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Jane Birkin
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Jane Birkin
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in Agnès Varda, Jane Birkin, and Kung-fu Master!
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2021
Figure 1. Mary-Jane (Jane Birkin) and Lou (Lou Doillon) in Kung-fu Master! ( Le petit amour , France, 1988) Figure 1. Mary-Jane (Jane Birkin) and Lou (Lou Doillon) in Kung-fu Master! (Le petit amour, France, 1988)
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Journal Article
Camera Obscura (2021) 36 (1 (106)): 41–59.
Published: 01 May 2021
...Figure 1. Mary-Jane (Jane Birkin) and Lou (Lou Doillon) in Kung-fu Master! ( Le petit amour , France, 1988) Figure 1. Mary-Jane (Jane Birkin) and Lou (Lou Doillon) in Kung-fu Master! (Le petit amour, France, 1988) ...
FIGURES
Journal Article
Camera Obscura (2021) 36 (1 (106)): 1–7.
Published: 01 May 2021
... , France, 1988). She draws on the work of Adriana Cavarero to analyze the feminist ethics of Varda's taboo-breaking representation of maternal eroticism, which has been long understudied in Varda's corpus. In “Agnès Varda, Jane Birkin, and Kung-fu Master! ,” Wilson analyzes how the film arose from Varda's...
Journal Article
Camera Obscura (2021) 36 (1 (106)): 61–85.
Published: 01 May 2021
... to thoughts of “evanescent loveliness,” “sentience, liveliness, desire” (77). Wilson also asserts the vital multiplicity that Varda celebrates in her film with Jane Birkin. There are as many Birkins and Monas as there are Vardas. 44 Once more, everything is double, or more, and the montages, collages...
FIGURES
Journal Article
Camera Obscura (2001) 16 (1 (46)): 1–45.
Published: 01 May 2001
... of the US; Alexandra Stewart, Genevieve Bujold, and
Donald Sutherland of Canada; Dirk Bogarde, Terence Stamp,
Alan Bates, Barbara Steele, Jane Birkin, and Jacqueline Bisset of
Great Britain; Anita Ekberg, Ingrid Thulin, and Britt Ekland...
