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Claire Denis

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Journal Article
Camera Obscura (2014) 29 (1 (85)): 33–57.
Published: 01 May 2014
...Olivia Khoo Singaporean filmmaker Sun Koh's short film Dirty Bitch ( Tu Nu [兔女], 2009) was inspired by a violently censored VHS copy of Claire Denis's Nénette et Boni (France, 1996) found by the director at the Singapore public library. While the film can be read as an homage to a well-known French...
Journal Article
Camera Obscura (2019) 34 (2): 133–161.
Published: 01 September 2019
... bearers of emotion, and on a crisis in intimate relations, the three films by Chantal Akerman, Claire Denis, and Ann Hui considered here reconsider melodrama’s possibilities. They all broach ways of rethinking Oedipal fantasy, moving beyond a story of the fraught emergence of the individual to one focused...
Journal Article
Camera Obscura (2009) 24 (3 (72)): 153–162.
Published: 01 December 2009
... Kim’s autobiographical portrait of two very young sisters in Korea sent by their struggling single mom to live first with an aunt in a provincial town and then on their grandparents’ farm. Claire Denis’s 35 rhums (Thirty-Five Shots of Rum, France/Germany, 2008), conceived in part as a tribute to...
Journal Article
Camera Obscura (2015) 30 (3 (90)): 161–187.
Published: 01 December 2015
... Sundance festivals and won a spot in the International Critics’ Week at Cannes in 1998, while his Irreversible (Irréversible, France) premiered at Cannes in 2002, as did Claire Denis’s Trouble Every Day (France, Germany, and Japan) in 2001. Catherine Breillat’s Fat Girl (À ma soeur!, France and...
Journal Article
Camera Obscura (2017) 32 (3 (96)): 33–61.
Published: 01 December 2017
... Jeremy Maguire); Jay’s adult daughter Claire (Julie Bowen), her husband Phil Dunphy (Ty Burrell), and their three children Haley (Sarah Hyland), Alex (Ariel Winter), and Luke (Nolan Gould); and Jay’s adult son Mitchell (Jesse Tyler Ferguson), his partner- turned- husband Cameron “Cam” Tucker...
Journal Article
Camera Obscura (2007) 22 (3 (66)): 93–127.
Published: 01 December 2007
.../ Luxembourg, 1996 the acerbic modernist Michael Haneke (Caché [France/Austria/Germany/Italy, 2005] and Code inconnu: Récit incomplet de divers voyages [Code Unknown, France/Germany/ Romania, 1999 and France’s most commercially successful woman director, Claire Denis ( J’ai pas sommeil [I Can’t Sleep...
Journal Article
Camera Obscura (2013) 28 (2 (83)): 1–43.
Published: 01 September 2013
...- ognizable blackness in the literary work. She asks: how does an utterly racialized society ignore the tremors that pervade the lit- erary utterance in the attempt sometimes to accommodate and sometimes to deny a black presence? By way of an answer, Mor- rison offers the following observations: “In...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 194–199.
Published: 01 December 1989
... have found to be important to my own work. Theorists who have discussed the female spectator in ways that I have found particularly useful include Teresa de Lauretis, Mary Ann Doane, Claire Johnston, Judith Mayne, Tania Modleski, Laura Mulvey, Kaja Silverman and...
Journal Article
Camera Obscura (2017) 32 (3 (96)): 1–31.
Published: 01 December 2017
... strait- laced daughter Claire (Julie Bowen) is married to Phil Dunphy (Ty Burrell), a realtor, trampoline enthusiast, and former college cheerleader, with whom she is raising their three children: Haley (Sarah Hyland) is popular and pretty yet struggles academically; Alex (Ariel Winter) excels...
Journal Article
Camera Obscura (2009) 24 (3 (72)): 111–151.
Published: 01 December 2009
...- ryn Bigelow, Antonia Bird,  Jane Campion, Gurinder Chadha, Mar- tha Coolidge, Busi Cortés,  Julie Dash, Claire Denis, Doris Dörrie, Su Friedrich, Bette Gordon, Marleen Gorris, Leslie Harris, Mona Hartoum, Amy Heckerling, Agnieszka Holland, Ann Hui, Barbara Kopple, Diane Kurys, Clara Law, Deepa...
Journal Article
Camera Obscura (1976) 1 (1 (1)): 11–26.
Published: 01 May 1976
... also that her image and its functioning is a locus of contradictions in any sym- bolicproduction of that order, with cinema, in its enormous mass cultural role, a particularly important site of this. Pam Cook and Claire Johnston in their work on Tourneur, Arzner and Walsh4 have shown...
Journal Article
Camera Obscura (1979) 1-2 (3-1 (3-4)): 5–13.
Published: 01 May 1979
... part of the magazine was devoted to an analysis of the roles of women in Hollywood films made by men. The approach to Hollywood in these articles was very rightly accused by Claire Johnston in the British Film Institute pamphlet Notes on Women’s Cinema of being sociological and determinsitic...
Journal Article
Camera Obscura (2007) 22 (3 (66)): 1–23.
Published: 01 December 2007
... form employed not only by Mulvey but also by her con- temporaries in the 1970s — for example, Claire Johnston’s rejec- tion of an austere and antipopulist avant-gardism in “Women’s Cinema as Counter-Cinema”: “In order to counter our objectifi- cation in the cinema, our collective...
Journal Article
Camera Obscura (2016) 31 (1 (91)): 187–201.
Published: 01 May 2016
... heroes. Looking at these series of photographs, one can see that this multiplicity is not merely a theoretical assumption but a reality that can hardly be denied once the pres- ence of the photographed person is acknowledged. The modes of their participation in the act and event of photography are...
Journal Article
Camera Obscura (1976) 1 (1 (1)): 3–10.
Published: 01 May 1976
... in the journal Screen, or in conjunction with it; for example, Pam Cook and Claire Johnston's texts on Tourneur, Arzner and Walsh, and Laura Mul- vey's "Visual Pleasure and Narrative Cinema": The work of Kari Haner and Jacqueline Rose has extended methods of textual analysis for the study of...
Journal Article
Camera Obscura (2014) 29 (1 (85)): 59–79.
Published: 01 May 2014
... from self-­lacerating to exploitative. This tendency toward exposure was epitomized in Little Vera (Malenkaya Vera, dir. Vasili Pichul, Soviet Union, 1988), a film that sensationalizes sex and violence. In an attempt to deni- grate Everybody Dies but Me, one Russian critic suggested that the...
Journal Article
Camera Obscura (1988) 6 (2 (17)): 194–205.
Published: 01 May 1988
... (1983),Jerry slips, trips, slides and glides his way across a polished floor towards the psychiatrist’s couch. He reclines, prepared to speak, and tumbles to the floor. An extended moment of paralysis in motion, of articulation delayed and denied. A stutter which struc- tures the phenomenon...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 40–52.
Published: 01 December 1989
... translation in Dérives 52. Noël , Lise . “Cette sensibilité qu'on dit féminine.” Liberté 151 ( 1985 ). La Parole métèque: Ie magazine du renouveau féministe 8 (Winter 1989 ). “L'image des femmes dans les médias.” Special issue on women and media. Pérusse , Denise . “La...
Journal Article
Camera Obscura (1984) 4 (3 (12)): 130–143.
Published: 01 December 1984
... her to draw the following conclusion: “Thus, even though they are dif- ferently structured, the overall function of the figures in all these films remains the same’’ (p. 2 15). Would a different kind of figural functioning in other Bunuel films deny them access to the...
Journal Article
Camera Obscura (2017) 32 (1 (94)): 93–127.
Published: 01 May 2017
... Enfants re- veals a parallel onomastic chain spanning from the actress’s role as Clara in the former film to her role as Claire in the latter. Though we come to discover that the woman in the well goes by the name Garance, when later pressed by the police, she declares her full name to be “Claire...