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Eastman Color

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Journal Article
Camera Obscura (2015) 30 (3 (90)): 1–25.
Published: 01 December 2015
... with Romanticism, transforming her into a commodity to be marketed to a modern mass theatrical audience. At the same time, this essay argues that the film questions its own use of spectacle, in particular CinemaScope and Eastman Color, to present its notorious heroine as an object of spectacle for contemporary...
Journal Article
Camera Obscura (2001) 16 (1 (46)): 1–45.
Published: 01 May 2001
... they were expensive to make, the tendency was to play safe, even though they did permit the implementation of colour on a reasonably large scale. . . . By 1954, almost half the films were co-produced, creating a crisis not just...
Journal Article
Camera Obscura (2023) 38 (3 (114)): 35–75.
Published: 01 December 2023
... combinations of colors across a range of media forms and technologies. After Technicolor's decline, Eastman Kodak acquired a monopoly on color film and photography and provided test slides during the “color wars” in the late 1940s and early 1950s, when rival networks vied for ownership of the US color TV...
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Journal Article
Camera Obscura (2002) 17 (1 (49)): 73–105.
Published: 01 May 2002
... “Serpentine Dance” moves beyond the symbolic gestures of Delsarte and physical culture by conflating a number of quali- ties that also reflect art nouveau and modernist sensibilities: color, swirling designs, the female dancer, and an interest in dream states and inner psyche. Debora Silverman argues in Art...
Journal Article
Camera Obscura (2022) 37 (2 (110)): 1–29.
Published: 01 September 2022
...,” 160–62. 24. It becomes even more interesting considering the casting of Warner Oland in both films, as Dr. Fu Manchu and Charlie Chan respectively. 25. Miyao, Sessue Hayakawa , 278. 26. The Toll of the Sea (1922), the first feature film using Technicolor's two-color subtractive...
Journal Article
Camera Obscura (2004) 19 (3 (57)): 57–91.
Published: 01 December 2004
... given to degraded video.”27 Grainy Days and Mondays As the Vancouver screening advertisement mentions, the bootleg tapes of Superstar typically reveal lost resolution from multiple generations of duplication, so that the color looks washed out and the audio sounds distorted. The standard...
Journal Article
Camera Obscura (2006) 21 (2 (62)): 32–73.
Published: 01 September 2006
..., each text presents the bodies of people The Intimacies of Globalization  •  37 of color as invisible within and yet central to the processes of global capitalism. These bodies elude the gaze of structures of authority even as they are continually commodified...
Journal Article
Camera Obscura (2013) 28 (3 (84)): 1–31.
Published: 01 December 2013
... attended a lecture by Mahatma Gandhi. As a student at Syracuse University, she interviewed Hollywood star Anita Page and musician Cab Cal- loway for the college newspaper (128 – 29, 139). One of her first jobs after graduating was with leftist author Max Eastman. Her next employment...