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Search Results for Claire Denis

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Journal Article
Camera Obscura (2022) 37 (1 (109)): 61–89.
Published: 01 May 2022
...Iggy Cortez Abstract Claire Denis's films have long been associated with enveloping moods. This essay focuses on how atmospheres in her film, 35 Shots of Rum ( 35 Rhums , France/Germany, 2008), possess a unique conceptual valence within her work. As a “rethinking” of Yasujirō Ozu's Late Spring...
FIGURES | View All (4)
Journal Article
Camera Obscura (2014) 29 (1 (85)): 33–57.
Published: 01 May 2014
...Olivia Khoo Singaporean filmmaker Sun Koh's short film Dirty Bitch ( Tu Nu [兔女], 2009) was inspired by a violently censored VHS copy of Claire Denis's Nénette et Boni (France, 1996) found by the director at the Singapore public library. While the film can be read as an homage to a well-known French...
Journal Article
Camera Obscura (2019) 34 (2): 133–161.
Published: 01 September 2019
... as bearers of emotion, and on a crisis in intimate relations, the three films by Chantal Akerman, Claire Denis, and Ann Hui considered here reconsider melodrama’s possibilities. They all broach ways of rethinking Oedipal fantasy, moving beyond a story of the fraught emergence of the individual to one focused...
Image
Published: 01 May 2022
Figure 3. Joséphine and Lionel go camping in the coast of Lübeck in 35 Rhums (dir. Claire Denis, France/Germany, 2009). More
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Published: 01 May 2022
Figure 2. Joséphine and Noé dance ambivalently in 35 Shots of Rum ( 35 Rhums , dir. Claire Denis, France/Germany, 2009). More
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Published: 01 May 2022
Figure 4. Lionel and Joséphine fall asleep in the dark in 35 Shots of Rum ( 35 Rhums , dir. Claire Denis, France/Germany, 2009). More
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Published: 01 May 2022
Figure 1. Lionel and his daughter Joséphine share a tender moment in 35 Shots of Rum ( 35 Rhums , dir. Claire Denis, France/Germany, 2009). More
Journal Article
Camera Obscura (2009) 24 (3 (72)): 153–162.
Published: 01 December 2009
... young sisters in Korea sent by their struggling single mom to live first with an aunt in a provincial town and then on their grandparents’ farm. Claire Denis’s 35 rhums (Thirty-Five Shots of Rum, France/Germany, 2008), conceived in part as a tribute to Yasujiro Ozu’s Banshun (Late Spring...
Journal Article
Camera Obscura (2007) 22 (3 (66)): 93–127.
Published: 01 December 2007
.../ Luxembourg, 1996 the acerbic modernist Michael Haneke (Caché [France/Austria/Germany/Italy, 2005] and Code inconnu: Récit incomplet de divers voyages [Code Unknown, France/Germany/ Romania, 1999 and France’s most commercially successful woman director, Claire Denis ( J’ai pas sommeil [I Can’t Sleep...
Journal Article
Camera Obscura (2015) 30 (3 (90)): 161–187.
Published: 01 December 2015
..., and Sundance festivals and won a spot in the International Critics’ Week at Cannes in 1998, while his Irreversible (Irréversible, France) premiered at Cannes in 2002, as did Claire Denis’s Trouble Every Day (France, Germany, and Japan) in 2001. Catherine Breillat’s Fat Girl (À ma soeur!, France...
Journal Article
Camera Obscura (2017) 32 (3 (96)): 33–61.
Published: 01 December 2017
... and Jeremy Maguire); Jay’s adult daughter Claire (Julie Bowen), her husband Phil Dunphy (Ty Burrell), and their three children Haley (Sarah Hyland), Alex (Ariel Winter), and Luke (Nolan Gould); and Jay’s adult son Mitchell (Jesse Tyler Ferguson), his partner- turned- husband Cameron “Cam” Tucker...
Journal Article
Camera Obscura (2017) 32 (3 (96)): 1–31.
Published: 01 December 2017
... daughter Claire (Julie Bowen) is married to Phil Dunphy (Ty Burrell), a realtor, trampoline enthusiast, and former college cheerleader, with whom she is raising their three children: Haley (Sarah Hyland) is popular and pretty yet struggles academically; Alex (Ariel Winter) excels academically yet...
Journal Article
Camera Obscura (2013) 28 (2 (83)): 1–43.
Published: 01 September 2013
... and the Cinemas of Performance: Powers of Affection (Edinburgh: Edinburgh University Press, 2008). 50. I derive this idea from Del Rio’s employment of the Deleuzian concept of the molecular  to account for the diffused eroticism of Claire Denis’s Beau Travail (France, 1999). Elena...
Journal Article
Camera Obscura (1976) 1 (1 (1)): 11–26.
Published: 01 May 1976
..., but also that her image and its functioning is a locus of contradictions in any sym- bolicproduction of that order, with cinema, in its enormous mass cultural role, a particularly important site of this. Pam Cook and Claire Johnston in their work on Tourneur, Arzner and Walsh4 have shown...
Journal Article
Camera Obscura (2022) 37 (3 (111)): 87–113.
Published: 01 December 2022
...Domietta Torlasco Abstract Taking Denis Villeneuve's Blade Runner 2049 as a point of departure, this essay argues that cinema's stories of species survival at once hide and duplicate the racialization of matter that has marked the history of geology and, more recently, the discourse...
FIGURES
Journal Article
Camera Obscura (2007) 22 (3 (66)): 1–23.
Published: 01 December 2007
... Gledhill, are not previewed, so no editorial connection is drawn between the arguments in “Visual Pleasure” and those in Claire Johnston’s review of pioneering feminist film studies by Molly Haskell, Marjorie Rosen, and Joan Mellen. Without denying the importance of Mulvey’s contribution...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 194–199.
Published: 01 December 1989
... have found to be important to my own work. Theorists who have discussed the female spectator in ways that I have found particularly useful include Teresa de Lauretis, Mary Ann Doane, Claire Johnston, Judith Mayne, Tania Modleski, Laura Mulvey, Kaja Silverman...
Journal Article
Camera Obscura (1979) 1-2 (3-1 (3-4)): 5–13.
Published: 01 May 1979
... and television industry. But a very big part of the magazine was devoted to an analysis of the roles of women in Hollywood films made by men. The approach to Hollywood in these articles was very rightly accused by Claire Johnston in the British Film Institute pamphlet Notes on Women’s Cinema of being...
Journal Article
Camera Obscura (2014) 29 (1 (85)): 59–79.
Published: 01 May 2014
.... Vasili Pichul, Soviet Union, 1988), a film that sensationalizes sex and violence. In an attempt to deni- grate Everybody Dies but Me, one Russian critic suggested that the film looks like what Little Vera  would have looked like if its epony- mous protagonist had made it herself.12 Indeed...
Journal Article
Camera Obscura (2004) 19 (3 (57)): 125–155.
Published: 01 December 2004
... on the second- story balcony above her to ask what she is doing. The scene exem- plifies the way in which Carol is isolated while also continually under interrogation from those around her: being alone is in- escapable yet unsustainable in surroundings that both enforce and deny privacy. Similarly...