Skip Nav Destination
Close Modal
Search Results for
Instagram
Update search
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
NARROW
Format
Subjects
Journal
Article Type
Date
Availability
1-20 of 29
Search Results for Instagram
Follow your search
Access your saved searches in your account
Would you like to receive an alert when new items match your search?
1
Sort by
Journal Article
Camera Obscura (2021) 36 (1 (106)): 155–185.
Published: 01 May 2021
...Matt St. John Abstract This article explores the Instagram activities of Agnès Varda and her Visages Villages ( Faces Places , France, 2017) codirector JR to consider the role of social media in the film's theatrical release and awards campaign, which led to the film's nomination for Best...
FIGURES
| View All (13)
View articletitled, From Cannes to Cardboard: The Circulation and Promotion of Visages Villages and the Auteur on <span class="search-highlight">Instagram</span>
View
PDF
for article titled, From Cannes to Cardboard: The Circulation and Promotion of Visages Villages and the Auteur on <span class="search-highlight">Instagram</span>
Image
in Remixing to Queer the Archives of Diaspora: Qajar Photography and the Persian Carpet
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2022
Figure 1. Qajar Hot Girls, Tehran Times , 2018, Instagram page, accessed 17 December 2018. https://www.instagram.com/p/BneA45eFDVY/
More
Image
in From Cannes to Cardboard: The Circulation and Promotion of Visages Villages and the Auteur on Instagram
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2021
Figure 1. Still from Instagram video of JR traveling with Varda cutouts. The video caption begins, “Agnes couldn't travel so . . . We took her on a ride [red heart emoji] @facesplacesfilm! Nominated for an academy award for best documentary” (JR, 2018)
More
Image
in From Cannes to Cardboard: The Circulation and Promotion of Visages Villages and the Auteur on Instagram
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2021
Figure 1. Still from Instagram video of JR traveling with Varda cutouts. The video caption begins, “Agnes couldn't travel so . . . We took her on a ride [red heart emoji] @facesplacesfilm! Nominated for an academy award for best documentary” (JR, 2018)
More
Image
in From Cannes to Cardboard: The Circulation and Promotion of Visages Villages and the Auteur on Instagram
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2021
Figure 2. Still from Instagram video of eyeball balloon with translated caption, “Once again JR hit me in the eye” (Agnès Varda, 2017)
More
Image
in From Cannes to Cardboard: The Circulation and Promotion of Visages Villages and the Auteur on Instagram
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2021
Figure 3. Instagram of Varda and JR peeking out from a pool, with the caption “ [emoji of eyeglasses and sunglasses]” (Agnès Varda, 2017)
More
Image
in From Cannes to Cardboard: The Circulation and Promotion of Visages Villages and the Auteur on Instagram
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2021
Figure 3. Instagram of Varda and JR peeking out from a pool, with the caption “ [emoji of eyeglasses and sunglasses]” (Agnès Varda, 2017)
More
Image
in From Cannes to Cardboard: The Circulation and Promotion of Visages Villages and the Auteur on Instagram
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2021
Figure 4. Varda posing with a Visages Villages poster on Instagram (Agnès Varda, 2017)
More
Image
in From Cannes to Cardboard: The Circulation and Promotion of Visages Villages and the Auteur on Instagram
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2021
Figure 5. Instagram photo of Varda pretending to sleep with her honorary Oscar speech under her pillow. The caption partially reads, “Under my pillow to remind my speech. See you tomorrow!” (Agnès Varda, 2017)
More
Image
in From Cannes to Cardboard: The Circulation and Promotion of Visages Villages and the Auteur on Instagram
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2021
Figure 6. Still from one of Varda's Instagram videos, with photographs of Jacques Demy near the door to her home (Agnès Varda, 2017)
More
Image
in From Cannes to Cardboard: The Circulation and Promotion of Visages Villages and the Auteur on Instagram
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2021
Figure 7. Instagram photo with Varda posing next to joust posters that feature her cartoon counterpart and other references to her work, with the caption referencing the poster by Christophe Vallaux (Agnès Varda, 2017)
More
Image
in From Cannes to Cardboard: The Circulation and Promotion of Visages Villages and the Auteur on Instagram
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2021
Figure 8. JR's reaction to the film's Oscar nomination on Instagram, with the caption, “When our film @facesplacesfilm is nominated at the Oscar for Best Documentary feature . . . ” (JR, 2018)
More
Image
in From Cannes to Cardboard: The Circulation and Promotion of Visages Villages and the Auteur on Instagram
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2021
Figure 9. Still from JR's Instagram video of the cardboard Varda's travels, showing a cardboard Varda cutout going through a TSA X-ray machine (JR, 2018)
More
Image
in From Cannes to Cardboard: The Circulation and Promotion of Visages Villages and the Auteur on Instagram
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2021
Figure 10. Still from JR's Instagram video of the cardboard Varda's travels, showing a cardboard Varda that appears mostly buried in sand at the beach (JR, 2018)
More
Image
in From Cannes to Cardboard: The Circulation and Promotion of Visages Villages and the Auteur on Instagram
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2021
Figure 11. Instagram photo of Varda's Independent Spirit Award for Visages Villages ( Faces Places , France, 2018)
More
Journal Article
Camera Obscura (2021) 36 (2 (107)): 65–97.
Published: 01 September 2021
..., “FaceTune Is Conquering Instagram.” 59. Bucher, If . . . Then , 4–12. Copyright © 2021 by Camera Obscura Published by Duke University Press 2021 Auto-Tune media history modulation sound studies voice Modulation is increasingly ubiquitous in contemporary life. Everywhere we look...
FIGURES
| View All (7)
Journal Article
Camera Obscura (2021) 36 (1 (106)): 1–7.
Published: 01 May 2021
.... DeRoo shows that Varda was willing to use her platform to advocate for others; together with 50/50 en 2020, Varda made broader calls for parity and equity in the festival and film industry. In “From Cannes to Cardboard: The Circulation and Promotion of Visages Villages and the Auteur on Instagram...
Image
in “All Your Faves Are Problematic”: The Performative Spectatorship of Drunk Feminist Films
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 September 2022
Figure 1. A square of nine posts related to the screening of The Craft (dir. Andrew Fleming, US, 1996) on the Drunk Feminist Film Instagram account
More
Journal Article
Camera Obscura (2022) 37 (2 (110)): 149–159.
Published: 01 September 2022
...Figure 1. A square of nine posts related to the screening of The Craft (dir. Andrew Fleming, US, 1996) on the Drunk Feminist Film Instagram account ...
FIGURES
Journal Article
Camera Obscura (2022) 37 (3 (111)): 145–177.
Published: 01 December 2022
.... Extending her influence beyond creative work to social media channels such as Instagram and Twitter, Dunham has also exchanged endorsements with writers and artists such as Miranda July and Maggie Nelson, among others. Her newsletter Lenny Letter , created with frequent collaborator Jennie Konner...
FIGURES
| View All (4)
1