1-20 of 23 Search Results for

Festival de Cannes

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Image
Published: 01 May 2021
Figure 2. Cleo from 5 to 7 ( Cléo de 5 à 7 , France, 1962) pressbook created by Ciné-Tamaris on the occasion of the 2K restoration of the film and its official selection in the Festival de Cannes's 2012 “Cannes Classics” program. The booklet contains a synopsis of the film, a brief history More
Journal Article
Camera Obscura (2021) 36 (1 (106)): 127–153.
Published: 01 May 2021
... en 2020 Cannes Film Festival Festival de Cannes Agnès Varda created cinematic work for more than six decades, from her first film, La Pointe Courte (France, 1954), to her final film, Varda by Agnès ( Varda par Agnès , France, 2019). She is regarded as one of the most prolific female...
FIGURES | View All (10)
Journal Article
Camera Obscura (2021) 36 (1 (106)): 109–125.
Published: 01 May 2021
...Figure 2. Cleo from 5 to 7 ( Cléo de 5 à 7 , France, 1962) pressbook created by Ciné-Tamaris on the occasion of the 2K restoration of the film and its official selection in the Festival de Cannes's 2012 “Cannes Classics” program. The booklet contains a synopsis of the film, a brief history...
FIGURES
Journal Article
Camera Obscura (2021) 36 (1 (106)): 155–185.
Published: 01 May 2021
...-season moment for the Visages Villages team, this playful use of social media and Varda's image in particular characterize much of the film's promotional cycle, which helped maintain attention as it circulated at festivals and other screenings throughout the eight months between its Cannes premiere...
FIGURES | View All (13)
Journal Article
Camera Obscura (2021) 36 (1 (106)): 1–7.
Published: 01 May 2021
...: Power and Protest at the Cannes Film Festival,” Rebecca J. DeRoo provides a new analysis of Varda's late career activism. Weaving together recent documents, including an interview with Varda, DeRoo shows how Varda used honorary award speeches at the Cannes festival and then joined with the feminist...
Journal Article
Camera Obscura (2015) 30 (2 (89)): 29–53.
Published: 01 September 2015
... Shakur that could be manipulated to perform new movements and say new phrases. For its efforts, the company received the 2012 Titanium and Integrated Lions Award at the Cannes Lions International Festival of Creativity, beating more than five hundred entries.3 Like Gollum in The Lord...
Journal Article
Camera Obscura (2020) 35 (3 (105)): 142–153.
Published: 01 December 2020
... held up as a model country and the Film Institute’s CEO Anna Serner has held several widely publicized seminars in Cannes and elsewhere. This article aims to contextualize the Swedish case, as influential curators, jury chairs, and festival directors around the globe have signed the 50/50 by 2020...
Journal Article
Camera Obscura (2015) 30 (3 (90)): 161–187.
Published: 01 December 2015
... on one specific aspect of the debate — namely, the emergence of the “festival film” genre, which accommodates nearly all the works of the NFE. Indeed, the feedback loop that connects filmic production and the film festival circuit highlights a fundamental level of mediation — to be sure...
Journal Article
Camera Obscura (2014) 29 (1 (85)): 81–109.
Published: 01 May 2014
...-­performance is intertwined with film clips from Gulpilil’s oeuvre; archival footage of him on the red carpet at Cannes and other international film festivals; documentation of him on location; and interviews with well-­known directors (Noyce, de Heer), other actors (Justine Saunders, Jack Thompson...
Journal Article
Camera Obscura (1976) 1 (1 (1)): 128–139.
Published: 01 May 1976
... transformations of who our clothes are. Festival showings in Ann Arbor, New York, Toronto, Cannes and Paris. NEAR THE BIG CHAKRA (1971) 17 min. ; color; 16 mm; silent. A film that everywoman must see: 36 labia and vulva: the revelation of the consistent variation ofwomen's sexes.They are presented...
Journal Article
Camera Obscura (2012) 27 (3 (81)): 169–179.
Published: 01 December 2012
... lm festival to be impeded at any level by political demonstrations [and] this preceded the demonstrations at Cannes and at Venice by several months.”4 All of a sudden, bourgeois Knokke became the center of cultural revolt. Raymond Williams would say that Knokke’s wealth and pluralism were...
Journal Article
Camera Obscura (2009) 24 (3 (72)): 153–162.
Published: 01 December 2009
... exception at TIFF 2008 was US independent Kelly Reichardt’s Wendy and Lucy, which chronicles the journey of a young woman who, on the road with her dog, reaches the edge of destitution in the Pacific Northwest. With festival “buzz” (from Cannes and New York, as well as Toronto), Wendy and Lucy...
Journal Article
Camera Obscura (1977) 1 (2 (2)): 137–145.
Published: 01 September 1977
..., was chosen as one of the official French entries at the Cannes Film Festival. All this happened at a time when another of her films, India Song, was 141 beginning its third year of continuous showing at a Left Bank cinema, and still another film, Son Nom de Venise dans Calcutta Desert, was ending a nine...
Journal Article
Camera Obscura (1995) 12 (2 (35)): 106–128.
Published: 01 May 1995
... after her several years in detention camps and her final clearance by French courts. The 1954 German premiere of Tiefland received little attention from the public but some critics applauded its artistic and technical quality." Jean Cocteau, president of the Cannes Film Festival jury at the time...
Journal Article
Camera Obscura (2014) 29 (3 (87)): 65–91.
Published: 01 December 2014
...- ized, irreverent, and iconographically ambiguous, Fruit arrived out-­of-­step both in its Czechoslovak debut in the post – Prague Spring crackdown and in the less than welcoming international festival circuit.1 Fruit has engendered plural and durable, but also changing, misconnections...
Journal Article
Camera Obscura (1999) 14 (3 (42)): 30–49.
Published: 01 September 1999
... the Best Director Award at the Cannes Film Festival of the same year. "Let's Start Over Again": Nostalgia for a Mythic Origin 33 Let me begin by suggesting that Happy Together can be seen as a nostalgic film. This may surprise some readers for the simple fact that nostalgia is most...
Journal Article
Camera Obscura (2014) 29 (1 (85)): 33–57.
Published: 01 May 2014
... Film Commission and because short films are allowed to feature in a competitive category at the Singapore International Film Fes- tival. This in turn has paved the way for the success of Singaporean shorts at other major international festivals, including Cannes and Rotterdam. Film scholars Jan...
Journal Article
Camera Obscura (2009) 24 (3 (72)): 111–151.
Published: 01 December 2009
... films that received theatrical release in a transnational or global market after gaining visibility and acclaim at international film festivals. Yet although many of these women worked in art cinema, neither this term nor that of national cinema ultimately suffices to explain...
Journal Article
Camera Obscura (2001) 16 (1 (46)): 77–97.
Published: 01 May 2001
... of film theory. For the past eight years she has been an editor of iris . She also serves as the French correspondent for the International Forum of Young Cinema at the Berlin Film Festival. 03-Bluher.sh 5/29/01 12:38 PM Page iv Souviens-toi-de moi [Remember Me] (1995/96...
Journal Article
Camera Obscura (2009) 24 (2 (71)): 43–75.
Published: 01 September 2009
... is given birth to. The listener therefore is party to the creation of knowledge de novo.”24 However, knowledge of the event is registered in one way for those present and in another way for the viewer. The film reaffirms that an event occurred by fixing the testimony and/or other...