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Jane Campion

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Journal Article
Camera Obscura (2003) 18 (2 (53)): 93–123.
Published: 01 September 2003
... and Difference in Contemporary Feminism,” and an edited collection of essays, “Metaphoricity and Postmodern Politics.” Camera Obscura 2003 The Piano (dir. Jane Campion, Australia/New Zealand/ France, 1993) Jane Campion’s Selling of the Mother/Land: Restaging the Crisis of the Postcolonial Subject...
Journal Article
Camera Obscura (2019) 34 (2): 71–101.
Published: 01 September 2019
...Alison Wielgus This essay considers the role that Jane Campion’s Top of the Lake (BBC/SundanceTV, 2013) and Top of the Lake: China Girl (BBC/SundanceTV, 2017) play in the post-network television landscape. Situating the series among the globalized genre of serialized post-network crime shows...
Journal Article
Camera Obscura (2009) 24 (3 (72)): 111–151.
Published: 01 December 2009
... and teaches in the English Department and Cinema and Media Studies program at UCLA. She is the author of American Domesticity: From How-To Manual to Hollywood Melodrama (Oxford University Press, 1999) and Jane Campion (University of Illinois Press, 2007), the co-editor of South Korean Golden Age...
Journal Article
Camera Obscura (2002) 17 (3 (51)): 180–182.
Published: 01 December 2002
... of Memory. Albany: State University of New York Press, 2002. Petro, Petrice. Aftershocks of the New: Feminism and Film History. New Brunswick, NJ: Rutgers University Press, 2002. Polan, Dana. Jane Campion. London: British Film Institute, 2001. Ravetto, Kriss. The Unmaking of Fascist...
Journal Article
Camera Obscura (2011) 26 (3 (78)): 146–153.
Published: 01 December 2011
... the first female director nominated, seventeen years passed before Jane Campion became the second.”17 After Bigelow’s win at the Oscars, Manohla Dargis, film critic for the New York Times, was more optimistic: “Kathryn Bige­ low’s two-­fisted win at the Academy Awards for best...
Journal Article
Camera Obscura (2021) 36 (1 (106)): 127–153.
Published: 01 May 2021
... Sagan) and two directors (Liv Ullmann and Jane Campion) listed. Male film directors serving as jury presidents are much more common. Figure 8. 50/50 en 2020, Cannes Film Festival female jury presidents, 1946–2018 (detail), in “The Role of Women in the Cannes Festival's Competition—A Comparative...
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Journal Article
Camera Obscura (2003) 18 (3 (54)): 177–211.
Published: 01 December 2003
... nostalgic line of British period spectacles and the more ironic and philosophical reworkings of the costume drama in Peter Greenaway’s, Derek Jarman’s, or Isaac Julien’s films. But Orlando is also part of the emerging global feminist reappropriation of costume drama, alongside Jane Campion’s The Piano...
Journal Article
Camera Obscura (2014) 29 (1 (85)): 5–31.
Published: 01 May 2014
...): 148 – 62; Deb Verhoeven, Jane Campion (London: Routledge, 2009); Lingzhen Wang, ed., Chinese Women’s Cinema: Transnational Contexts (New York: Columbia University Press, 2011); Patricia White, “Global Flows of Women’s Cinema: Nadine Labaki and Female Authorship...
Journal Article
Camera Obscura (2021) 36 (2 (107)): 99–125.
Published: 01 September 2021
..., doi.org/10.1093/screen/hjl002 . 28. Klinger, “ The Piano Revisited,” 24. Klinger conceptualizes “the arresting image” in art film while describing the single closing shot in Jane Campion's The Piano (New Zealand/Australia/France/US, 1993). According to Klinger, the exact meaning of such an image...
Journal Article
Camera Obscura (1995) 12 (2 (35)): 186–221.
Published: 01 May 1995
... directors. I don't find it worrisome. I'm an enormous fan of Jane Campion's work and of her as a person, and I'm happy about being bracketed with her-rather than with many others-and I hope she would feel the same. It's an exciting moment for both of us; we've become visible...