... engages in collective media production from Inuit women's perspectives with an explicit focus on gender. Arnait's video art, animation, fiction features, television programs, and documentaries address issues faced by women struggling for the recognition of indigenous and minoritarian cultures. The success...

... in structure to persistent organic pollutants (POPs), which bioaccumulate as they move up the food chain, a situation that has resulted in Inuit women being warned against breast-­ feeding their children due to dangerous levels of dioxins in their breast milk.10 These horrors need to become...

... neighborhood, like when they placed their video equipment in a red wagon and went along the street interviewing people. The members of Arnait Video Productions, the Inuit wom- en’s video collective that began in 1991, describe their work as a means to create “a bridge between generations, a tool...

... of the Inuit Broadcasting Corporation, is a necessary outcome of the “participatory cinema” pro- duced by ethnographic filmmakers like Jean Rouch beginning in the 1970s. See Faye Ginsburg, “Indigenous Media: Faustian Contract or Global Village?” Cultural...

....” Ross, “New Age Technoculture,” 546. Dangerous Spaces • 153 28. Davis draws attention to the associations between divine images of whiteness and northern extremes that are empty of any Inuit “color.” Davis, “Health and Safety in the Home,” 189...