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Search Results for France
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Image
Published: 01 December 2022
Figure 1. Le repas de bébé ( Baby's Meal , dir. Louis Lumière, France, 1895)
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in “The very palpitation of life!”: “The Leaves Are Stirring” in Context
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2022
Figure 1. The “turning point” of Paris 1900 (dir. Nicole Vedrès, France, 1947)
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in Bodies in Water: Disability Cinemas and Creatures of the Sea
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2022
Figure 1. Rust and Bone (dir. Jacques Audiard, France, 2012)
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in Bodies in Water: Disability Cinemas and Creatures of the Sea
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2022
Figure 3. Rust and Bone (dir. Jacques Audiard, France, 2012)
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in Cinema, Taliban, and Being a Woman in Today's Afghanistan: An Interview with Sahraa Karimi
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2023
Figure 1. Hava, Maryam, Ayesha (dir. Sahraa Karimi, France/Afghanistan, 2019)
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in Agnès Varda: Photography and Early Creative Process
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2021
Figure 1. Agnès Varda's scouting photographs for La Pointe Courte (France, 1954). Courtesy of Rosalie Varda
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in Agnès Varda: Photography and Early Creative Process
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2021
Figure 2. Agnès Varda's scouting photographs for La Pointe Courte (France, 1954). Courtesy of Rosalie Varda
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in Agnès Varda: Photography and Early Creative Process
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2021
Figure 3. Agnès Varda's scouting photographs for La Pointe Courte (France, 1954). Courtesy of Rosalie Varda
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Image
in Agnès Varda: Photography and Early Creative Process
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2021
Figure 4. Agnès Varda's scouting photographs for La Pointe Courte (France, 1954). Courtesy of Rosalie Varda
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Image
in Agnès Varda: Photography and Early Creative Process
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2021
Figure 5. Agnès Varda's shooting script for La Pointe Courte (France, 1954), with sketches of shots she had photographed (see fig. 4 ) and handwritten notes. Courtesy of Rosalie Varda
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in Agnès Varda: Photography and Early Creative Process
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2021
Figure 6. Agnès Varda's shooting script for La Pointe Courte (France, 1954), with sketches of shots she had photographed (see fig. 4 ). Courtesy of Rosalie Varda
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Published: 01 May 2021
Figure 2. Cleo from 5 to 7 ( Cléo de 5 à 7 , France, 1962) pressbook created by Ciné-Tamaris on the occasion of the 2K restoration of the film and its official selection in the Festival de Cannes's 2012 “Cannes Classics” program. The booklet contains a synopsis of the film, a brief history
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Published: 01 May 2021
Figure 3. “Aquatic suburbia”: Sausalito docks in Uncle Yanco (US/France, 1967)
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Published: 01 May 2021
Figure 4. Yanco (left) and Tom Luddy (right), in Uncle Yanco (US/France, 1967)
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Published: 01 May 2021
Figure 5. Embrace with cellophane heart in Uncle Yanco (US/France, 1967)
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Published: 01 May 2021
Figure 11. Yanco as “rich American uncle” in Uncle Yanco (US/France, 1967)
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Published: 01 May 2021
Figure 12. The dinner party scene in Uncle Yanco (US/France, 1967)
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Published: 01 May 2021
Figure 14. A close-up of a mosaic by Jean Varda in Uncle Yanco (US/France, 1967)
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Published: 01 May 2021
Figure 15. Sailing party aboard the Cythera in Uncle Yanco (US/France, 1967)
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