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Hito Steyerl
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in Self-Suspension in Frames: Hito Steyerl's Lovely Andrea
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2023
Figure 2. “What is your film about?” Hito Steyerl interviewed in the opening shot of the film. Lovely Andrea (dir. Hito Steyerl, Japan/Austria/Germany, 2007). Courtesy of the artist
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in Self-Suspension in Frames: Hito Steyerl's Lovely Andrea
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2023
Figure 4. The “Lovely Andrea” pictures are found. Lovely Andrea (dir. Hito Steyerl, Japan/Austria/Germany, 2007). Courtesy of the artist
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Journal Article
Camera Obscura (2023) 38 (3 (114)): 173–201.
Published: 01 December 2023
...Figure 2. “What is your film about?” Hito Steyerl interviewed in the opening shot of the film. Lovely Andrea (dir. Hito Steyerl, Japan/Austria/Germany, 2007). Courtesy of the artist ...
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![“This was her friends [ sic ] name . . . ” Close-up of <span class="search-highlight">Hito</span> <span class="search-highlight">Steyerl's</span> bonda...](https://dup.silverchair-cdn.com/dup/Content_public/Journal/camera-obscura/38/3%20%28114%29/10.1215_02705346-10772631/2/s_cob10772631figure1.png?Expires=2147483647&Signature=nqQMGvkPHO3Pvu8WalQ5w~NPf2FEcEqNdtd4-klHvNpKH6WYQCnKCnJJ9jYZnKBrxqY9c0RPDo8QvxXByirLewrkAUs~HD96xCgt-Zz97AtzslY4bGbJAr6lM3Cn59M8KKy5e8aI8t6H2g7FugQoRvnZhYlkpd5GAxzIpj~6G6rdJW18vgKpq865Vdq4EEM4QYpXpKT9jX6cd6uR7kb1nxkULsqkmHLh~BcENmoUyx9XRsqRO2-vcvH~DgWmC7b6a2kTGDIP04wklzWYsPBxeJ652SMpWCRW731anB6vryxfwtZCkmHdinzc0dBuVtlwJT~zmLYomGkHmgS7oCMt1w__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in Self-Suspension in Frames: Hito Steyerl's Lovely Andrea
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2023
Figure 1. “This was her friends [ sic ] name . . . ” Close-up of Hito Steyerl's bondage pictures. Lovely Andrea (dir. Hito Steyerl, Japan/Austria/Germany, 2007). Courtesy of the artist
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in Self-Suspension in Frames: Hito Steyerl's Lovely Andrea
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2023
Figure 3. Filming back at the TV crew in the Sex Archive. Lovely Andrea (dir. Hito Steyerl, Japan/Austria/Germany, 2007). Courtesy of the artist
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in Self-Suspension in Frames: Hito Steyerl's Lovely Andrea
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2023
Figure 6. The tied-up legs of a bondage model in a 2007 photo shoot. Lovely Andrea (dir. Hito Steyerl, Japan/Austria/Germany, 2007). Courtesy of the artist
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in Self-Suspension in Frames: Hito Steyerl's Lovely Andrea
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2023
Figure 9. “Two feelings at the same time.” Ageha performing self-suspension. Lovely Andrea (dir. Hito Steyerl, Japan/Austria/Germany, 2007). Courtesy of the artist
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in Self-Suspension in Frames: Hito Steyerl's Lovely Andrea
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2023
Figure 11. Telescopic frames and image grafting. Spider-Woman in the control room. Lovely Andrea (dir. Hito Steyerl, Japan/Austria/Germany, 2007). Courtesy of the artist
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in Self-Suspension in Frames: Hito Steyerl's Lovely Andrea
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2023
Figure 10. Self-suspension in reverse. Ageha's hair flows up as she hangs upside down. Lovely Andrea (dir. Hito Steyerl, Japan/Austria/Germany, 2007). Courtesy of the artist
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in Self-Suspension in Frames: Hito Steyerl's Lovely Andrea
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2023
Figure 8. Inserts from Steve and Ageha's bondage performance, Spider-Man , and the Abu Ghraib picture at Tanaka Kinichi's studio. Lovely Andrea (dir. Hito Steyerl, Japan/Austria/Germany, 2007). Courtesy of the artist
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in Self-Suspension in Frames: Hito Steyerl's Lovely Andrea
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2023
Figure 7. “You are connected to other people through the net.” Osada Steve's words as Spider-Man weaves his way through Manhattan. Lovely Andrea (dir. Hito Steyerl, Japan/Austria/Germany, 2007). Courtesy of the artist
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in Self-Suspension in Frames: Hito Steyerl's Lovely Andrea
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2023
Figure 5. The Twin Towers bound by Spider-Man's web, as seen in his eye's reflection. Teaser for Spider-Man (dir. Sam Raimi, US, 2002) in Lovely Andrea (dir. Hito Steyerl, Japan/Austria/Germany, 2007). Courtesy of the artist
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Journal Article
Camera Obscura (2016) 31 (2 (92)): 155–165.
Published: 01 September 2016
...
of a battleship and conceal its orientation and size.” Adam
Harvey, “CV Dazzle: Camouflage from Face Detection,”CV Dazzle,
cvdazzle.com (accessed 24 October 2014).
2. Berlin-based artist Hito Steyerl first exhibited this piece as a
single-channel video at the 2013 Vienna Biennale...
Journal Article
Camera Obscura (2021) 36 (2 (107)): 65–97.
Published: 01 September 2021
...). 18. On the politics of poor-quality images in digital media ecologies, see Hito Steyerl, “In Defense of the Poor Image,” in The Wretched of the Screen (Berlin: Sternberg Press, 2012), 31–45. 19. The Gregory Brothers, “Can't Hug Every Cat,” YouTube video, uploaded by schmoyoho, 7 July 2011...
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