Search Results for David France

...Richard C. Cante This essay discusses How to Survive a Plague (dir. David France, US, 2012) as a deep rumination on the natures of action and agency from the individual to the collective, especially gay male action and agency when they are approached intersectionally. It takes the film...

... Tension, dir. Alexandre Aja, France, 2003), Inside (À l’intérieur, dir. Alexandre Bustillo and Julien Maury, France, 2007), Frontier(s) (Frontière(s), dir. Xavier Gens, France, 2007), and Them (Ils, dir. David Moreau and Xavier Palud, France, 2006). 2. See Martine Beugnet...

... Vice-consul. Paris: Galhard, 1965. Translated as The Vice-Consul. London: Hamilton, 1968. Lhmante anglaise. Paris: Gahard, 1968. Ditruire, dit-elle. Paris: Editions de Minuit, 1969. Translated as Destroy, She Said. New York, Grove Press, 1970. Abahn, Sabana, David. Paris: Gahard...

... by Camera Obscura 2013 Figure 1. Johan: Mon été 75 (dir. Philippe Vallois, France, 1976) Choreographing Homosexual Desire in Philippe Vallois’s Johan David A. Gerstner After seeing Philippe Vallois’s Johan: Mon été 75 (France, 1976) for the first time, I was surprised to discover how...

... of what David Slavin terms a “blind spot.” The fashion story hides the injustices of imperial media through seemingly anodyne content. The newsreel presents the consumption of high-end French fashion as commonplace in Lebanon, yet this is unlikely, as it would have been in France. 32 The newsreel...

... Varda.” I dedicate it to my twin sister, Sharon, and her husband, David, in gratitude for their help in its preparation. And thanks, as ever, to my husband, Joel, for his poetic insights. Figure 14. Sandy Flitterman-Lewis with Agnès Varda at the Université de Rennes, November 2007 Figure 14...

... for Night was shot in France by a French director with a largely French cast and crew with the key exceptions of the Italian actress Valentina Cortese and the British actors David Markham and Jacqueline Bisset; their presence registers the fact that Day...

..., in an odd instance of life foreshadowing art, sent her to modeling school to “feminize” her.84 Conclusion: Pygmalion Projects As David Wills observes in his essay on the Hollywood remake of Breathless (dir. Jean-Luc Godard, France, 1959), “There can never be a faithful remake, and not just because...

... under the name “David” is equally unsuccessful, probably because the French North African character, Saïd, presents the card for payment and evokes the driver’s expectation that some- body named David would not look like Saïd.24 While Saïd and Hubert...

.... 177 The Classical Hollywood Cinema: Film Styles and Mode of Production to 1960 by David Bordwell, Janet Staiger and Kristin Thompson. Columbia Univer- sity Press. New York, 1985. $49.50. Howard Hawks: Storyteller by Gerald Mast. Oxford University Press. New York, 1984. $10.95. lust...

...), and their popularity indicates that they were clearly not consumed by exclusively or even predominantly gay audiences.3 David Chap- man, the author of Retro Stud, notes that the American release of Le fatiche di Ercole featured a massive ad campaign “targeting . . . the American male,” which took out full...

... in places outside a heteronorma- tive culture. In this sense, they are reminiscent of the Romantic heroes of late eighteenth- and early nineteenth- century art and literature such as Lord Byron s moody outcast Childe Harold in Childe Harold s Pilgrimage (1812 18), or Caspar David Friedrich s Wanderer...

... 1956): 28–29. 1. Laurent Creton, Histoire économique du cinéma français: Production et financement 1940–1959 (Paris: CNRS, 2004). I am grateful to Rosalie Varda, Cecilia Rose, Bernard Bastide, David Gardner, and Sullivan Sweet for their assistance in the research of this article...

... Moving (Potatoes and Shells, Too ), ed. Dominique Bluher (Chicago: Reva and David Logan Center for the Arts, University of Chicago, 2015), 6. 36. Regarding Varda's interrogation of the still and moving image in her multimedia work, see Raymond Bellour, “ ‘Cinévardaphoto’ dit-elle,” in Varda...

... the surface of the face, turning the image inside out. Writing about the installa- tion as a whole (rather that just the feature film), Catherine David has noted that at its most abstract (as in the footage of streetlights and fog with which Akerman accompanies her monologue), the work does indeed efface...

...: University of Minnesota Press, 1994), 65–81. 2. Mary Ann Doane, Femmes Fatales (New York: Routledge, 1991), 78. 3. W. David Kingrey, introduction to Learning from Things, ed. Kingrey (Washington, DC: Smithsonian Institution Press, 1996), 4. 4. Jules David Prown, “The Truth...

... University Press, 2002. Barber, Stephen M., and David L. Clark, eds. Regarding Sedgwick: Essays on Queer Culture and Critical Theory. New York: Routledge, 2002. Barr, Charles. Vertigo. London: British Film Institute, 2002. Bernard, Anne-Marie, ed. The World of Proust: As Seen by Paul Nadar...

..., that is, by mobilizing a network of intertextual references that challenge the unity and self-­presence of the viewing subject, artists such as Dotty Attie, Ken Aptekar, and David Reed practice what Bal calls “preposterous history”: a way of doing art that dispossesses the past of its priority over the pres...

..., 4.48 Psychosis, in Complete Plays, ed. David Greig (London: Methuen, 2001), 206 – 7. 2. Isabelle Huppert, qtd. in A. G., “People Are Talking About/ Theater: Heart of Darkness,” Vogue, October 2005. 3. Jesse McKinley, “Sending a Warning on an Unusual Play (Pack Your Pocket...

... [Arletty, or, The freedom to be: With a portrait-­interview] (Paris: L’Harmattan, 2000), 77. 16. Turk, Child of Paradise, 45. 17. Accounts that privilege Carné’s influence on Arletty include David Aldstadt, “Arletty, Star Image, and the Return of the Gaze: Gazing Back from Marcel...