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Jane Brakhage

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Journal Article
Camera Obscura (2021) 36 (3 (108)): 119–121.
Published: 01 December 2021
... with the poet Jane Brakhage. Copyright © 2021 by Camera Obscura Published by Duke University Press 2021 Barbara gave me permission to make the film I wanted to make with ephemera from her own life. It was an ultimate act of generosity and trust in a lifetime full of magnanimous gestures. Once again...
FIGURES
Journal Article
Camera Obscura (2020) 35 (3 (105)): 60–87.
Published: 01 December 2020
... as the domestication of cinema, even as the mode consistently erases the work of the very home the camera is fixated on.4 It is thus to Brakhage and the lyrical that I now turn. Brakhage, father of the avant- garde and of many children of his own, started filming his family in 1958 with the birth of his and Jane...
Journal Article
Camera Obscura (2021) 36 (3 (108)): 123–127.
Published: 01 December 2021
... some of the challenges. Barbara told me she had boxes of tapes in a closet in her studio. There were tapes containing interviews with Jane Brakhage and with Jane's parents that still held some interest for Barbara after she had used some of the material to make the film Jane Brakhage (1974). Like so...
FIGURES
Journal Article
Camera Obscura (2021) 36 (2 (107)): 145–149.
Published: 01 September 2021
... peeling onions while wearing an apron. Later, when he shot footage of her painting a portrait of his partner, Jane Brakhage, he suggested that Schneemann wear the apron in the studio as well. Her own densely collaged film Fuses offered a strong rebuke to Brakhage's depiction of gendered domestic space...
FIGURES
Journal Article
Camera Obscura (2007) 22 (1 (64)): 194–196.
Published: 01 May 2007
...- old silent movie never fails to stir a classroom audience. Over the course of the semester, the initial issues that emerge from our discussions of the film attain a deeper, more charged level of dis- course. Reactions to Brakhage’s filming of his wife Jane’s labor and at-home delivery...
Journal Article
Camera Obscura (1986) 5 (3 (15)): 176–179.
Published: 01 December 1986
.... Bloomington, 1982. $12.50. 178 The Female Body in Western Culture: Contemporary Perspectives edited with an introduction by Susan Rubin Suleiman. Harvard University Press. Cam- bridge, Mass., 1986. $9.95. Reading Lacan by Jane Gallop. Cornell University Press. Ithaca, NY, 1985...
Journal Article
Camera Obscura (1989) 7 (1 (19)): 134–141.
Published: 01 January 1989
...Jane Weinstock Copyright © 1989 by The Johns Hopkins University Press 1989 Women on the Verge of a Nervous Breakdown (Pedro Almodovar, 1988) Out of Her Mind: Fantasies of the 26th New York Film Festival by Jane Weinstock You could say it was the Year of the Other at the New...
Journal Article
Camera Obscura (2023) 38 (2 (113)): 31–61.
Published: 01 September 2023
... Collins, 1993), 151. 20. Bersani, Is the Rectum a Grave? , 60. 21. Scott MacDonald, “Cine-Surveillance 3: Avant-Docs Interviews with Amie Siegel, Sharon Lockhart, Jane Gillooly,” Film Quarterly 66, no. 4 (2013): 35. 38. Emerson, “The American Scholar,” 47. 39. Sitney, Eyes...
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Journal Article
Camera Obscura (2015) 30 (2 (89)): 1–27.
Published: 01 September 2015
... the authorship of his wife Jane, their chil- dren, and their cottage industry manufacture within their family home. Furthermore, while BREAKAWAY’s primitive pop aesthet- ics might initially prompt a comparison to Andy Warhol’s prodi- gious filmmaking output at the simulacrum of a Hollywood stu- dio...
Journal Article
Camera Obscura (2022) 37 (3 (111)): 31–57.
Published: 01 December 2022
..., “Chick Strand: Seeing in Between,” unpublished exhibition brochure (Pacific Film Archives, 1994); Irina Leimbacher, “Chick Strand,” Wide Angle 20, no. 1 (1998): 138–43; and Jane Collings and Chick Strand, Out of the Seventies, L.A.’s Women in Film and Video: Chick Strand Interviewed by Jane Collings...
FIGURES
Journal Article
Camera Obscura (2011) 26 (2 (77)): 1–31.
Published: 01 September 2011
... of Camp,” in Hop on Pop: The Politics and Pleasures of Popular Culture, ed. Henry Jenkins, Tara McPherson, and Jane Shattuc (Durham, NC: Duke University Press, 2002), 292. 19. Shirley Clarke, interview with Barbara Haspiel for the New York Council on the Arts, 1968. Clarke...
Journal Article
Camera Obscura (2009) 24 (2 (71)): 1–41.
Published: 01 September 2009
... of Enchantment (Oxford: Berg, 2001); W. J. T. Mitchell, What Do Pictures Want? The Lives and Loves of Images (Chicago: University of Chicago Press, 2005); and Jane Bennett, The Enchantment of Modern Life: Attachments, Crossings, and Ethics (Princeton, NJ: Princeton University Press...
Journal Article
Camera Obscura (1995) 12 (2 (35)): 186–221.
Published: 01 May 1995
... in the films themselves that causes people to link them, beyond the fact that they happened to be made at the same time, by women directors. I don't find it worrisome. I'm an enormous fan of Jane Campion's work and of her as a person, and I'm happy about being bracketed with her...