance Penley. Routledge, 1988.
$13.95.
Image Ethics: The Moral Rights of Subjects in Photographs, Film, and Tel...
Journal Article
Swimming Pools, Movie Stars: The Celebrity Body in the Post-War Marketplace
Available to Purchase
Camera Obscura (1996) 13 (2 (38)): 4–28.
Published: 01 May 1996
... an aesthetic one. Perfect
water, the industry argued, is not only clear and bacteria free, it is
"Mediterranean Blue48 And as an ad for Johns-Manville filtration
systems says, "Nothing makes a pool more inviting than sparkling
clear water and nothing repels bathers as effectively as murky
water.t Almost...
Journal Article
Male Weeping as Performative: The Crying Mossad Assassin in Walk on Water
Available to Purchase
Camera Obscura (2008) 23 (2 (68)): 103–139.
Published: 01 September 2008
...”
It’s a funny victory. You win because you’re helpless.
— Helen Lawrence, in When Tomorrow Comes
(dir. John Stahl, US, 1939)
Exporting National Problems
This essay examines the trope of the crying male in contempo-
rary Israeli fiction films as it appears, for example, near the end...
Journal Article
Fluid Fantasies: Splash and Children of a Lesser God
Available to Purchase
Camera Obscura (1989) 7 (1 (19)): 108–133.
Published: 01 January 1989
...Susan Felleman Copyright © 1989 by The Johns Hopkins University Press 1989
Fluid Fantasies: Splash and
Children of a Lesser God
Susan Fellernan
“Talk about beauty and the beast. . . she’s both”’
The representation of the feminine as Other has been a commonplace
focus...
Journal Article
The Luminous Image: Video Installation: Stedelijk Museum, Amsterdam (14 September-28 October 1984)
Available to Purchase
Camera Obscura (1985) 5 (1-2 (13-14)): 28–49.
Published: 01 September 1985
... an equilibrium between the space of these installations and the video-
Room for St. John of the Cross (Bill Viola, 1983)
tape shown was often difficult. As a result of the contrast, the installations
often appeared to be there for decorative effect...
Journal Article
Afterlife and Afterimage: Maya Deren in “Transfigured Time”
Available to Purchase
Camera Obscura (2013) 28 (3 (84)): 1–31.
Published: 01 December 2013
... was as an assistant to dancer Katherine Dunham,
who in turn introduced her to Ethel Waters and Langston Hughes.
While in California, Deren socialized with filmmaker Oskar Fisch-
inger. Later, in New York, she rented an apartment from Joris Ivens
and made films with Marcel Duchamp, Anaïs Nin, John Cage...
Journal Article
The Quick and the Dead: Surrealism and the Found Ethnographic Footage Films of Bontoc Eulogy and Mother Dao: The Turtlelike
Available to Purchase
Camera Obscura (2003) 18 (1 (52)): 129–155.
Published: 01 May 2003
.... Ironically, she declares it is not the
rayographs of Man Ray, or the photomontages of John Heartfield
that exploited this principle, but photography itself:
Surrealism lies at the heart of the photographic enterprise: in the very
creation of a duplicate world, of a reality in the second degree, narrower...
Journal Article
The Cabinet of Dr. Pee-wee: Consumerism and Sexual Terror
Available to Purchase
Camera Obscura (1988) 6 (2 (17)): 133–154.
Published: 01 May 1988
... pathos often tips over into
sentimentality. (Those who prefer the first season of Peewee’s Play-
house to the second typically cite the latter’s increased moralism and 149
sentimentality.) John Waters has advanced this plea for acceptance by
reconceiving one of camp’s most dubious...
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