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Festival de Cannes

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Journal Article

Agnès Varda and Le Collectif 50/50 en 2020: Power and Protest at the Cannes Film Festival

Rebecca J. DeRoo
Camera Obscura (2021) 36 (1 (106)): 127–153.
DOI: https://doi.org/10.1215/02705346-8838577
Published: 01 May 2021
... en 2020 Cannes Film Festival Festival de Cannes Agnès Varda created cinematic work for more than six decades, from her first film, La Pointe Courte (France, 1954), to her final film, Varda by Agnès ( Varda par Agnès , France, 2019). She is regarded as one of the most prolific female...
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Cleo from 5 to 7 ( Cléo <span class="search-highlight">de</span> 5 à 7 , France, 1962) pressbook created by Ciné...

Cleo from 5 to 7 ( Cléo de 5 à 7 , France, 1962) pressbook created by Ciné...

in Agnès Varda, Producer > Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2021
Figure 2. Cleo from 5 to 7 ( Cléo de 5 à 7 , France, 1962) pressbook created by Ciné-Tamaris on the occasion of the 2K restoration of the film and its official selection in the Festival de Cannes's 2012 “Cannes Classics” program. The booklet contains a synopsis of the film, a brief history More
Journal Article

Agnès Varda, Producer

Kelley Conway
Camera Obscura (2021) 36 (1 (106)): 109–125.
DOI: https://doi.org/10.1215/02705346-8838565
Published: 01 May 2021
...Figure 2. Cleo from 5 to 7 ( Cléo de 5 à 7 , France, 1962) pressbook created by Ciné-Tamaris on the occasion of the 2K restoration of the film and its official selection in the Festival de Cannes's 2012 “Cannes Classics” program. The booklet contains a synopsis of the film, a brief history...
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From Cannes to Cardboard: The Circulation and Promotion of Visages Villages and the Auteur on Instagram

Matt St. John
Camera Obscura (2021) 36 (1 (106)): 155–185.
DOI: https://doi.org/10.1215/02705346-8838589
Published: 01 May 2021
... May 2017, www.hollywoodreporter.com/news/cannes-agnes-vardas-faces-places-takes-golden-eye-documentary-prize-1008246 . 14. Marijke De Valck, Film Festivals: From European Geopolitics to Global Cinephilia (Amsterdam: Amsterdam University Press, 2007), 16. 15. Anne Thompson, “TIFF 2017...
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Journal Article

Introduction: Future Varda

Rebecca J. DeRoo, Homay King
Camera Obscura (2021) 36 (1 (106)): 1–7.
DOI: https://doi.org/10.1215/02705346-8838505
Published: 01 May 2021
... of maternity and eroticism; her symbolic engagement with politics and historical trauma; her development of her own production company, Ciné-Tamaris; her recent political activism at Cannes and importance to contemporary feminism; and her innovative marketing bridging international film festivals and social...
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Voices from Beyond the Grave: Virtual Tupac's Live Performance at Coachella

Katherine Fusco
Camera Obscura (2015) 30 (2 (89)): 29–53.
DOI: https://doi.org/10.1215/02705346-3078314
Published: 01 September 2015
... Shakur that could be manipulated to perform new movements and say new phrases. For its efforts, the company received the 2012 Titanium and Integrated Lions Award at the Cannes Lions International Festival of Creativity, beating more than five hundred entries.3 Like Gollum in The Lord...
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Promoting the Image of Gender Equality in Swedish Film as the 2020 Deadline Expires

Ingrid Ryberg
Camera Obscura (2020) 35 (3 (105)): 142–153.
DOI: https://doi.org/10.1215/02705346-8631607
Published: 01 December 2020
... held up as a model country and the Film Institute’s CEO Anna Serner has held several widely publicized seminars in Cannes and elsewhere. This article aims to contextualize the Swedish case, as influential curators, jury chairs, and festival directors around the globe have signed the 50/50 by 2020...
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Journal Article

Reframing the New French Extremity: Cinema, Theory, Mediation

Mauro Resmini
Camera Obscura (2015) 30 (3 (90)): 161–187.
DOI: https://doi.org/10.1215/02705346-3160685
Published: 01 December 2015
... on one specific aspect of the debate — namely, the emergence of the “festival film” genre, which accommodates nearly all the works of the NFE. Indeed, the feedback loop that connects filmic production and the film festival circuit highlights a fundamental level of mediation — to be sure...
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Daughter of Saul, or Saul Leanya : The Gendered Place of Atrocity in László Nemes's Son of Saul

Szidonia Haragos
Camera Obscura (2021) 36 (2 (107)): 99–125.
DOI: https://doi.org/10.1215/02705346-9052816
Published: 01 September 2021
..., www.telerama.fr/festival-de-cannes/2015/laszlo-nemes-et-clara-royer-le-fils-de-saul-shoah,126690.php . 27. Barbara Klinger, “The Art Film, Affect and the Female Viewer: The Piano Revisited,” Screen 47, no. 1 (2006): 24, doi.org/10.1093/screen/hjl002 . 28. Klinger, “ The Piano Revisited,” 24...
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Between Worlds: Indigenous Identity and Difference in the Films of Darlene Johnson

Therese Davis
Camera Obscura (2014) 29 (1 (85)): 81–109.
DOI: https://doi.org/10.1215/02705346-2408525
Published: 01 May 2014
...-­performance is intertwined with film clips from Gulpilil’s oeuvre; archival footage of him on the red carpet at Cannes and other international film festivals; documentation of him on location; and interviews with well-­known directors (Noyce, de Heer), other actors (Justine Saunders, Jack Thompson...
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Journal Article

Women Working

Christina Creveling
Camera Obscura (1976) 1 (1 (1)): 128–139.
DOI: https://doi.org/10.1215/02705346-1-1_1-128
Published: 01 May 1976
... clothes are. Festival showings in Ann Arbor, New York, Toronto, Cannes and Paris. NEAR THE BIG CHAKRA (1971) 17 min. ; color; 16 mm; silent. A film that everywoman must see: 36 labia and vulva: the revelation of the consistent variation ofwomen's sexes.They are presented as they are, as we...
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How EXPRMNTL Made the Small Coastal Town of Knokke the Scene for Radical Artistic New Waves and Political Sea Changes

Gerda Johanna Cammaer
Camera Obscura (2012) 27 (3 (81)): 169–179.
DOI: https://doi.org/10.1215/02705346-1727509
Published: 01 December 2012
... lm festival to be impeded at any level by political demonstrations [and] this preceded the demonstrations at Cannes and at Venice by several months.”4 All of a sudden, bourgeois Knokke became the center of cultural revolt. Raymond Williams would say that Knokke’s wealth and pluralism were...
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Journal Article

Watching Women's Films

Patricia White
Camera Obscura (2009) 24 (3 (72)): 153–162.
DOI: https://doi.org/10.1215/02705346-2009-012
Published: 01 December 2009
... exception at TIFF 2008 was US independent Kelly Reichardt’s Wendy and Lucy, which chronicles the journey of a young woman who, on the road with her dog, reaches the edge of destitution in the Pacific Northwest. With festival “buzz” (from Cannes and New York, as well as Toronto), Wendy and Lucy...
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Women Working

Chantal Akerman, Christina Creveling
Camera Obscura (1977) 1 (2 (2)): 137–145.
DOI: https://doi.org/10.1215/02705346-1-2_2-137
Published: 01 September 1977
... at the Cannes Film Festival. All this happened at a time when another of her films, India Song, was 141 beginning its third year of continuous showing at a Left Bank cinema, and still another film, Son Nom de Venise dans Calcutta Desert, was ending a nine-month commercial first run. And this is the same...
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“Wherever you may run, you cannot escape him”: Leni Riefenstahl's Self-Reflection and Romantic Transcendence of Nazism in Tiefland

Robert von Dassanowsky
Camera Obscura (1995) 12 (2 (35)): 106–128.
DOI: https://doi.org/10.1215/02705346-12-2_35-106
Published: 01 May 1995
... after her several years in detention camps and her final clearance by French courts. The 1954 German premiere of Tiefland received little attention from the public but some critics applauded its artistic and technical quality." Jean Cocteau, president of the Cannes Film Festival jury at the time...
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Věra Chytilová's The Fruit of Paradise : A Tale of a Feminine Aesthetic, Dancing Color, and a Doll Who Kills the Devil

Iveta Jusová, Dan Reyes
Camera Obscura (2014) 29 (3 (87)): 65–91.
DOI: https://doi.org/10.1215/02705346-2801518
Published: 01 December 2014
... Schmid, and Karel Novák). Zdeněk Liška, a celebrated Czech composer, wrote the film’s haunting score. Belgian cosponsors arranged for Fruit’s entry at the 1970 Cannes Film Festival, although it had a disappointing reception there. 2. Daisies, also coproduced with Krumbachová...
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The Minor Transnationalism of Queer Asian Cinema: Female Authorship and the Short Film Format

Olivia Khoo
Camera Obscura (2014) 29 (1 (85)): 33–57.
DOI: https://doi.org/10.1215/02705346-2408507
Published: 01 May 2014
... Film Commission and because short films are allowed to feature in a competitive category at the Singapore International Film Fes- tival. This in turn has paved the way for the success of Singaporean shorts at other major international festivals, including Cannes and Rotterdam. Film scholars Jan...
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Journal Article

The World and the Soup: Historicizing Media Feminisms in Transnational Contexts

Kathleen McHugh
Camera Obscura (2009) 24 (3 (72)): 111–151.
DOI: https://doi.org/10.1215/02705346-2009-011
Published: 01 December 2009
... by women directors in the global film market, as evidenced by her contribution, “The Lady Bug,” to Chacun son cinéma (To Each His Own Cinema), a collection of thirty-four three-minute films by thirty-six directors to celebrate the sixtieth anniversary of the Cannes film festival...
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Nostalgia of the New Wave: Structure in Wong Kar-wai's Happy Together

Rey Chow
Camera Obscura (1999) 14 (3 (42)): 30–49.
DOI: https://doi.org/10.1215/02705346-14-3_42-30
Published: 01 September 1999
... the Best Director Award at the Cannes Film Festival of the same year. "Let's Start Over Again": Nostalgia for a Mythic Origin 33 Let me begin by suggesting that Happy Together can be seen as a nostalgic film. This may surprise some readers for the simple fact that nostalgia is most...
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Hip-Hop Cinema in France

Dominique Bluher
Camera Obscura (2001) 16 (1 (46)): 77–97.
DOI: https://doi.org/10.1215/02705346-16-1_46-77
Published: 01 May 2001
... of film theory. For the past eight years she has been an editor of iris . She also serves as the French correspondent for the International Forum of Young Cinema at the Berlin Film Festival. 03-Bluher.sh 5/29/01 12:38 PM Page iv Souviens-toi-de moi [Remember Me] (1995/96...
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