1-8 of 8 Search Results for

G. W. Pabst

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Article
Camera Obscura (2019) 34 (3): 63–95.
Published: 01 December 2019
...Jenelle Troxell This article examines the origin myth of the feminist film journal Close Up , namely, an excursion by its founders Bryher and H.D. to see G. W. Pabst’s Die freudlose Gasse ( The Joyless Street , 1925) in a small cinema in Montreux, Switzerland. Throughout the essay, I use Joyless...
Journal Article
Camera Obscura (1997) 14 (1-2 (40-41)): 243–274.
Published: 01 May 1997
...- less of the behaviour or intentions behind that superficial veil: The urgency of the binary opposition in the critical discourse surrounding Pandora’s Box [directed by G. W. Pabst (1929)] has to do with the ability to ascertain guilt . . . guilt does not necessarily attach itself to...
Journal Article
Camera Obscura (1991) 9 (3 (27)): 174–178.
Published: 01 September 1991
... Film of G. W. Pabst: An Extraterritorial Cinema edited by Eric Rentschler. Rutgers University Press, 1990. $17.95. Satyajit Ray: The Inner Eye by Andrew Robinson. University Of California Press, 1989. The Post-Feminist Hollywood Actress: Biographies and Filmographies ofStars Born After 2939...
Journal Article
Camera Obscura (2000) 15 (2 (44)): 177–201.
Published: 01 September 2000
...Margaret McCarthy Camera Obscura 2000 Margaret McCarthy is assistant professor of German at Davidson College, where she teaches twentieth-century German literature and film. She has published articles on Ingeborg Bachmann, Jutta Brückner, Luc Besson, and G. W. Pabst. At present she is...
Journal Article
Camera Obscura (2002) 17 (2 (50)): 41–67.
Published: 01 September 2002
...; among the diverse observers was Louise Brooks. Brooks, an American actress most famous for her Euro- pean roles, was well versed in the “international style.” She achieved international celebrity when German director G. W. Pabst chose her to play Lulu in Pandora’s Box in 1928. Pabst’s search...
Journal Article
Camera Obscura (2003) 18 (2 (53)): 57–91.
Published: 01 September 2003
... and reveals what separates The Passion of Joan of Arc from the German expressionist films that, as Schrader has pointed out, clearly influenced Dreyer.4 Films like F. W. Murnau’s Nosferatu (Germany, 1922) and G. W. Pabst’s Pandora’s Box (Ger- many, 1929) operate on a psychoanalytic logic that...
Journal Article
Camera Obscura (2006) 21 (2 (62)): 108–143.
Published: 01 September 2006
... Dietrich’s “Lola Lola” is also reminiscent of Frank Wedekind’s amoral prostitute Lulu from the plays The Earth Spirit (Der Erdgeist, 1893) and Pandora’s Box (Die Büchse der Pandora, 1904) and the G. W. Pabst film version of these plays with Louise Brooks in the title role (Germany, 1929). This...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 336–372.
Published: 01 December 1989
... Film Theory. Edited by Constance Penley. New York: Routledge, 1988. -. “Rereading the Work of Claire Johnston.” Camera Obscura 3/4 (197921-32. “Sexuality at a Loss: The Films of F. W. Murnau.” Poetics Today 6, nos. 1/2 (1985): 185-203...